This paper describes a new framework for reusing hand-drawn cartoon clips based on language understanding ap- proach. Our framework involves two stages: a preprocessing phase, in which a hand-drawn clip library with m...This paper describes a new framework for reusing hand-drawn cartoon clips based on language understanding ap- proach. Our framework involves two stages: a preprocessing phase, in which a hand-drawn clip library with mixed architecture is constructed, and the on-line phase, in which the domain dependent language instructions parsing is carried out and clips in the clip library are matched by use of some matching values calculated from the information derived from instruction parsing. An im- portant feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.展开更多
Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrato...Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality.展开更多
基金Project supported by the National Natural Science Foundation of China (No. 60373037), the Hi-Tech Research and Development Pro-gram (863) of China (No. 2004AA119060), Natural Science Founda-tion of Zhejiang Province (No. M603228), Zhejiang Science and Technology Plan Project, and Ningbo Science Foundation for Doctor, China
文摘This paper describes a new framework for reusing hand-drawn cartoon clips based on language understanding ap- proach. Our framework involves two stages: a preprocessing phase, in which a hand-drawn clip library with mixed architecture is constructed, and the on-line phase, in which the domain dependent language instructions parsing is carried out and clips in the clip library are matched by use of some matching values calculated from the information derived from instruction parsing. An im- portant feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.
文摘Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality.
