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内涵与风格的传承:试析《简·爱》和《大一女生》
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作者 温钊莲 《内蒙古农业大学学报(社会科学版)》 2008年第4期364-365,368,共3页
十九世纪欧洲著名文学作品《简.爱》与当代中国文学作品《大一女生》出自不同国度、不同年代、不同流派的作家之手,却塑造出相似但又不尽相同的鲜明的人物形象,本文对两部作品进行比较分析,从内涵和艺术手段着眼,从作品的人物的命运与... 十九世纪欧洲著名文学作品《简.爱》与当代中国文学作品《大一女生》出自不同国度、不同年代、不同流派的作家之手,却塑造出相似但又不尽相同的鲜明的人物形象,本文对两部作品进行比较分析,从内涵和艺术手段着眼,从作品的人物的命运与形象的刻画、情节结构的设置、景物与心理的统一方面入手,剖析两部作品的艺术魅力以及它们成功的审美因素,从而透视出文学精神的微妙渗透和传承。 展开更多
关键词 比较分析 《简·爱》 《大一女生》 继承
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Contesting Veterans' Identities" Reflections Upon Gender Roles and History in Pat Barker's Regeneration
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作者 Denise Borille de Abreu 《Journal of Literature and Art Studies》 2014年第10期822-830,共9页
This paper aims to reflect upon the approximations between literature and history in Pat Barker's novel Regeneration (1991). The novel fictionalizes the conversations held by three war veterans who wrote and fought... This paper aims to reflect upon the approximations between literature and history in Pat Barker's novel Regeneration (1991). The novel fictionalizes the conversations held by three war veterans who wrote and fought in the First World War (Wilfred Owen, Siegfried Sassoon, and Robert Graves) during their stay at Craiglockart's Hospital--a war hospital for the treatment of shell-shocked officers, in Scotland. The paper addresses more emphatically how traditional male and female roles are renegotiated in Barker's metafiction. Finally, it provides some considerations on British women war writing of the First World War, a tradition in which Regeneration is rooted and emerges as a remarkable contemporary example. 展开更多
关键词 women war writing gender studies life writing First World War studies trauma theory
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