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文化融合与文化对话:合拍片《音乐家》的跨文化叙事策略探析 被引量:3
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作者 胡凯 王清 《视听》 2020年第10期15-17,共3页
电影的跨国合作是我国电影跨文化传播中的重要一环。合拍片以较之本土电影更低的文化折扣和更高的对外传播价值,在增强中国文化影响力和促进文化"走出去"方面具有重要的实践意义。故事片《音乐家》是第一部由中国与中亚国家... 电影的跨国合作是我国电影跨文化传播中的重要一环。合拍片以较之本土电影更低的文化折扣和更高的对外传播价值,在增强中国文化影响力和促进文化"走出去"方面具有重要的实践意义。故事片《音乐家》是第一部由中国与中亚国家合作拍摄的电影,不但承载了"一带一路"倡议中民心相通的美好愿景,更在弥合语境差异和实现文化对话方面进行了富有价值的探索。《音乐家》不但记录了中国与哈萨克斯坦两国人民的深厚友谊,也开启了中国与中亚国家合作拍摄电影的先河,更为中国与"一带一路"沿线国家在影视文化领域的合作提供了一种思考与实践的路径。 展开更多
关键词 《音乐家》 跨文化传播 文化融合 文化对话
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主旋律电影《音乐家》的叙事特色与思想价值
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作者 胡凯 《电影文学》 北大核心 2019年第16期98-100,共3页
在“一带一路”背景下,中国与哈萨克斯坦合作拍摄的主旋律传记电影《音乐家》在近期上映。影片是根据著名音乐家冼星海的真实经历所改编,由于是传记类影片,因此在叙事上也是突破了以往主旋律电影的类型化叙事,情节更为细腻丰富,时空交... 在“一带一路”背景下,中国与哈萨克斯坦合作拍摄的主旋律传记电影《音乐家》在近期上映。影片是根据著名音乐家冼星海的真实经历所改编,由于是传记类影片,因此在叙事上也是突破了以往主旋律电影的类型化叙事,情节更为细腻丰富,时空交叉的展现方式让剧情的冲突感更为强烈。电影中冼星海在人生最后五年因战争滞留在阿拉木图却仍心系祖国,并用音乐联结起中哈友谊,表现出浓郁的家国情怀与民族精神,也充分体现出影片丰富的思想价值。 展开更多
关键词 主旋律电影 电影《音乐家》 叙事特色 思想价值
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冼星海的日与夜--观《音乐家》有感
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作者 椿桃 《音乐世界》 2021年第1期42-45,共4页
在与祖国分离的日与夜里,人民音乐家冼星海对《黄河大合唱》重新进行整理加工,最终完成了他音乐生涯中最重要也是影响力最大的一部大型合唱声乐套曲。电影《音乐家》根据冼星海在阿拉木图的经历改编,讲述了那段不为人知的岁月与故事。
关键词 冼星海 《音乐家》
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《音乐家储师竹》与乐史人物研究 被引量:1
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作者 郑锦扬 《人民音乐(评论)》 北大核心 2003年第6期58-59,共2页
学生带来了新书<音乐家储师竹>.素朴淡巧的封面设计,把人们带入储师竹的世界.
关键词 《音乐家储师竹》 岳峰 二胡艺术 乐史人物 刘天华
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Metropolises and World Music in Globalization: Towns, Melting Pot Works, and Jazz Classics in Memories 被引量:2
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作者 Christian Sallenave 《Journal of Civil Engineering and Architecture》 2017年第8期800-809,共10页
Metropolises in the globalization call nowadays Towns' of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities' into question. Jazz a... Metropolises in the globalization call nowadays Towns' of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities' into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners' memories, in "their own way" as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works. 展开更多
关键词 TOWNS metropolises JAZZ classics jazz standards musical improvisation and melting pot works singular history and plural and universal music metropolitan space-time Creole's nomad notable and crossbreeding music.
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《音乐家储师竹——储师竹作品及对他的研究》
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《音乐研究》 CSSCI 北大核心 2002年第4期24-24,共1页
关键词 《音乐家储师竹——储师竹作品及对他的研究》 音乐家 储师竹 音乐艺术 音乐事业
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From the History of Formation Uzbek Oral-Professional Music
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作者 Elnora Mamadjanova 《Journal of Literature and Art Studies》 2016年第2期166-169,共4页
First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professional... First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professionalism was taken place in the early of 1 st millennium. Dastan, Katta Ashula, Makom are the main oral-professional genres of the Uzbeks. History facts are in the paper. 展开更多
关键词 ORAL PROFESSIONAL GENRE Dastan Katta Ashula Makom feature ustoz-shogird music instruments dombra kobuz Avesta Barbad Farabi Ibn-Sina
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Studies on Persian Passion Play (ta'ziya): An Annotated Bibliography
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作者 Mahnia Nematollahi Mahani 《Cultural and Religious Studies》 2017年第2期95-112,共18页
Persian Passion Play (Ta'ziya), the most important Shiite religious ritual, performed by non-professional actors and musicians, is based on the martyrdom of the third Shiite Imam, Husein, and his companions at Karb... Persian Passion Play (Ta'ziya), the most important Shiite religious ritual, performed by non-professional actors and musicians, is based on the martyrdom of the third Shiite Imam, Husein, and his companions at Karbala (in 680). This paper aims to introduce a wide range of sources, both books and articles, on the history, music, actors, and arrangements of ta'ziya performance in Iran from 1971 onwards. It includes a number of titles of ta'ziya manuscripts, and the place of performance. The article contains traveler accounts from sixteen century onwards and the translations of ta'ziya texts in European languages. 展开更多
关键词 Ta'ziya Martyrdom of Imam Husein ta'ziya in Persian literature history music manuscripts travellers' accounts
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The Baul Sursadhak: The Tradition and Individual Talent
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作者 Jayita Sengupta 《Journal of Literature and Art Studies》 2015年第2期151-157,共7页
The Bauls or the fakirs of Bengal have been unacknowledged prophets even a century back, till the recent interest now in their music, philosophy, and performance. The Bauls do not revere class/caste/religious divides ... The Bauls or the fakirs of Bengal have been unacknowledged prophets even a century back, till the recent interest now in their music, philosophy, and performance. The Bauls do not revere class/caste/religious divides and often flout the norms of the society by their divine madness. Etymologically, the word derives from Sanskrit, "vatula" (meaning one who is affected by the wind disease or is mad), or "vyakula" (meaning restless or disordered). In recent years however, Bauls have been recognized as a religious sect, yet the connotation of madness still clings to their reputation. This paper is going to discuss briefly how the Baul tradition developed in Bengal and then focus on the Baul philosophy in the Baul-gan texts and on their musical appeal. Many of the Baul-gans have had profound influence on other forms of music. Closely associated with the Baul sangeet is the Bhatiali music whose rhythm, has often won the hearts of many classical musicians. Often times the classical musicians have been found to render the ektatra or dotara sounds in their improvisations. Rabindranath Tagore too has used some of the Baul maestro, Lalon Fakir's lyrics, philosophy as well as music in many of his songs. More recently, Baul songs have been rendered through fusion bands or experimental music. 展开更多
关键词 baul fakir MUSIC PHILOSOPHY PERFORMANCE TRADITION
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Infamous Fame: Shaffer's Tactic in Amadeus
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作者 Shu-Yu Yang 《Journal of Literature and Art Studies》 2014年第2期111-117,共7页
Wolfgang Amadeus Mozart, one of the greatest musicians in the world, enchants people across eras with his fabulous music. Peter Shaffer, in Amadeus (2001), depicts the mysterious life and death of this musician in a... Wolfgang Amadeus Mozart, one of the greatest musicians in the world, enchants people across eras with his fabulous music. Peter Shaffer, in Amadeus (2001), depicts the mysterious life and death of this musician in a very different way. Instead of presenting an intelligent and refined artist, Shaffer, from the perspective of his rival, Antonio Salieri, gives us a "foul-mouthed, immature jackanapes" that shocks his audiences in the theatre. Lady Thatcher's displeased response after seeing the play tells the gap between Shaffer's Mozart and the Mozart image in most public's mind. However, the image of the vulgar Mozart, though a contrast to his music, lights up the uniqueness of his music at the age of Enlightenment. The paper, aims to analyze the difference in Mozart's music and the different Mozart character Shaffer presents in his play by drawing on Ren6 Girard's notion of collective violence and scapegoat mechanism. Also, the author intends to examine the playwright's intention and exegesis as he composes this mysterious musician in such a different way 展开更多
关键词 MOZART Rene Girard collective violence scapegoat mechanism
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Peering Into Culture of Ancient Bukhara
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作者 Khudoev G. M. 《Journal of Literature and Art Studies》 2015年第8期630-633,共4页
Ancient Bukhara is the cultural and educational center of East which made huge contribution to a treasury of world art. Culture and art buildings were built in Bukhara and around its territory. Ancient Bukhara turned ... Ancient Bukhara is the cultural and educational center of East which made huge contribution to a treasury of world art. Culture and art buildings were built in Bukhara and around its territory. Ancient Bukhara turned out as one of the biggest centers of Middle East in the period (era) of outstanding Somoniy (in the IX-X centuries) and Temurids (in the XIV-XV centuries), particular, its developed literature, culture, architecture, and music art; especially, as being the capital of dynasty Mangits (at the beginning of the century XVIII-XX), served as the groundwork of forming Shashmakom samples in groups. This time among a number of poets and artists, lived Akhmad Danish--the most mature scientist, philosopher, poet, calligrapher, and painter, Abdurauf Fitrat--poet and writer, theoretician, musician and political activist. 展开更多
关键词 alace Ancient Bukhara archeological monuments architectural monuments CULTURE era of Temurids fine art music art Shashmakom
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Communism and the Emergence of the Central European Jazz School
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作者 Yvetta Kaj anova 《Journal of Literature and Art Studies》 2012年第6期622-640,共19页
Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive ... Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive part of the world jazz scene and made significant achievements during the communist era. They were able to master the European classical piano school, becoming virtuoso pianists themselves, as well as acquiring self-taught jazz skills. Semi-isolated from the contemporary music trends abroad, Central European artists nonetheless made remarkable musical accomplishments that deserve to be called the Central European Jazz School. Between 1948 and 1989, the communist ideology controlled every country of Central Europe including East Germany. The careers of jazz pianists in these countries would have developed differently if they had lived under democratic conditions. This is evident in the lives of those who emigrated to Western countries and subsequently found a place in the world jazz scene. Using analysis of the Central European jazz musicians' compositions and their professional careers, this paper aims to demonstrate the extent to which the Central European Jazz School has contributed to jazz music in Europe and the wider world. 展开更多
关键词 Central European Jazz School COMMUNISM jazz pianist MODERNISM POST-MODERNISM ideologyemigrant
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Social Media Is the New Punk User Experience, Social Music and DIY Culture
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作者 Giovanni Prattichizzo 《Journal of Literature and Art Studies》 2015年第9期749-762,共14页
In the digital convergence culture (Jenkins, 2006) and in the network society (Castells, 1996), the theories of personal branding, social identity, and the two-step flow of communication have become intertwined to... In the digital convergence culture (Jenkins, 2006) and in the network society (Castells, 1996), the theories of personal branding, social identity, and the two-step flow of communication have become intertwined to create a model through which individuals and musicians share and embrace music. This paper examines the rise of social network for music involving both the practices of use and consumption and those of creation, sharing and distribution of innovative and independents musical reality. Social media have introduced radical changes in social and musical practices increasing the ability of creation from the bottom in contrast to mainstream. Moreover, thanks to performativity, collaboration and participation offering by Web 2.0, fit fully in culture "DIY 2.0" offering an interesting chance for the emerging underground music. 展开更多
关键词 social music DIY culture social media neo-txibalism consumer engagement
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Music on Line or in the City? How Listening to Music Changes Because of Piracy
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作者 Olivier Lefebvre 《Sociology Study》 2012年第9期696-704,共9页
Music has often changed, from a social point of view, and also the relationship between music and the city. This paper attempts to describe how music changes under the impact of Internet. The milieu of musicians and t... Music has often changed, from a social point of view, and also the relationship between music and the city. This paper attempts to describe how music changes under the impact of Internet. The milieu of musicians and the audiences are concerned. The economic model of music has not burst into pieces, but it has deeply changed. There is a trend to pure consumerism thanks to internet (probably the sales of downloaded music will become more and more important). Also, independent artists can use Internet and have a livelihood (fat tail phenomenon). Therefore the diversity of music can be preserved. Concerts (music in the city) allow escaping from the losses of money because of piracy. There are several experiences for listeners, which are possible, some of them involving going to concerts and festivals. 展开更多
关键词 MUSIC Internet PIRACY
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Research on the Developmental Trend of Computer Music Technology under the Background of Multi-channel Stereo Recording
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作者 Mou Xin 《International Journal of Technology Management》 2016年第8期36-38,共3页
In this paper, we conduct research on the developmental trend of the computer music technology under the background of multichannelstereo recording. Surround sound is not only used in the fi lm, home theater, also pen... In this paper, we conduct research on the developmental trend of the computer music technology under the background of multichannelstereo recording. Surround sound is not only used in the fi lm, home theater, also penetrated the digital TV and digital broadcasting.But because of the limitation of storage media capacity and transmission bandwidth must use all kinds of that audio compression technologyto transmit audio data. As a more general and more practical signifi cance, as masking and by masking sound are not limited to their respectiveresend by a single speaker, but in different proportion to their respective ‘channel sound level is poor. To deal with this issue, this paperintegrates the signal denoising method as the optimization and achieves better performance. 展开更多
关键词 Computer Music Multi-channel Stereo Recording BACKGROUND Developmental Trend.
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Fission of the End of the Century——Analysis on the Non-Rationalism Ethics Thoughts in Late Nineteenth Century European Music
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作者 Liu Ke 《International Journal of Technology Management》 2014年第5期124-125,共2页
In the creation works of European musicians in late nineteenth Century, it has more profound philosophical and ethical foundation, and its production and development has a profound reflection of music art on social li... In the creation works of European musicians in late nineteenth Century, it has more profound philosophical and ethical foundation, and its production and development has a profound reflection of music art on social life, but it is also a response to contemporary European romanticism non-rationalism ethics. 展开更多
关键词 late nineteenth Century non-rationalism ethics
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四国艺术行动
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作者 黄秀芳 《今日中国》 2000年第1期72-73,共2页
关键词 北京 《音乐家舞台文艺晚会》 中国 奥地利 文化交流 音乐事业
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Font of Music Prodigies
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《China Today》 2007年第6期10-11,共2页
China's outstanding achievements in music education are all the more impressive in view of its relatively late start.Chinese musicians such as Tan Dun,Yo Yo Ma and Bright Sheng that have established their eminence wi... China's outstanding achievements in music education are all the more impressive in view of its relatively late start.Chinese musicians such as Tan Dun,Yo Yo Ma and Bright Sheng that have established their eminence within Western classical music circles may soon be competing with those currently winning awards in major international music competitions. 展开更多
关键词 music education Chinese musicians Western classical music international music competition
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Music Education Advances Through Sino-Foreign Exchanges
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作者 PAUL DORNIAN 《China Today》 2007年第6期22-23,共2页
MUSIC education in China and the West may differ in approach, but when combined are complementary in outcome. China's music programs excels in training young artists under 18, while the Western focus is on musicians ... MUSIC education in China and the West may differ in approach, but when combined are complementary in outcome. China's music programs excels in training young artists under 18, while the Western focus is on musicians no younger than 18. This explains why so many outstanding Chinese musicians study at, and are welcomed by, Western schools after receiving their initial training in China. 展开更多
关键词 Music Education young artists under 18 Western China training approach musicians no younger than 18
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The analysis of structural complexity of Piano Pieces "dedicated to Alice"
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作者 Junzhong ZHANG 《International Journal of Technology Management》 2014年第11期57-59,共3页
Beethoven is a famous German pianist, composer, and conductor, and he set the culmination of Western classical, created a romantic music camp precedent. The size of his music in general is very ambitious, mostly conce... Beethoven is a famous German pianist, composer, and conductor, and he set the culmination of Western classical, created a romantic music camp precedent. The size of his music in general is very ambitious, mostly concertos, symphonies, operas and other large works, technical approach and structure used is quite complex, people are left with a deep impression. But it works, while small piano pieces, also has music research value, "dedicated to Alice" is one of the few Beethoven piano pieces. This paper focuses on creative background "dedicated to Alice," this elaborate piano works by the complexity of the analysis of the structure of this work is that it reflects the author' s ideological soul to explore their musical value. 展开更多
关键词 BEETHOVEN Piano Pieces "dedicated to Alice" complex structures
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