《金色笔记本》的超小说艺术

超小说体现了小说的虚构性质,又与真实不可分割。文章从这一角度出发解读多丽丝·莱辛的《金色笔记本》,分析了该作品通过处理这一关系和对语言的驾驭而给读者带来的审美体验。

2007年诺贝尔文学奖(英文)

English writer Doris Lessing1, who ended her formal schooling at age 13 and went on to write novels that explored

A Postmodern Study of Doris Lessing＇s The Golden Notebook in the Light of Jean-Francois Lyotard＇s Ideas

In the first two-thirds of The Golden Notebook （1962）, the theme of the crack-up or breakdown is elaborated in the novels representation of national and global politics. Soviet-inspired communism, European colonialism and emperialism, Britain society, and national liberation struggles in the Third World are disintegrating, collapsing, crumbling, and fragmenting, under the pressures both internal and external. The last third of the novel relocates the crack-up in the person, [...], of Anna herself. In this paper, the author attempts to show that L The Golden Notebook on the central theme of ＂Breakdown, Fragmentation, and Disintegration＂, essing has written which shows that sometimes when people ＂crack-up＂, it is a way of self-healing. This theme finds an expression in the novel and this paper shows how Anna Wulf, the protagonist, tries to deal with her inner self-divisions, what part is played by each of Anna＇s four notebooks in her struggle to integrate her fragmented inner world and personality, what enables the notebooks to come together in the golden notebook at the end of the novel, and finally, how about her relationships to others, especially to Saul Green, contribute to her ＂crack-up＂ and ＂self-healing＂

屋顶丽人

那是在六月赤日炎炎的一周里。 三个男人正在屋顶上干活。铅皮屋顶被晒得滚烫,他们想出了一个主意:往上面泼水冲凉。可水一泼上去就冒热气,“咝咝”作响。这三个男人打趣说,应该从楼下哪家女人那里弄鸡蛋来,用铅皮屋顶煮熟作午饭。下午两点,他们正在更换的那根排水沟烫得碰都碰不得。他们一起猜测那些在通常很热的国家里干活的人会怎么办。他们可能会借防烫的棉手套抓鸡蛋吧?他们三人对这这种炎热极不习惯,都感到头晕。他们脱掉上衣。