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《诗本音》所考古音与《诗集传》注音 被引量:3
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作者 陈鸿儒 《语言研究》 CSSCI 北大核心 2003年第3期64-70,共7页
《诗本音》中,古音异于今音的韵字180个。这180个韵字顾炎武共入韵597次。对照《诗集传》注音,其中27次不入韵或入韵而读音不详,87次读今音,22次兼读双音,461次读叶音。从这些注音的讨论中显示:顾炎武古音学成就有不如朱熹者。
关键词 朱熹 顾炎武 《诗》音 比较
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顾炎武《诗本音》分类考注述论 被引量:1
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作者 卢玮玮 《河北师范大学学报(哲学社会科学版)》 2021年第4期104-112,共9页
顾炎武的《诗本音》在《诗经》学史上占有重要的一席之地,被视为清代治《诗》音的开山之作,其治《诗》音体例与宋代治《诗》集大成的《诗集传》和明代力倡“古诗无叶音”的《毛诗古音考》存在明显差异。目前学界对《诗本音》治《诗》体... 顾炎武的《诗本音》在《诗经》学史上占有重要的一席之地,被视为清代治《诗》音的开山之作,其治《诗》音体例与宋代治《诗》集大成的《诗集传》和明代力倡“古诗无叶音”的《毛诗古音考》存在明显差异。目前学界对《诗本音》治《诗》体例的研究,仅限于韵字、韵例的概况勾勒,而对于占重要地位的分类考注内容则尚未给予应有的关注。事实上,通过对《诗本音》体例的全面考察,其分类考注的体例特征不仅独异其他治《诗》音著述,亦是管窥顾炎武治《诗》风格的重要途径。 展开更多
关键词 《诗 《诗经》 体例 分类 考注
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共成伟业——《音韵学辞典》序
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作者 俞敏 《古汉语研究》 CSSCI 北大核心 1991年第1期3-10,共2页
《音韵学辞典》稿,在很久以前我偶然看到过一小部分,多数是草稿。当时留下的印象是:细节还有些可商量的地方。收条目扩大到《经典释文》一类书,这就伸到经学领域里去了。修书的人除龙君庄伟以外,大部分都上过我的课;只有一位没上过,也... 《音韵学辞典》稿,在很久以前我偶然看到过一小部分,多数是草稿。当时留下的印象是:细节还有些可商量的地方。收条目扩大到《经典释文》一类书,这就伸到经学领域里去了。修书的人除龙君庄伟以外,大部分都上过我的课;只有一位没上过,也到我那里问过什么。那深浅我心里有数儿。提到经学,可以说,都不怎么摸门儿——这点儿也不奇怪,现在是20世纪80年代了么!人名条用郑玄开头,可能是根据《释文·序录》“为《诗》音有九人:郑玄……”这样的话。可是《序录》又说:“为《尚书》音者四人。孔安国、郑玄……按:汉人不作音,后人所托”。那么上一条就让人犯疑了。三礼后头列的“作音人”,头一个就是“ 展开更多
关键词 韵学 郑玄 进士出身 经学 《诗》音 草稿 龙君 三礼 孔安国 《经典释文》
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朱熹叶音本意考 被引量:17
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作者 刘晓南 舟人 《古汉语研究》 CSSCI 北大核心 2004年第3期2-7,共6页
我们在论证朱熹叶音不是乱改字音以叶古韵的基础上 ,进一步考证宋人及朱熹叶音主旨在于说明押韵 ,不在改音。其所注“叶某音”本意是从字之多音中选定一音以使韵谐 。
关键词 朱熹 汉语语 韵字
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《诗总闻·闻音》所见性质迥异的两种叶韵
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作者 陈鸿儒 赵慧 《语言研究》 CSSCI 北大核心 2017年第3期85-90,共6页
《诗总闻》是宋代保留比较完整的解《诗》著作。根据《诗总闻·闻音》中的叶韵事实,文章揭示出宋代存在的吴棫与"儒生之习"两种性质迥异的叶韵,以期读者对《诗》韵探讨的历史有更深入的了解。
关键词 总闻 叶韵 叶韵历史 《诗》韵研究
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Tagore's Gitanjali: Reunion With God Through Songs
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作者 Tinni Dutta 《Journal of Literature and Art Studies》 2016年第4期426-428,共3页
Tagore reaches his lord through his songs which uplift him above the meanness end of life. Music ennobles him to a level of friendship with the Creator. Tagore's poems are suffused with wonder at the melodies spun by... Tagore reaches his lord through his songs which uplift him above the meanness end of life. Music ennobles him to a level of friendship with the Creator. Tagore's poems are suffused with wonder at the melodies spun by the lord. These entrance the entire universe. The poet wants to sign the same way but cannot. He has been made captive in the meshes of his music. The objective of the present study is to show how Tagore unites with God through songs. Methodology adopted in this study is the dynamic analysis of the poems. The intrinsic idea is the recurrent theme in his songs using me as an offering of worship O Lord, even if thou inflict pain on me in the process. Numerous bereavements in his life, from early youth to old age, agonized him throughout. But the more he suffered, the stronger grew his faith so he could write this song. The refrain, re-iterated from the beginning to the end, enhances the musicality. Thus it can be concluded when the poet perceived the world through songs, then he knew the world and he recognized it. 展开更多
关键词 Rabibndranath Tagore GITANJALI psychodynamic analysis
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I Celebrate Myself & I Sing Myself: Romulus Bucur on Romulus Bucur's Ditties
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作者 Romulus Bucur 《Journal of Literature and Art Studies》 2013年第1期16-19,共4页
The present paper, in spite of its quite scandalous title, is just a serious reflection, from the inside, on a certain part of the poetry of a contemporary Romanian poet (the author of the paper himself), in the lin... The present paper, in spite of its quite scandalous title, is just a serious reflection, from the inside, on a certain part of the poetry of a contemporary Romanian poet (the author of the paper himself), in the line of a tradition starting with Poe's Philosophy of Composition (1846), passing through the avant-garde and ending, for the moment, in Andy Warhol's self-promotion. The analysis from the inside and the honest reflection of the interplay between poetry, music, and contemporary popular culture might lead to a better understanding of the poetry made at the end of the 20th century--beginning of the 21 st century. The corpus analyzed is a series of poems written between 1994 and the present day, under the generic title of ditty, published in several books (between which a bilingual pamphlet, Ditties/Cfntecelce), 1998), and the paper speaks about their genesis, their poetics, and hopes to help the process of their interpretation, as well as to bring a new interpretation of the poetry/music relationship 展开更多
关键词 Ditty popular culture urban POETICS confessional poetry cultural quotation
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Peering Into Culture of Ancient Bukhara
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作者 Khudoev G. M. 《Journal of Literature and Art Studies》 2015年第8期630-633,共4页
Ancient Bukhara is the cultural and educational center of East which made huge contribution to a treasury of world art. Culture and art buildings were built in Bukhara and around its territory. Ancient Bukhara turned ... Ancient Bukhara is the cultural and educational center of East which made huge contribution to a treasury of world art. Culture and art buildings were built in Bukhara and around its territory. Ancient Bukhara turned out as one of the biggest centers of Middle East in the period (era) of outstanding Somoniy (in the IX-X centuries) and Temurids (in the XIV-XV centuries), particular, its developed literature, culture, architecture, and music art; especially, as being the capital of dynasty Mangits (at the beginning of the century XVIII-XX), served as the groundwork of forming Shashmakom samples in groups. This time among a number of poets and artists, lived Akhmad Danish--the most mature scientist, philosopher, poet, calligrapher, and painter, Abdurauf Fitrat--poet and writer, theoretician, musician and political activist. 展开更多
关键词 alace Ancient Bukhara archeological monuments architectural monuments CULTURE era of Temurids fine art music art Shashmakom
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The Profundity Entailed in the Poetic Language: A Stylistic Analysis of W. B. Yeats' Leda and the Swan
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作者 YUAN Wei LIU Sha 《Journal of Literature and Art Studies》 2016年第7期751-759,共9页
As a central issue in stylistics, foregrounding, which can be achieved by deviation and overregularity at every linguistic level, can give readers more innovative and ingenious perspective on appreciation of text. W. ... As a central issue in stylistics, foregrounding, which can be achieved by deviation and overregularity at every linguistic level, can give readers more innovative and ingenious perspective on appreciation of text. W. B. Yeats' Leda and the Swan is a poem deserving close reading and attention. The analysis from sound patterning, meter and rhythm, verbal repetition endows the poem with some novel and new aesthetic significance 展开更多
关键词 FOREGROUNDING stylistic analysis W. B. Yeats Leda and the Swan
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放翁词的艺术追求与江西诗风 被引量:4
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作者 刘庆云 《文学遗产》 CSSCI 北大核心 2006年第3期65-72,共8页
陆游的《放翁词》以雄慨为其主体风格,但他在词的创作中又有着自己独特的艺术追求,讲典重、求工丽、重音律,于雄慨之中呈现出一种特有的典丽之美,音律亦于和谐中带有拗峭之势。这种艺术追求既和词坛风气有关,又和江西诗派的诗学观念及... 陆游的《放翁词》以雄慨为其主体风格,但他在词的创作中又有着自己独特的艺术追求,讲典重、求工丽、重音律,于雄慨之中呈现出一种特有的典丽之美,音律亦于和谐中带有拗峭之势。这种艺术追求既和词坛风气有关,又和江西诗派的诗学观念及注重“诗内功夫”的风习有一定的联系。 展开更多
关键词 《放翁词》 江西 陆游 审美需求
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