This paper analyses the central female character Fleur in Erdrich's novel Tracks.It discusses her mysterious power and abilities to save her family and land,challenging the White mainstream culture on the reservat...This paper analyses the central female character Fleur in Erdrich's novel Tracks.It discusses her mysterious power and abilities to save her family and land,challenging the White mainstream culture on the reservation.Unlike Pauline goes to extremes and converts herself into a Catholic believer,Fleur holds fast to the old Chippewa way and acts by her own will both as a powerful Chippewa woman,Indian traditionals defender and a great mother.展开更多
《东方之花》(Fleurs d’Orient,1893)是朱迪特·戈蒂耶撰写的一本故事集,大多取材于中国、日本、埃及等东方国家,奇妙梦幻,充满异域情调。《东方之花》的最后两个故事都是源自中国,其中《丧期的扇子》(L'éventail de deu...《东方之花》(Fleurs d’Orient,1893)是朱迪特·戈蒂耶撰写的一本故事集,大多取材于中国、日本、埃及等东方国家,奇妙梦幻,充满异域情调。《东方之花》的最后两个故事都是源自中国,其中《丧期的扇子》(L'éventail de deuil)套用的是《庄子休鼓盆成大道》,《天子的宠妃》(Une favorite du fils du ciel)的创作灵感则来源于中国古代的香妃传奇。朱迪特的内心丰富而多情,在其创作过程中闪现出许多令人惊叹的创意细节,传递给我们、给西方读者不同寻常的文化体验。展开更多
文摘This paper analyses the central female character Fleur in Erdrich's novel Tracks.It discusses her mysterious power and abilities to save her family and land,challenging the White mainstream culture on the reservation.Unlike Pauline goes to extremes and converts herself into a Catholic believer,Fleur holds fast to the old Chippewa way and acts by her own will both as a powerful Chippewa woman,Indian traditionals defender and a great mother.
文摘《东方之花》(Fleurs d’Orient,1893)是朱迪特·戈蒂耶撰写的一本故事集,大多取材于中国、日本、埃及等东方国家,奇妙梦幻,充满异域情调。《东方之花》的最后两个故事都是源自中国,其中《丧期的扇子》(L'éventail de deuil)套用的是《庄子休鼓盆成大道》,《天子的宠妃》(Une favorite du fils du ciel)的创作灵感则来源于中国古代的香妃传奇。朱迪特的内心丰富而多情,在其创作过程中闪现出许多令人惊叹的创意细节,传递给我们、给西方读者不同寻常的文化体验。
