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《梅》诗(不受尘埃半点侵)作者辨考
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作者 高列过 《浙江师范大学学报(社会科学版)》 2018年第2期64-68,共5页
宋以来的文献表明,《梅》诗(不受尘埃半点侵)的作者应该是南宋末年文人王菉猗(漪),而不是王淇、王琪、王慕漪等。王菉猗(漪)亦是《春晚》诗(一从梅粉褪残妆)的作者。另外,从文学史的角度看,《梅》诗作者也不可能是北宋王琪。目前各种选... 宋以来的文献表明,《梅》诗(不受尘埃半点侵)的作者应该是南宋末年文人王菉猗(漪),而不是王淇、王琪、王慕漪等。王菉猗(漪)亦是《春晚》诗(一从梅粉褪残妆)的作者。另外,从文学史的角度看,《梅》诗作者也不可能是北宋王琪。目前各种选本关于这两首诗作者标注的错误应予以订正。 展开更多
关键词 王菉猗(漪) 王淇 王琪 《梅》诗
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由组诗写作看魏燮均对杜甫的继承
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作者 李贵银 李光辰 《辽东学院学报(社会科学版)》 2024年第2期80-85,共6页
清代辽东地区著名诗人魏燮均在诗歌创作上转益多师,杜甫是其师法对象之一。在感时伤乱主题的创作上,魏燮均有意效法杜甫,以组诗形式写作了大量诗歌,其中拟杜甫《秋兴》八首而作的《拟杜少陵秋兴八首即用原韵》最具代表性。拟作用原韵且... 清代辽东地区著名诗人魏燮均在诗歌创作上转益多师,杜甫是其师法对象之一。在感时伤乱主题的创作上,魏燮均有意效法杜甫,以组诗形式写作了大量诗歌,其中拟杜甫《秋兴》八首而作的《拟杜少陵秋兴八首即用原韵》最具代表性。拟作用原韵且做到了主旨与原作基本一致,虽然在艺术成就上与原作尚有差距,但也自成一体,颇见功力。由于具有诗史性质,魏燮均的组诗不仅有助于研究当时辽东地区的文学状况,也有助于了解清朝末年辽东的历史和百姓生活。 展开更多
关键词 魏燮均 杜甫 《九集》
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Against Orthodoxy: Sex, Marriage, and Gender Roles in George Meredith's Poems and Novels
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作者 Anna Enrichetta Soccio 《Journal of Literature and Art Studies》 2013年第6期355-362,共8页
George Meredith (1828-1909) is acknowledged as a creator of memorable female characters. Meredith's heroines are radically different from the women generally encountered in Victorian fiction. Characteristically, Me... George Meredith (1828-1909) is acknowledged as a creator of memorable female characters. Meredith's heroines are radically different from the women generally encountered in Victorian fiction. Characteristically, Meredith constructs a type of female character who, in a social context hostile to any break with convention, refuses to conform to the stereotype of the weak, passive, and dependant woman. In accordance with J. S. Mill's observations in The Subjection of Women (1869), Meredith thought that the progress of society could be possible only through female emancipation and admittance of women into public practice. This paper discusses the themes of marital disintegration and "conscious adultery" that affirm the legitimacy of female pleasure against coercion Thus, the paper will take into consideration the sonnet sequence Modern Love (1862) and one of Meredith's most neglected novels, Lord Ormont and His Aminta (1894), whose heroines are unexpectedly depicted as non-conventional, strong, and proud. A close reading of the texts will reveal the narrative strategies and textual devices through which Meredith exploited a model of womanhood that, by subverting the current ideas on sex, marriage, and gender roles, is able to countermine male "egoism", the only obstacle to the genuine progress of Victorian society toward real democratization 展开更多
关键词 George Meredith Victorian women love SEX gender SUBVERSION
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