本文以加里·斯奈德的The Practice of the Wild及其译本《禅定荒野》为研究对象,聚焦文化负载词的翻译问题。研究发现,在翻译涉及中国哲学思想、宇宙观、历史文化和宗教理念的文化负载词时,译者普遍采用归化和意译策略,以准确传达...本文以加里·斯奈德的The Practice of the Wild及其译本《禅定荒野》为研究对象,聚焦文化负载词的翻译问题。研究发现,在翻译涉及中国哲学思想、宇宙观、历史文化和宗教理念的文化负载词时,译者普遍采用归化和意译策略,以准确传达原文的文化内涵;而对于描述物质世界的文化负载词,译者则倾向于采用直译策略,以保持客观性和准确性。可见,译者在翻译实践中应根据文化负载词的具体类型和特点选择合适的翻译方法。展开更多
学者谭琼琳翻译的《禅定荒野》是加里·斯奈德所著散文集The Practice of the Wild的汉译本,以其细腻笔触精准复刻原作的优美意蕴。本文依托刘宓庆翻译美学中的语言形式美原则,从语音、词汇与句法三个维度对《禅定荒野》汉译本的语...学者谭琼琳翻译的《禅定荒野》是加里·斯奈德所著散文集The Practice of the Wild的汉译本,以其细腻笔触精准复刻原作的优美意蕴。本文依托刘宓庆翻译美学中的语言形式美原则,从语音、词汇与句法三个维度对《禅定荒野》汉译本的语言审美进行探析。通过案例分析,本文认为,在语音层面,译本借用尾韵与拟声词,传递原作的节奏感与音乐感;在词汇层面,译本遵循准确、优美、紧凑原则,确保原作的诗意表达;在句法层面,译本使用语句结构重构技巧,保留原作的修辞美感。Scholar Qionglin Tan has translated Gary Snyder’s essay collection The Practice of the Wild into delicate Chinese and accurately replicated its beauty. On the basis of Miqing Liu’s principle of the beauty of linguistic forms in translation aesthetics, this article explores the linguistic aesthetics of the Chinese translation of The Practice of the Wild from the phonetic, lexical, and syntactic perspectives. Through case studies, this paper argues that in the Chinese version, assonance and onomatopoeia are adopted to convey the rhythm and musicality at the phonetic level;principle of accuracy, beauty, and compactness is applied to maintain the poetic expression at the lexical level;and sentences are reconstructed to preserve the rhetorical beauty at the syntactic level of the source text.展开更多
文摘本文以加里·斯奈德的The Practice of the Wild及其译本《禅定荒野》为研究对象,聚焦文化负载词的翻译问题。研究发现,在翻译涉及中国哲学思想、宇宙观、历史文化和宗教理念的文化负载词时,译者普遍采用归化和意译策略,以准确传达原文的文化内涵;而对于描述物质世界的文化负载词,译者则倾向于采用直译策略,以保持客观性和准确性。可见,译者在翻译实践中应根据文化负载词的具体类型和特点选择合适的翻译方法。
文摘学者谭琼琳翻译的《禅定荒野》是加里·斯奈德所著散文集The Practice of the Wild的汉译本,以其细腻笔触精准复刻原作的优美意蕴。本文依托刘宓庆翻译美学中的语言形式美原则,从语音、词汇与句法三个维度对《禅定荒野》汉译本的语言审美进行探析。通过案例分析,本文认为,在语音层面,译本借用尾韵与拟声词,传递原作的节奏感与音乐感;在词汇层面,译本遵循准确、优美、紧凑原则,确保原作的诗意表达;在句法层面,译本使用语句结构重构技巧,保留原作的修辞美感。Scholar Qionglin Tan has translated Gary Snyder’s essay collection The Practice of the Wild into delicate Chinese and accurately replicated its beauty. On the basis of Miqing Liu’s principle of the beauty of linguistic forms in translation aesthetics, this article explores the linguistic aesthetics of the Chinese translation of The Practice of the Wild from the phonetic, lexical, and syntactic perspectives. Through case studies, this paper argues that in the Chinese version, assonance and onomatopoeia are adopted to convey the rhythm and musicality at the phonetic level;principle of accuracy, beauty, and compactness is applied to maintain the poetic expression at the lexical level;and sentences are reconstructed to preserve the rhetorical beauty at the syntactic level of the source text.
