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传统与创新的调谐--《新朝鲜》杂志中的朝鲜音乐景观(1950-1970)
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作者 关冰阳 《中国音乐》 CSSCI 北大核心 2017年第4期117-126,共10页
西方学者著作中的朝鲜民主主义人民共和国音乐经常表现为"少数人观念绝对主导实践"与"强调创新"。这是以他们近年来的观察与材料所得出的结论。但它是否可以轻易扩大为朝鲜音乐自20世纪50年代以来至今的一贯特征?... 西方学者著作中的朝鲜民主主义人民共和国音乐经常表现为"少数人观念绝对主导实践"与"强调创新"。这是以他们近年来的观察与材料所得出的结论。但它是否可以轻易扩大为朝鲜音乐自20世纪50年代以来至今的一贯特征?通过对朝鲜官方出版的中文刊物《新朝鲜》20世纪50-70年代各期中音乐、舞蹈信息的归纳、分析,并参照同期朝、中两方原始材料,可以一定程度上再现该时期朝鲜音乐的面貌:文艺政策强调继承传统,推陈出新,艺术实践传统与创新多元并存。基于原始材料的研究可以增强我们对历史丰富性的认识,矫正对朝鲜音乐"一向如此"的刻板印象。 展开更多
关键词 朝鲜音乐 《新朝鲜》 传统
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Korean Picture Brides in Hawaii: Historical and Literary Narratives
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作者 Younho OH 《Journal of Literature and Art Studies》 2017年第12期1632-1644,共13页
Korean "picture brides" who migrated to Hawaii a century ago are reborn in stories through literary works produced in 21 st-century Korea and the USA. The literary value of picture bride stories is an important star... Korean "picture brides" who migrated to Hawaii a century ago are reborn in stories through literary works produced in 21 st-century Korea and the USA. The literary value of picture bride stories is an important starting point for raising awareness of the reality of Korean migration to the US a century ago and for understanding the status of the 20th-century Korean diaspora beyond national borders and cultural boundaries. This study aimed to investigate the historical background of picture brides in Hawaii in the early 20th century so as to research that the life of Korean picture brides was much harder than those of other Asian picture brides. The stories of picture brides, gleaned from various oral narratives, news articles, poems, plays, and novels, not only represent in great detail the patriarchal and nationalistic discourse prevalent in the period in the US on Korean and Asian picture brides, but also provide important details on these women's daily living, independent efforts to make new lives in Hawaii, and the transboundary hybrid culture that emerged as a result. The comparative-literary approach of the study also captures the value of the transnationalist thread in the literary works under study. 展开更多
关键词 picture brides Hawaiian history Korean diaspora literary transnationalism Your Paradise Song of the Wind Honolulu (Picture Bride Jin) ARIRANG
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Meso-Cenozoic basin evolution in northern Korean Peninsula
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作者 PAK Hyon Uk LYANG To Jun +2 位作者 LIU Yongjiang HYON Yun Su KIM Gyong Chol 《Global Geology》 2009年第2期80-86,共7页
In the Korean Peninsula the Meso-Cenozoic basins were mainly formed due to fault block and block movement. The Mesozoic fracture structures correspond basically to modem large rivers in direction. Such faults were usu... In the Korean Peninsula the Meso-Cenozoic basins were mainly formed due to fault block and block movement. The Mesozoic fracture structures correspond basically to modem large rivers in direction. Such faults were usually developed to rift and formed lake-type tectonic basin, such as the Amrokgang-, Taedonggang-, Ryesonggang-, Hochongang-, Jangphari-, Susongchon-, Pujon-, and Nampho basins. The Mesozoic strata are considered to be divided into the Lower Jurassic Taedong System, Upper Jurassic Jasong System, Upper Jurassic-early Lower Cretaceous Taebo System, and the Upper Cretaceous-Paleocene ( Chonjaebong, Hongwon, Jaedok Series). The Cenozoic block movement succeeded the Mesozoic fault block movement. The Kilju-Myongchon Graben and Tumangang Basin, etc, are the basins related to the fault zones developed from the Oligocene to Miocene. In addition, the Tertiary basins were formed in many areas in the Miocene (e. g. Sinhung, Oro, Hamhung, Yonghung, Anbyon, Cholwon, etc). The Cenozoic sedimentation occurred mainly from the late Oligocene to Miocene. The Kilju-Myongchon Graben was the fore deep connected to the sea and the basins inclined in the Chugaryong Fault Zone are intramountain basins. Therefore, coal-beating beds and clastic rocks in the intramountain basins and rare marine strata and terrigenous clastic rocks are main sedimentary sequences in the Cenozoic. 展开更多
关键词 Korean Peninsula Meso-Cenozoic basins tectonic movement
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