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在历史与寓言之间——评刘焕鲁的《国魅》
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作者 方宁 《文艺争鸣》 CSSCI 北大核心 2004年第3期94-95,共2页
关键词 刘焕鲁 《国魅》 长篇小说 创作手法 寓言性 人物描写 主题思想
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雷达专栏:长篇小说笔记之十九 被引量:1
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作者 雷达 《小说评论》 北大核心 2004年第2期4-9,共6页
关键词 张平 《国家干部》 长篇小说 刘焕鲁 《国魅》 梅毅 《阳光碎片》 艺术风格
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Kitsch or Visionary?" Charismatic Eschatological Community in Folk Art of the American South
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作者 Steven Felix-Jager 《Cultural and Religious Studies》 2016年第6期387-395,共9页
Where do we draw the line of divinely inspired visionary art, and Christian kitsch? Folk artists such as the Rev. Howard Finster and Sister Gertrude Morgan straddled the fence of kitsch and visionary art because they... Where do we draw the line of divinely inspired visionary art, and Christian kitsch? Folk artists such as the Rev. Howard Finster and Sister Gertrude Morgan straddled the fence of kitsch and visionary art because they created work that was blatantly polemical and didactic, yet lived lives that inspired thousands of people across the US. The so-called "Southern Folk Art" movement consists of self-taught artists from the American South who are self-trained and rely heavily on "visions" and "prophetic words" as the genesis of their art. This article contends that the art produced by folk artists is documentation of their visionary insights as opposed to detached works that are admired for aesthetic reasons. While folk art of the American South portrays the charismatic imagination with themes of eschatological community and the second coming, it is the "visionary artist" that is contemplated, rather than his or her bona fide message of redemption and re-creation. 展开更多
关键词 Folk Art Sister Gertrude Morgan Howard Finster Visionary Art KITSCH American South
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