“世界语态”下的中国叙事--Discovery探索频道中国题材纪实影像中的中国形象解析

影像是文化传播的载体,也是塑造与传播一个国家形象的重要媒介。文章以Discovery探索频道2近五年来生产的一系列中国题材纪实影像为对象,对其描绘的中国形象进行考察和解析。通过建构多元空间话语、故事化叙事、突破二元对立的叙事手法,探索频道从政治、人民、文化的维度展现了兼具时代特征与现代性的“理想化”中国形象。秉持“非西方国际化视角”的叙事立场,探索频道采用联合话语机制与本土化的创作模式经营中国题材的影像内容,运用包含娱乐元素调度、第一人称专家主持人视角、中英双语模式在内的“世界语态”讲述中国故事,为当代中西媒体的中国叙事提供了具有启示意义的示范。

艺术形态中的我们

“艺术形态是一种社会话语构建与消解的综合缩略图。本文试图从社会构架中最普通却又最关键的“人”入手，通过对情态世界、意态世界和语态世界的浅析，挖掘出不同形态世界中“人”的特质。

On the Generation of Nominalization and its Ecological Significance in Poetic Language

In consideration of the confused debates about the value of nominalization, this paper tries to explore the original generation of nominalization and analyze its use in poetry. This paper attempts to explore the generation of nominalization from a comprehensive point of view, to distinguish between ＂primary nominalization＂ and ＂ideological nominalization＂, to trace the root of primary nominalization, and to analyze the use of primary nominalization in poetry. Based on these analyses, this paper points out that primary nominalization in poetry is more consonant with the Green grammar, with the undivided, holistic ecological worldview and has ecological significance. However, the ideological nominalization in some other nonliterary formal style is an obstacle to the solution to environment problem, and so we should understand the function of nominalization with its contexts and pay more attention to poetic language.