Chinese Sources for AfterWards:From Premodern Poetry,Paintings,and Medical Texts to Modern Novels,Film,and Documentaries

This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).

Characteristics and C-E Translation Methods of the Four-Character Frame in the Subtitles of the Documentary Daming Palace

This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese culture. By analyzing, researching and summarizing the subtitle of Daming Palace and reading a lot of literature, the author has found that in Daming Palace the four-character frame is characterized by the use of the absolute four-character frames and the recurrence of some four-character frames, and that C-E translation methods of the four-character frame are mainly literal translation, free translation, provincial translation and concise translation.

A Comparative Analysis of VR Documentaries and Traditional Documentaries

Virtual Reality is a new technology which has been used into different subjects.The combination of Virtual reality and documentary making has showed different characteristic.The traditional narrative method has changed and has different problems compared with traditional documentary making.This article compares the difference of VR documentary and traditional documentary in narrative method,audience experience,point out the problems of VR documentary and give advice.

Analysis of the Harmonious Discourse of Publicity Documentary Seasons of China Based on Transitivity System

Publicity documentaries play an important role in shaping the image of one country during the international communication.Seasons of China is a publicity documentary introducing the traditional Chinese culture 24 solar terms.Under the guidance of the framework of Harmonious Discourse Analysis,this thesis uses a combination of quantitative and qualitative methods to analyze the harmonious discourse of this documentary based on the transitivity system.The research finds that the discourse of Seasons of China conveys the China’s ecological concept of respecting,following and protecting the nature,while telling the stories of Chinese traditional culture 24 solar terms,highlighting the image of China as a responsible country for ecological civilization construction.

The English Subtitle Translation of Quanzhou’s World Heritage Application Documentary: A Frame Theory Perspective

Based on Fillmore’s frame theory, this paper examines the translator’s cognitive frame operation in the English subtitle translation of Quanzhou’s World Heritage application documentary. It analyzes and discusses how the translator maximizes translation effect between the source language and the target language, so as to enhance the readability of documentary subtitles and promote the spread of traditional Chinese culture. The findings are as follows: Firstly, in the translation process, the frame operations used by the translator include frame correspondence, intra-frame operations, frame replacement, frame perspective shift and frame transplantation. Secondly, cultural documentaries are full of culture-loaded words, for which the translator usually uses frame transplantation. Thirdly, due to the instantaneous nature of subtitles, intra-frame operations and frame replacement are applied in terms of cultural background of the target language audience. Besides, in order to enhance the audience’s reading experience, there may be some changes of narrative perspective in the English translation of cultural documentaries.

A Study on German Translation Strategies of Culture-Loaded Words in Documentary Hexi Corridor(Expert)by Adaptation Theory

This paper deals with the translation strategies of Chinese Culture-Loaded Words from the perspective of adaptation theory.It is based on the translation text of the sixth episode“Silk Road”and the seventh episode“Dunhuang”of the documentary Hexi Corridor.Many words with Chinese cultural connotations appear in the subtitles of this documentary.This paper will be divided into four parts.The first part and the second part deal with the basic theories,i.e.,definition of Chinese Culture-Loaded Words and of adaptation theory.The original text is analysed in the third part.This part deals with the background and specifics of the language of the documentary film Hexi Corridor.The fourth part deals with the difficulties encountered by the author in translation practice and the corresponding solutions adopted by the author.The translation difficulties are solved by five translation methods,namely transliteration,loan translation,substitution,interpretation,and adaptation.

情感传递视角下冰雪运动纪录片英译实践路径研究

纪录片是文化传播的便利载体,做好冰雪运动纪录片的英译工作对于传播中华冰雪文化意义重大。为厘清译者英译过程与受众情感传递的互动关系,运用文献资料法与扎根理论研究法,对55篇冰雪类纪录片文献进行编码分析,并以翻译编码结果为研究对象,构建冰雪运动纪录片英译实践路径模型。得出冰雪运动纪录片英译实践路径包括英译基础、英译原则、英译策略、英译效果4个主范畴;由英译基础确立英译原则,英译策略为英译实践提供指导,来达到最终的英译效果;英译实践全过程应贯穿情感传递的理念,以此提升纪录片的英译效果。建议加强对纪录片翻译实践的理论研究和探讨,发展定制化的翻译策略,培养更专业的翻译人才,以期不断提升国内纪录片的翻译质量,促进后冬奥时代我国冰雪文化的对外传播,在中华文化“走出去”的方针背景下,向世界讲好中国故事。

纪实影像中旧金山城市形象建构研究——以纪录片《航拍美国:城市24小时—旧金山》为例

通过梳理美国纪录片《航拍美国:城市24小时——旧金山》中旧金山的理念、行为、视觉形象,探析这些城市形象的主要建构方式和影响城市形象建构的因素。研究发现,该纪录片以城市的历史性和现代性作为底层叙述逻辑,将设计好的形象进行建构与串联,试图在满足制片方和相关政府的政治、经济、文化利益诉求的同时,塑造出旧金山正面、多元、全面的城市形象。

非纪实民族志影像的学术渊源、发展历程与实践类型

在以文化书写为目标的民族志影像发展过程中,关于非纪实民族志影像的理论与实践探索从未止步。为实现完整的文化表达或文化批评等方面的目标,创作主体在深度田野调查的基础上,存在运用动画、戏剧、剧情等多样化方式突破限制,诉诸文化深层表达的非纪实倾向。从学术渊源、发展历程与实践类型三个方面对非纪实民族志影像相关理论与实践活动进行梳理,有助于厘清民族志影像的边界与范畴,以宽容的理论框架,兼容民族志影像在表达形式层面的实践探索,发挥影像的传播优势,进一步实现民族志影像的社会价值,推进新时代中国影视人类学的发展。

宋代厅壁记对《汉语大词典》书证之订补

厅壁记也叫“厅记”“壁记”“厅壁题名记”等,多以官员办公场所的墙壁为载体(也有以石、木为载体的),是题刻在府衙中的一种记体文章。宋代是厅壁记全面繁荣和创新更革的重要阶段,语料丰富,具有很高的语言学价值。利用宋代厅壁记语言材料能够弥补《汉语大词典》中存在的书证滞后、书证缺失及不足等问题,为《汉语大词典》等大型辞书的编纂及修订提供一定的参考。

从晋南清代戏曲碑刻看《汉语大词典》之微瑕

《汉语大词典》是目前规模最大、收词最广、最具权威性的一部语文辞书,注重“古今兼收,源流并重”,释义准确,书证充实,是一部重要的工具书。但由于规模宏大,编纂任务繁重,《大词典》出现部分书证迟后、孤证、义项未收、词形未收等情况。因此,我们主要以前人关注较少的晋南清代戏曲碑刻为主要语料,从提前书证、补充孤证、增补义项、补充词形四方面进行分析探讨,希望对《大词典》词语的编纂进行有益的修订和补正。

依山挟水——唐华清宫山水格局研究

通过梳理唐都长安周边宏观层面上大山大水的地理形势,论述华清宫在京畿山水格局中的地位,辅以同时期山水画、壁画等反映出的山水格局,结合华清宫及昭应城舆图、地理志等探析其审美特征。利用ArcGIS与Global Mapper等软件,提取DEM高程图中的地理信息数据,绘制相应图形论证华清宫与周边山水的相互关系,探明华清宫山水格局下的政治内涵。利用文献考古结合地理信息数据的景观考古研究方法有助于补充华清宫研究中文字记录的缺失,证明设计思想与自然环境的相互契合,并将其山水格局总结为“山-苑-宫-城-水”一体的“依山挟水”的空间模式。

粳米方药考略

粳米是一种药食同源的中药材,其药性平和,运用广泛,用法多样,常见于历代医家的著作中。笔者通过系统梳理历代重要医籍,分析历代医家对于粳米的认识及应用,归纳和探讨不同医学流派对于粳米药用的发挥与创造,以期对当代医家能有所启发。总结发现,除粳米本身外,米油、米泔水、米粉之作用亦为不凡。粳米不仅能益气、止烦、止泻,还能解毒、止痛、止汗、利溲、养胃阴。在治疗身染沉疴痼疾这类特殊情况的患者时,医者则必须先用粳米养护患者胃气继而用他药辨证论治。医圣张仲景认为煮药时粳米的煎煮方法对于整体方剂的作用影响亦不可小视。温病学家对于粳米的选择与应用颇为讲究。近代医家张锡纯则系统论述了山药代粳米的临床运用要点。本文还将简单论述粳米、籼米、糯米三者的区别与联系,用以分辨。

CG技术在外宣纪录片中的运用研究

随着科技的进步,外宣纪录片的制作手段越来越多样化。计算机图形学(Computer Graphics,CG)技术的应用更加突出了外宣纪录片的真实感,营造出强烈的视觉艺术效果,为观众带来了沉浸式的视听体验。基于此,阐述CG技术在外宣纪录片制作中的真实性、适度性和艺术性三大运用原则,分析CG技术在外宣纪录片中的具体应用,包括三维建模、数字绘景和数字调色等,以期为外宣纪录片的艺术创作提供参考。

世界记忆项目的价值旨趣、空间向度与中国话语——兼评《传承人类记忆遗产——联合国教科文组织世界记忆项目研究》

《传承人类记忆遗产——联合国教科文组织世界记忆项目研究》是国内首部全面介绍世界记忆项目的教科书级著作。世界记忆项目的逻辑性、理念性与导向性,承载力、形塑力与建构力,以及中国作为参与者、支持者与领导者的独特视角和经验值得重点关注。

论纪录片真实性的三种观念

20世纪末,后现代主义波及纪录片的研究领域,西方学者对纪录片展开重新讨论,涌现了大量新的纪录片理论和批评方法。关于纪录片中真实观念的讨论也日益复杂和深刻。从影像本体、假定断言和认识论多个层面上看,真实已不再是绝对的概念,而是一个相对的选择。纪录片不仅记录现实,还体现了一种美学风格,是对现实的一种艺术折射。纪录片的真实观念在不同层面上都涉及主观性的存在,但这并不妨碍其追求历史真实。在审视纪录片时,重要的是认识到所谓的“事实”和“真理”并不是先验存在的,而是在特定的社会和文化框架中构建的。纪录片导演以美学观点出发,通过叙事构建故事的真实性,以达到通向历史真实的目的。

网络环境下图书馆形象的纪实影像塑造——基于纪录片的分析与启示

随着移动互联网发展对媒介生态的深入影响,大众媒介的发展呈现多元化趋势,影像传播逐渐成为主要传播形态之一。通过全媒体宣传营销,多形式塑造、多载体呈现、多渠道传播自身形象,有助于图书馆持续提升社会影响力,助力图书馆事业高质量发展。文章通过分析以网络为主要传播媒介的纪录片作品所塑造的图书馆综合形象及其表现形式,对图书馆在互联网环境下以纪实影像手段塑造行业形象、进而有效提升社会总体评价提出思考和建议。

健康中国战略下医疗题材纪录片叙事伦理建构

展现中国医疗行业探索科技进步与人文关怀路径的医疗题材纪录片,通过影像叙事再现了健康中国战略下现实医疗行业的新发展景象,同时在叙事伦理建构中实现了大众对医患关系的重新认知。从叙事文本来看,纪录片运用图像、声音、文字等模态呈现出健康中国行动后医疗行业的发展新貌;从叙事策略来看,健康中国战略的内涵通过互文性及隐喻与转喻在理性科普与温情沟通中得以阐释;从叙事功能来看,纪录片有助于通过情感动员加速良好的医患互信生态构建,并促发媒介集中叙事形塑大众的健康中国认同。

杨晓洁散文集《小城故事》的乡土书写及美学特征

21世纪以来,随着国家乡村建设的不断推进,“乡土”也相应成为当代文学的重要主题。不同于以往将乡土视为乡愁,通过想象建构乡土的创作倾向,当代文学界涌现了一大批土生土长的乡土作家,他们以非虚构的写实笔触书写新农村建设以及农村生活的变化,具有重要的文学价值。作家杨晓洁出生于云南西部的小村庄“丰和村”,生活于当地县城“漾濞县”,城乡结合的生活经验使其作品具有典型的乡土书写的美学特质和独特的乡土作家的身份体认,是研究乡土作家非虚构创作美学风格的典型案例。

新世纪少数民族形象的域外生成

电影与文化关系密切。电影是电影人以各种方式建构的文化和社会表征的来源,有能力在人们的头脑中创造形象和建立刻板印象。20世纪以来,纪录片在影视文化传播中占据着特殊地位。首播于2016年的两部纪录片《女猎鹰人》和《相约未知地带——贵州篇》在描绘中国少数民族形象中展现了不同特点。尽管这些纪录片隶属多元文化,并试图将中国少数民族作为一种温情脉脉的正面形象呈现给西方观众,但文化本质主义元素仍然存在。在描绘中国少数民族形象时所采用的视点和策略具有现代手法,隐蔽策略,强调文化的距离、异质(差异性)和本质主义。