自从鲍勃·迪伦获得诺贝尔文学奖以来,越来越多的人开始关注流行歌曲与文学之间的界面性,但并非所有的流行歌曲都具有文学性,而只有那些在创作过程中被赋予文学性的作品方能视为文学,如约翰·列依的《想象》(Imagine)、艾尔顿&#...自从鲍勃·迪伦获得诺贝尔文学奖以来,越来越多的人开始关注流行歌曲与文学之间的界面性,但并非所有的流行歌曲都具有文学性,而只有那些在创作过程中被赋予文学性的作品方能视为文学,如约翰·列依的《想象》(Imagine)、艾尔顿·约翰在《狮子王》中唱的主题曲《你今晚感觉到爱了吗?》(Can You Feel the Love Tonight?)、泰勒·斯威夫特的《爱情故事》可视为典型的文学作品。展开更多
The study deals with Demetria Martinez＇s Mother Tongue （1994）, which is a love story between a Mexican American woman and a Salvadoran refugee. The female protagonist, Mary, delves into connotations of love, expand...The study deals with Demetria Martinez＇s Mother Tongue （1994）, which is a love story between a Mexican American woman and a Salvadoran refugee. The female protagonist, Mary, delves into connotations of love, expanding it to understanding of the other. The story deploys politically imbricated religious practices in relation to the U.S. Sanctuary movement in the 80s. Mary＇s amorous encounter with the other leads her to discover the expansion of friendship and solidarity and, ultimately to rediscover religiosity based on reawakened ethics. This study argues that the melodramatic mode employed in this novel implicitly reveals an inherent aspiration for the sacred, albeit not fully representable. The author＇s involvement in the genre of romance and the melodramatic mode ironically attests to her striving for the spiritual ideal and ontological answer. In the end, this essay reveals that drawing on the popular melodramatic narrative, the romantic engagement with the alterity can be more efficiently introduced into the ontological quest for the absolute presence.展开更多
This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders mea...This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders meant to maintain exclusion and hegemony and instead considers them as being often flimsy, malleable, and changeable. Drawing upon her experience as a multifarious Arab-American writer whose father was a Palestinian immigrant and whose mother was an American, Nye tries to build bridges across political, national, cultural, and ethnic boundaries. Through a love story between the two protagonists （Liyana, whose father is a Palestinian-American and whose mother is American and Omer, whose parents are Jewish Israelis）, Nye endeavors to bring about a sense of harmony and understanding between the politically, ethnically, culturally, and racially separated J home whether in reality ews and Palestinians. At the end, Liyana＇s family realizes they can have more than one or in imagination.展开更多
Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone,...Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus＇ myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos＇ world and especially how it appears in Ulysses＇ Gaze （1995） and Trilogy： The Weeping Meadow （2004） and Dust of Time （2008）. In this last Angelopoulos＇ Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos＇ thought with the formulaic myths he introduces in his filmic work.展开更多
文摘自从鲍勃·迪伦获得诺贝尔文学奖以来,越来越多的人开始关注流行歌曲与文学之间的界面性,但并非所有的流行歌曲都具有文学性,而只有那些在创作过程中被赋予文学性的作品方能视为文学,如约翰·列依的《想象》(Imagine)、艾尔顿·约翰在《狮子王》中唱的主题曲《你今晚感觉到爱了吗?》(Can You Feel the Love Tonight?)、泰勒·斯威夫特的《爱情故事》可视为典型的文学作品。
文摘The study deals with Demetria Martinez＇s Mother Tongue （1994）, which is a love story between a Mexican American woman and a Salvadoran refugee. The female protagonist, Mary, delves into connotations of love, expanding it to understanding of the other. The story deploys politically imbricated religious practices in relation to the U.S. Sanctuary movement in the 80s. Mary＇s amorous encounter with the other leads her to discover the expansion of friendship and solidarity and, ultimately to rediscover religiosity based on reawakened ethics. This study argues that the melodramatic mode employed in this novel implicitly reveals an inherent aspiration for the sacred, albeit not fully representable. The author＇s involvement in the genre of romance and the melodramatic mode ironically attests to her striving for the spiritual ideal and ontological answer. In the end, this essay reveals that drawing on the popular melodramatic narrative, the romantic engagement with the alterity can be more efficiently introduced into the ontological quest for the absolute presence.
文摘This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders meant to maintain exclusion and hegemony and instead considers them as being often flimsy, malleable, and changeable. Drawing upon her experience as a multifarious Arab-American writer whose father was a Palestinian immigrant and whose mother was an American, Nye tries to build bridges across political, national, cultural, and ethnic boundaries. Through a love story between the two protagonists （Liyana, whose father is a Palestinian-American and whose mother is American and Omer, whose parents are Jewish Israelis）, Nye endeavors to bring about a sense of harmony and understanding between the politically, ethnically, culturally, and racially separated J home whether in reality ews and Palestinians. At the end, Liyana＇s family realizes they can have more than one or in imagination.
文摘Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus＇ myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos＇ world and especially how it appears in Ulysses＇ Gaze （1995） and Trilogy： The Weeping Meadow （2004） and Dust of Time （2008）. In this last Angelopoulos＇ Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos＇ thought with the formulaic myths he introduces in his filmic work.
