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传承与创新:近四十年来《诗镜》研究述论
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作者 彭毛东主 更藏多杰 《青海师范大学学报(藏文版)》 2024年第3期69-78,共10页
檀丁的《诗镜》是印度古典梵语诗学重要代表作之一,自13世纪中叶萨班•贡噶坚参首次翻译成藏文后,对藏族古典文学和文艺理论产生了广泛的影响。作为藏族文学的“创作指南”和文人学者必修课的《诗镜》,历代学者在学习中不断对译文进行修... 檀丁的《诗镜》是印度古典梵语诗学重要代表作之一,自13世纪中叶萨班•贡噶坚参首次翻译成藏文后,对藏族古典文学和文艺理论产生了广泛的影响。作为藏族文学的“创作指南”和文人学者必修课的《诗镜》,历代学者在学习中不断对译文进行修改、注释和再创作,产出了400余部阐释著作和例诗,这对于《诗境》在涉藏地区的传播、接受、本土化、经典化具有很大的推动作用。在新时代语境下,学术圈重新掀起了对《诗镜》学习和研究的浪潮。纵观20世纪80年代以来的《诗境》研究成果,在《诗境》的理解、解释、应用等领域相继取得了较可观的学术成果。但对《诗境》为专题的学术研究缺少系统的总结和反思。鉴于此,文章采用文献学和文本细读的方法,通过搜集、整理和研究,从三个方面总结了1980年以来的《诗镜》研究成果:一是运用传统的学习和研究方法来做注释和举诗例来丰富藏文文论著作;二是运用现代解释学、美学、文化人类学、文艺学等新兴理论视角来阐释《诗境》在涉藏地区的本土化进程和文学意义,从而推动传统理论的现代转型;三是对《诗境》原著和经典注疏从藏文翻译成汉文和蒙文后进行学习和研究等情况进行全面、系统的梳理和总结,试图勾勒出藏族文学理论研究的学术史。 展开更多
关键词 《诗境》 研究 趋势 回顾
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“诗佛”之静与盛唐之静:《鸟鸣涧》静境发微
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作者 刘学忠 《阜阳师范学院学报(社会科学版)》 2010年第6期34-35,共2页
本文从大静、美静、新静与和静四个方面对王维山水诗《鸟鸣涧》的独特静境进行了独到分析,认为它写出了独具王维特质与时代风貌的"诗佛"之静与盛唐之静,堪称古代静诗之首,亦堪称盛唐山水诗之绝唱,具有独特的审美价值与精神价值。
关键词 《鸟鸣涧》 佛”之静 盛唐之静
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Thinking on the Artistic Conception Creation of Plant Landscaping Design in Chinese Style Garden 被引量:4
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作者 陈晓刚 林辉 罗悦平 《Agricultural Science & Technology》 CAS 2014年第12期2178-2182,共5页
In modern Chinese style garden, the designer could express the emotions in garden creation to produce artistic conception with landscape plants, which could make the sightseers desire to integrate with the nature and ... In modern Chinese style garden, the designer could express the emotions in garden creation to produce artistic conception with landscape plants, which could make the sightseers desire to integrate with the nature and led to sympathizing with the concept, thereby motivating and arousing people's emotion to return to and close to nature. Through the 6 specific characteristics of "shape, color, aroma, shadow, sound and art" of landscape plants, some ways to build artistic conception in Chinese style garden were introduced in this study to provide references for the creation of artistic conception creation through senses in the future landscaping design. 展开更多
关键词 Landscape plants Artistic conception Poetic illusion
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Against Orthodoxy: Sex, Marriage, and Gender Roles in George Meredith's Poems and Novels
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作者 Anna Enrichetta Soccio 《Journal of Literature and Art Studies》 2013年第6期355-362,共8页
George Meredith (1828-1909) is acknowledged as a creator of memorable female characters. Meredith's heroines are radically different from the women generally encountered in Victorian fiction. Characteristically, Me... George Meredith (1828-1909) is acknowledged as a creator of memorable female characters. Meredith's heroines are radically different from the women generally encountered in Victorian fiction. Characteristically, Meredith constructs a type of female character who, in a social context hostile to any break with convention, refuses to conform to the stereotype of the weak, passive, and dependant woman. In accordance with J. S. Mill's observations in The Subjection of Women (1869), Meredith thought that the progress of society could be possible only through female emancipation and admittance of women into public practice. This paper discusses the themes of marital disintegration and "conscious adultery" that affirm the legitimacy of female pleasure against coercion Thus, the paper will take into consideration the sonnet sequence Modern Love (1862) and one of Meredith's most neglected novels, Lord Ormont and His Aminta (1894), whose heroines are unexpectedly depicted as non-conventional, strong, and proud. A close reading of the texts will reveal the narrative strategies and textual devices through which Meredith exploited a model of womanhood that, by subverting the current ideas on sex, marriage, and gender roles, is able to countermine male "egoism", the only obstacle to the genuine progress of Victorian society toward real democratization 展开更多
关键词 George Meredith Victorian women love SEX gender SUBVERSION
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Wordsworth's Nature Poetry: An Eco-Scientific Perspective
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作者 Mohammad Moniruzzaman Miah 《Sino-US English Teaching》 2012年第12期1793-1800,共8页
From time immemorial down to the present decade, poets, dramatists, and fictionists have portrayed nature in different ways in their works. Critics, so far, have pointed out the mystic, didactic, and philosophical asp... From time immemorial down to the present decade, poets, dramatists, and fictionists have portrayed nature in different ways in their works. Critics, so far, have pointed out the mystic, didactic, and philosophical aspects of Wordsworth's nature poetry. In the backdrop of global deforestation and environmental degradation, traditional approaches to the evaluation of Wordsworth's nature poetry have lost charms and appeals to both the readers and the environmentalists. So, new approaches to the judgment of his poetry are a demand of the day. Keeping this demand in view, this paper aims at delving deep into Wordsworth's selected nature poems from eco-scientific point of view. Eco-scientific approach, missing in the previous analysis of his poetry, may pave the way for opening up a new trend for the new generation of readers and critics. 展开更多
关键词 ECOCRITICISM environment nature DESTRUCTION SCIENTIFIC preserve DEFORESTATION
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Transforming Greek Epic Iliad into Taiwan Residents Environmental Theater: Golden Bough's Troy, Troy... Taiwan
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作者 Ivy I-chu Chang 《Cultural and Religious Studies》 2017年第2期61-69,共9页
With an analysis on Golden Bough Theater's Troy, Troy... Taiwan, this article will investigate how they de-contextualize Greek Epic Iliad with an eclectic collage of the tropes of Greek epic, the techniques of enviro... With an analysis on Golden Bough Theater's Troy, Troy... Taiwan, this article will investigate how they de-contextualize Greek Epic Iliad with an eclectic collage of the tropes of Greek epic, the techniques of environmental theater and Taiwan Residents local opera, and the aesthetics of Taiwan Residents indigenous rituals and Pili Puppetry. It will discuss how the performers transform Greek epic into a Taiwan Residents allegory in search of Taiwan Residents cultural roots and identities. Furthermore, in the cultural encounter between the East and the West, multiple folds of significance will be explored through their hybridized performance genres and rituals as well as symbolic interaction in various performance venues with different historical and cultural legacies. 展开更多
关键词 TAIWAN RITUAL THEATER GREEK
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别创诗界的黄遵宪 被引量:3
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作者 关爱和 《文学遗产》 CSSCI 北大核心 2005年第4期122-133,共12页
黄遵宪是中国近代诗界革命的一面旗帜。在亘古未有的社会变革中,选择“诗外有事,诗中有人”的诗学路径,力主以今人所见之理,所历之境,所遭之时势入诗,为了无生气的诗坛吹嘘进若干时代与生命的气息;在近代古今中外新旧杂陈的文化矩阵中,... 黄遵宪是中国近代诗界革命的一面旗帜。在亘古未有的社会变革中,选择“诗外有事,诗中有人”的诗学路径,力主以今人所见之理,所历之境,所遭之时势入诗,为了无生气的诗坛吹嘘进若干时代与生命的气息;在近代古今中外新旧杂陈的文化矩阵中,自觉调整自己的认识和心态,以兼容宏通的气度,致力于古典诗学传统的现代转换;穿越诗坛复古拟古的迷雾,以“我手写我口”的胆识和倡言,昭示并身体力行于诗体、诗歌语言变革创新之路。一生以“别创诗界”自期的黄遵宪,因此而成为中国诗歌从古典走向现代历史过程中一位承先启后的探索者和开拓者。 展开更多
关键词 黄遵宪 界革命 中国近代 社会变革 现代转换 学传统 变革创新 歌语言 历史过程 中国 开拓者 探索者 古典 自觉 拟古 复古
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