Willa Cather （1873-1947） is one of the greatest women writers in the history of American literature, whose reputation centers on her novels about celebrating pioneer immigrants on Nebraska prairie and the American s...Willa Cather （1873-1947） is one of the greatest women writers in the history of American literature, whose reputation centers on her novels about celebrating pioneer immigrants on Nebraska prairie and the American southwest. For long Willa Cather＇s pioneer works have gained great critical acclaim and have been interpreted from different perspectives such as mythicism, romanticism, and feminism. This paper, interpreting Willa C ather＇ s classical pioneer works of the three periods from the 1920s to the 1930s-My A ntonia （ 1918）, A Lost Lady （1923）, and ＂Neighbor Rosicky＂ （1930）, is devoted to making a full exploration into the evolution of her ecological thoughts from an ecofeminist perspective. In Willa Cather＇s three pioneer works of different creative stages, she deliberately constructs three eco-worlds as a standard of ecological harmony. In her three eco-worlds, Willa Cather not only investigates the relationship between man and nature, but also involves androcentrism, patriarchy, and other ecofeminist topics. Willa Cather＇s ecological views have undergone changes in her representation of three successive phrases. To interpret Willa Cather＇s pioneer works from the perspective of ecofeminism can provide a deeper comprehension about her works and her ecological thoughts for the world.展开更多
Female character in video games is the one of the most controversial topic in game studies and nowadays women＇s anthropology. From the beginning of role in games＇ plot to sexualized graphical representation, woman i...Female character in video games is the one of the most controversial topic in game studies and nowadays women＇s anthropology. From the beginning of role in games＇ plot to sexualized graphical representation, woman in virtual world were （and sometimes still are） a point of discussion about characters sexualisation and role of female sex in virtual industry. The main aim of this paper is to present analysis of female representation in video games and how in last 30 years it has changed. In other words, how female characters were ennobled from sex object to main protagonist status. In presented research, there were used mostly the examples of popular video games with extended plot and world which can be explored by protagonists. Video game historiography, textual analysis （which helped to treat video game character as a protagonist）, and thematic analysis of video games were used as a main research method. The main conclusion of this paper is that female characters can overcome all gender or sexual stereotypes and even eventually became an icon of popular culture展开更多
This paper aims to reflect upon the approximations between literature and history in Pat Barker＇s novel Regeneration （1991）. The novel fictionalizes the conversations held by three war veterans who wrote and fought...This paper aims to reflect upon the approximations between literature and history in Pat Barker＇s novel Regeneration （1991）. The novel fictionalizes the conversations held by three war veterans who wrote and fought in the First World War （Wilfred Owen, Siegfried Sassoon, and Robert Graves） during their stay at Craiglockart＇s Hospital--a war hospital for the treatment of shell-shocked officers, in Scotland. The paper addresses more emphatically how traditional male and female roles are renegotiated in Barker＇s metafiction. Finally, it provides some considerations on British women war writing of the First World War, a tradition in which Regeneration is rooted and emerges as a remarkable contemporary example.展开更多
Charlotte Gilman＇s utopian masterpiece Herland （1915） dramatizes a confrontation between three men and an all-female society. Gilman not only creates a political vacuum, where the whole patriarchal civilization, in...Charlotte Gilman＇s utopian masterpiece Herland （1915） dramatizes a confrontation between three men and an all-female society. Gilman not only creates a political vacuum, where the whole patriarchal civilization, including patriarchal system, superstructure, ideology, influence, and consciousness have ceased to exist, but also men are done away with all together. Most reviews claim that Herland criticizes the patriarchal tradition and manifests concern for humanity and some even regard Herland as the first truly feminist work in the American tradition. But this supposedly utopian world is actually static, without possibilities of growth and even inhuman, gothic, and nightmarish. And this is because Gilman constructs the women＇s utopia out of the conviction in women＇s superiority over men. Herland is a little paradise that is designed too perfect. Women＇s utopias still need to promote social change in the real world展开更多
文摘Willa Cather （1873-1947） is one of the greatest women writers in the history of American literature, whose reputation centers on her novels about celebrating pioneer immigrants on Nebraska prairie and the American southwest. For long Willa Cather＇s pioneer works have gained great critical acclaim and have been interpreted from different perspectives such as mythicism, romanticism, and feminism. This paper, interpreting Willa C ather＇ s classical pioneer works of the three periods from the 1920s to the 1930s-My A ntonia （ 1918）, A Lost Lady （1923）, and ＂Neighbor Rosicky＂ （1930）, is devoted to making a full exploration into the evolution of her ecological thoughts from an ecofeminist perspective. In Willa Cather＇s three pioneer works of different creative stages, she deliberately constructs three eco-worlds as a standard of ecological harmony. In her three eco-worlds, Willa Cather not only investigates the relationship between man and nature, but also involves androcentrism, patriarchy, and other ecofeminist topics. Willa Cather＇s ecological views have undergone changes in her representation of three successive phrases. To interpret Willa Cather＇s pioneer works from the perspective of ecofeminism can provide a deeper comprehension about her works and her ecological thoughts for the world.
文摘Female character in video games is the one of the most controversial topic in game studies and nowadays women＇s anthropology. From the beginning of role in games＇ plot to sexualized graphical representation, woman in virtual world were （and sometimes still are） a point of discussion about characters sexualisation and role of female sex in virtual industry. The main aim of this paper is to present analysis of female representation in video games and how in last 30 years it has changed. In other words, how female characters were ennobled from sex object to main protagonist status. In presented research, there were used mostly the examples of popular video games with extended plot and world which can be explored by protagonists. Video game historiography, textual analysis （which helped to treat video game character as a protagonist）, and thematic analysis of video games were used as a main research method. The main conclusion of this paper is that female characters can overcome all gender or sexual stereotypes and even eventually became an icon of popular culture
文摘This paper aims to reflect upon the approximations between literature and history in Pat Barker＇s novel Regeneration （1991）. The novel fictionalizes the conversations held by three war veterans who wrote and fought in the First World War （Wilfred Owen, Siegfried Sassoon, and Robert Graves） during their stay at Craiglockart＇s Hospital--a war hospital for the treatment of shell-shocked officers, in Scotland. The paper addresses more emphatically how traditional male and female roles are renegotiated in Barker＇s metafiction. Finally, it provides some considerations on British women war writing of the First World War, a tradition in which Regeneration is rooted and emerges as a remarkable contemporary example.
文摘Charlotte Gilman＇s utopian masterpiece Herland （1915） dramatizes a confrontation between three men and an all-female society. Gilman not only creates a political vacuum, where the whole patriarchal civilization, including patriarchal system, superstructure, ideology, influence, and consciousness have ceased to exist, but also men are done away with all together. Most reviews claim that Herland criticizes the patriarchal tradition and manifests concern for humanity and some even regard Herland as the first truly feminist work in the American tradition. But this supposedly utopian world is actually static, without possibilities of growth and even inhuman, gothic, and nightmarish. And this is because Gilman constructs the women＇s utopia out of the conviction in women＇s superiority over men. Herland is a little paradise that is designed too perfect. Women＇s utopias still need to promote social change in the real world
