IT'S the local characters and landscape that I usually find most interesting about Chinese films. But it was the plot of Tuya's Marriage that captured my attention, regardless of its being Chinese." This ...IT'S the local characters and landscape that I usually find most interesting about Chinese films. But it was the plot of Tuya's Marriage that captured my attention, regardless of its being Chinese." This comment by a German critic is possibly the best compliment Wang Quan'an, director of Tuya's Marriage, could hope for. He and other young Chinese film makers have been doing their utmost to produce works that touch the Western soul rather than presenting a visual oriental feast.展开更多
'介质中感觉种相(species sensibiles in medio)'问题是中世纪晚期经院哲学关于灵魂感觉活动的自然哲学探究的重要组成部分。其核心在于澄清可感事物如何作用于感觉器官,以及感觉种相在介质和器官中的存在样态。这两个问题严格...'介质中感觉种相(species sensibiles in medio)'问题是中世纪晚期经院哲学关于灵魂感觉活动的自然哲学探究的重要组成部分。其核心在于澄清可感事物如何作用于感觉器官,以及感觉种相在介质和器官中的存在样态。这两个问题严格继承了亚里士多德在《论灵魂》中开启的讨论灵魂感觉活动的方向。从20世纪70年代开始,索拉布吉和伯恩耶特围绕亚氏感觉理论所展开的争论,高水准地展示了该问题所包含的复杂性。因此,从亚氏感觉理论的当代哲学讨论出发,历史地追溯'介质中感觉种相'问题的古代、中世纪早期根源是准确理解十三世纪中期思想家关于该问题展开争论的思想史基础。展开更多
文摘IT'S the local characters and landscape that I usually find most interesting about Chinese films. But it was the plot of Tuya's Marriage that captured my attention, regardless of its being Chinese." This comment by a German critic is possibly the best compliment Wang Quan'an, director of Tuya's Marriage, could hope for. He and other young Chinese film makers have been doing their utmost to produce works that touch the Western soul rather than presenting a visual oriental feast.
文摘'介质中感觉种相(species sensibiles in medio)'问题是中世纪晚期经院哲学关于灵魂感觉活动的自然哲学探究的重要组成部分。其核心在于澄清可感事物如何作用于感觉器官,以及感觉种相在介质和器官中的存在样态。这两个问题严格继承了亚里士多德在《论灵魂》中开启的讨论灵魂感觉活动的方向。从20世纪70年代开始,索拉布吉和伯恩耶特围绕亚氏感觉理论所展开的争论,高水准地展示了该问题所包含的复杂性。因此,从亚氏感觉理论的当代哲学讨论出发,历史地追溯'介质中感觉种相'问题的古代、中世纪早期根源是准确理解十三世纪中期思想家关于该问题展开争论的思想史基础。
