基于反设计思维的中国摇滚乐队专辑设计

摇滚乐作为一种具有反叛精神的音乐形式,一直以来都吸引着大批乐迷。专辑作为展示音乐的媒介之一,其设计不仅是简单的包装,更是一种表达艺术和传播文化的载体。分析了反设计思维与中国摇滚乐队专辑设计的关联性,提出了基于反设计思维的中国摇滚乐队专辑设计方法。旨在打破中国摇滚乐专辑同质化的现象,更准确地传达摇滚乐的精神。

契合理念在《水底乐园》专辑包装设计中的应用研究

音乐作为人们生活中不可或缺的一部分,会对人的情感产生巨大的影响。随着数字媒体技术的发展,数字音乐专辑在市场上逐渐壮大,对实体唱片的发展造成了不小的冲击。因此,在数字音乐时代,需要改变实体唱片的发展路径,注重包装形式与结构的创新,从而给消费者带来不同的体验。契合理念作为一种合理的专辑包装设计理念,将组成包装的各要素与音乐主题进行调和,组成一个有机整体。文章从契合理念对专辑包装设计的价值入手,结合音乐专辑包装的情感需求阐述设计,为音乐专辑包装设计提供新思路。

浅谈音乐专辑包装设计的创新设计形式

音乐专辑包装设计是一门兼具了文化、音乐、美术设计、材料、实验性等综合为一体的交叉性学科,通过重新审视音乐专辑包装设计的创新设计形式,体现创新式设计音乐专辑包装所带出的视觉传达设计特性。

华语流行音乐专辑封面设计中的广告创意

音乐专辑封面设计运用各种平面构成手法和视觉传达技巧在视觉层面上传达着专辑各个维度的信息,辅助歌曲的情感抒发,达到以形写声的目的。文章结合具体设计案例,从平面广告创意思维的三个方面分析华语流行音乐专辑封面设计中的广告设计手法与设计价值。

Simple but Dominant： How to Re-shine Depeche Mode on Album Covers After 80＇s

The aim of this paper is to analyze the album covers of English band Depeche Mode after 80＇s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth-pop to new wave, from new wave to electronic, dance, and alternative-rock in decades, but their message stayed as it was： A non-hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre-print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are： unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80＇s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non-hypocritical, humanist, and decent manner against what is wrong and in love sincerely.