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《精神哲学》“一分为三”思想 被引量:1
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作者 周德义 《湖南农业大学学报(社会科学版)》 2005年第2期102-105,共4页
一分为三是人类认识的普遍规律和基本思维方式。黑格尔哲学体系由逻辑学、自然哲学和精神哲学三部分组成。《精神哲学》又包括主观精神、客观精神和绝对精神三个阶段,是黑格尔哲学体系之形式的终结。在《精神哲学》中,黑格尔对精神发展... 一分为三是人类认识的普遍规律和基本思维方式。黑格尔哲学体系由逻辑学、自然哲学和精神哲学三部分组成。《精神哲学》又包括主观精神、客观精神和绝对精神三个阶段,是黑格尔哲学体系之形式的终结。在《精神哲学》中,黑格尔对精神发展的各阶段进行了一分为三的探讨。主观精神包含有灵魂、意识与精神。客观精神包含有法权、道德与伦理。绝对精神包含有艺术宗教、受启宗教与哲学。两者在写作的时间、内容和研究的对象、重点,以及编排序列、层次结构,布局谋篇、整体构架等方面具有差异。发掘诠译扬弃《精神哲学》的一分为三思想,对于一分为三思想研究具有重要意义。 展开更多
关键词 黑格尔哲学 “一分为三”思想 《精神哲学》 主观精神 客观精神 绝对精神
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严复现代国家观的哲学基础——以其对康德、黑格尔哲学的阐释为中心
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作者 王宪明 《东南学术》 CSSCI 北大核心 2024年第4期226-237,共12页
严复研读康德《纯粹理性批判》,留下了大量至今鲜为人知的批注。继之,他又发表《述黑格儿惟心论》,介绍了黑格尔《哲学科学百科全书》中的《精神哲学》的主要内容,并从中概括提炼出“伦理礼俗基于家,而为一切之基础”“国之合,以观念之... 严复研读康德《纯粹理性批判》,留下了大量至今鲜为人知的批注。继之,他又发表《述黑格儿惟心论》,介绍了黑格尔《哲学科学百科全书》中的《精神哲学》的主要内容,并从中概括提炼出“伦理礼俗基于家,而为一切之基础”“国之合,以观念之合为先”“民族之自由不可侵犯”“国各有道以为存立”“道之胜者常为雄”“居今而言强国,问所持主义之何如”等重要思想观点,并将之与儒家思想中的“道心”“小康”“大同”等相会通一。这反映了严复从哲学高度为建设中华民族的现代国家寻觅理论基础所做的努力,是严复留给后世的一笔极为宝贵的思想财富。 展开更多
关键词 严复 《纯粹理性批判》 《精神哲学》 现代国家 道心 大同
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论黑格尔美学体系的形成——《美学讲演录(1820/1821)》的文献意义与体系价值 被引量:3
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作者 徐贤樑 《西南大学学报(社会科学版)》 CSSCI 北大核心 2019年第5期149-160,200,共13页
艺术在哲学体系中的地位一直是黑格尔艺术哲学的难点,黑格尔《美学讲演录(1820/1821)》这份讲稿是研究此问题的重要进路。由于这份文献是黑格尔未正式发表的讲座稿,在中国国内黑格尔美学研究中更是少有提及,因此具备较大的文献学意义。... 艺术在哲学体系中的地位一直是黑格尔艺术哲学的难点,黑格尔《美学讲演录(1820/1821)》这份讲稿是研究此问题的重要进路。由于这份文献是黑格尔未正式发表的讲座稿,在中国国内黑格尔美学研究中更是少有提及,因此具备较大的文献学意义。这份文献是黑格尔柏林时期第一次讲授美学的纪要,因而有助于勾勒黑格尔思想发展的线索。依据黑格尔的规定,在艺术作品中,美成了理念的现实存在,这种理念在美中保持自身绝对同一性的力量,被黑格尔称之为自由。在艺术作品中,精神第一次真正达到了自由,从这个意义上说,艺术尽管并不是精神发展的顶峰,但却是不可或缺的一环。在任何时代,艺术都是维护人类本真自由最核心的方式之一。 展开更多
关键词 黑格尔 绝对精神 《美学》 《逻辑学》 《精神哲学》 艺术 显象 自由
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Spiritual Enlightenment & Education: A Reading of Lao Zi (老子) for Educational Philosophers Today
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作者 Xu Di B. Jeannie Lum 《Journal of Philosophy Study》 2012年第10期712-728,共17页
Educational philosophy and enlightenment have been closely connected through the human pursuit to search for truth and improvement in history. In today's world, commercialism and technology have gained and accumulate... Educational philosophy and enlightenment have been closely connected through the human pursuit to search for truth and improvement in history. In today's world, commercialism and technology have gained and accumulated enormous power in its impact on human society and consciousness, and have posed serious challenges to the traditional pursuit of enlightenment and philosophical studies. This paper takes a retrospective look of Lao Zi's Dao De Jing (Tao Te Jing, 道德经).1 The discussion provides Lao Zi's definition of enlightenment in comparison to the western philosophical tradition and examines his focal concepts of Dao (the Way,道) and Virtue (德), their relationship as well as the connection with enlightenment and education. In addition, the paper analyzes the insights and meaning Lao Zi's thought has for the contemporary philosophers and practices and raises questions regarding the implementation of his philosophy in the classrooms today. 展开更多
关键词 SPIRITUALITY EDUCATION MORALITY VIRTUE ENLIGHTENMENT
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The Grammars of Mystical Experience in Christian Theological Dialogue
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作者 Marc Jean-Bernard 《Journal of Philosophy Study》 2018年第4期151-168,共18页
The philosophical horizon of this essay is theoretically comparative and hermeneutically dialogic. Its main philosophical and theological tonality expresses, in first person and through three discursive moments, the d... The philosophical horizon of this essay is theoretically comparative and hermeneutically dialogic. Its main philosophical and theological tonality expresses, in first person and through three discursive moments, the differentiated fusion of horizons between phenomenological and grammatical description and understanding of experience. After a philosophical overture-outlining the ethos of the dialogic problematic and situating it within the contemporary diverse and dialogic dynamic of phenomenology-I will expose the consistent, possible modalities of convergence between Husserlian phenomenology and Wittgensteinian grammar of the mystical shapes of experience. The tense, responsorial dialogue among Husserl, Heidegger, Levinas, and Wittgenstein's styles of thinking, far from being anymore limited to the debates between the analytical and phenomenological, will be considered from the crossed categorial spaces of Austrian philosophy and German culture in general. In a second section, I will show how the styles of phenomenology today are advancing into a cautious micro-logical grammar of comparative inquiry. This thematization will first consider some precise semantic clarifications: Experience, the mystical, extasis, evidence, and truth; in a second section, the theoretical levels of grammar and phenomenology of mystical experience are heralded in the context of the Christian theological dialogue, where I emphasize the rebirth of French theological thinking and dialogic transcendence, beginning with Maritain and de Chardin to Marcel, de Lubac, Levinas, and Marion. Finally, I consider the aesthetic expressions of mystical experience, both from the visual and musical dimensions. I will conclude this talk by highlighting theological perspectives drawn from my research in musico-philosophical problematics, through an awakening to the resonance of Being and the Divine in sonic and musical life. Through a theology of the musical λογοζ, the grammar of mystical experience reveals the sacramentality of music and the mystery of silence 展开更多
关键词 phenomenology grammar MYSTICISM THEOLOGY ontology DIALOGUE music SILENCE
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SPECIAL ISSUE: DIALOGUE, INTERACTION AND NEW DEVELOPMENTS IN PHILOSOPHY IN CONTEMPORARY CHINA- SPECIALIST FORUM ON CHINESE, WESTERN AND MARXIST PHILOSOPHIES:Convergence of Chinese, Western and Marxist philosophies: reflections on a metaphilosophy and methodology for innovation in contemporary Chinese philosophy 被引量:1
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作者 Zhou Kezhen 《Social Sciences in China》 2009年第3期189-200,共12页
Innovation of contemporary Chinese philosophy should be conducted in the light of the spirit of the times that should be embodied in a new philosophy and the necessary academic character determined by the spirit of th... Innovation of contemporary Chinese philosophy should be conducted in the light of the spirit of the times that should be embodied in a new philosophy and the necessary academic character determined by the spirit of the times. It means the construction of a new philosophy that returns to primitive philosophy in terms of research scope, follows the example of Marxist philosophy in terms of research approach, and inherits and develops previous Chinese and Western philosophy in terms of research content. This new philosophy centered on the spirit of harmony is termed "post-modern Marxist philosophy." 展开更多
关键词 innovation of contemporary Chinese philosophy views of philosophy return toprimitive philosophy spirit of harmony
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