Realism of Movie Arts and Ecology folk cultural heritage in Southern Shaanxi Province --Taking the real movie ＂Lang singing folk songs in the door＂ for example

The real movie ＂Lang singing folk songs in the door＂ is the triangle love story among Xiao Yang, Feng Gang and Zhang Xuefeng. the three characters are the main line. folk songs in Nan Kang Ziyang of Shaanxi are the carrier, full of musical charm and cultural values. Folk songs, and love reveal the tragic loss and suffering in modern youth life-changing period, and reflect the gap between ideal and reality. Movie inspires people, developing and upholding heritage of folk music and cultural needs the whole community＇ s concern and support, a cavity blood alone and personal ideals are not enough, only rely on social groups and cultural media, can Southern folk ecological culture be in sustainable development, and fly out of the country to the world.

Popular Literary Tradition and the Localization of Early Chinese Films

As a new form of artistic expression, film has gone through a history of more than 100 years in China. Focusing on the aesthetic taste of the underclass, popular literary tradition, which highlights appreciation habits of the citizen stratum, is the quintessence of Chinese traditional culture. Breaking through the mode of Western films, the early Chinese film, referring to artistic elements in story-telling script, fiction, and drama in Song and Yuan Dynasties, has created new film genres of ＂unofficial historical film＂ and martial-art film which are positive results of the localization of early Chinese films. Though the unofficial historical film failed in adapting the theme of popular literature, its groundbreaking significance is still worth approving

论“软硬之争”后期的左翼影评

在“软硬之争”后期,影评界整体遇冷,左翼影评内部出现了以《文艺电影》为代表的倡导影评重心从“软硬”对抗中转移、反思自身的观点。影评环境的严酷变化、左翼内部的新呼声未能获得“左翼”的高度重视,暴露出左翼影评核心层在影评主要问题取舍上的困境。由于过度囿陷和“软”性的交锋,“软硬之争”后期的左翼影评从“社会性”向“政治性”过度偏移,并呈现出一种“争论—建构”的发展模式。重审“软硬之争”后期影评环境的变化、影评与大众的交互关系,对完整认知左翼影评具有重要意义,对当下健全科学电影评价机制亦有宝贵参考价值。