期刊文献+
共找到15篇文章
< 1 >
每页显示 20 50 100
《三韵声汇》东音系统端、知组声母的历史演变问题
1
作者 罗健京 皮华林 《南华大学学报(社会科学版)》 2022年第2期77-83,共7页
《三韵声汇》东音系统声母共14个,谚文标注为■、■、■、■、■、■、ロ、■、■、■、■、■、■、,与现代韩语的松音系统吻合。其中端组声母中的一、四等字总体上符合汉语语音的发展规律,读舌头音■(t)、■(t■)。但是部分一、四等... 《三韵声汇》东音系统声母共14个,谚文标注为■、■、■、■、■、■、ロ、■、■、■、■、■、■、,与现代韩语的松音系统吻合。其中端组声母中的一、四等字总体上符合汉语语音的发展规律,读舌头音■(t)、■(t■)。但是部分一、四等字和二、三等字的知组表现出与汉语端组字不同的发展趋势,存在与精组开、合口字合流的现象,读作齿头音■(ts)、■(ts■)。其原因在于端组字受到韩语腭化音的影响,而知组受到了韩语中■/ts、■/ts■、■/s的干扰。 展开更多
关键词 《三韵声汇》 端组 知组 东音 腭化 母语干扰
下载PDF
从日本《东音谱》看18世纪初之闽语语音
2
作者 钟雪珂 《励耘语言学刊》 2022年第1期132-145,共14页
日本新井白石《东音谱》提供的漳州、泉州、福州三种闽语语料,反映了18世纪初之闽语。作为域外文献,它们可与18、19世纪刊行的《戚林八音》(1749,福州话)《汇音妙悟》(1800,泉州话)《汇集雅俗通十五音》(1818,漳州话)等闽地本土音韵文... 日本新井白石《东音谱》提供的漳州、泉州、福州三种闽语语料,反映了18世纪初之闽语。作为域外文献,它们可与18、19世纪刊行的《戚林八音》(1749,福州话)《汇音妙悟》(1800,泉州话)《汇集雅俗通十五音》(1818,漳州话)等闽地本土音韵文献进行互证研究。本文通过比较研究得出以下结论:(1)《东音谱》漳州话语料既具有方音性质,同时也混入了官话音成分;(2)《东音谱》三种闽语语料体现的18世纪初之闽语声韵特点,大多与18、19世纪之闽地音韵文献所反映的音系特点一致,实现了中日文献互证,同时也在一定程度上对闽音史的构建起到补充作用。 展开更多
关键词 东音谱》 漳州话 福州话 泉州话
下载PDF
日本《东音谱》之汉语语音史研究价值探析
3
作者 钟雪珂 《古汉语研究》 CSSCI 北大核心 2020年第3期101-108,128,共9页
新井白石《东音谱》(1719)是日本国语音韵学代表作,但其价值远远超出了日本国语学,在汉语语音史上亦具有重要的地位和研究价值。《东音谱》上承日本江户时期《韵镜》,下启《磨光韵镜》,不仅继承和发展了日本早期"韵镜学"文献... 新井白石《东音谱》(1719)是日本国语音韵学代表作,但其价值远远超出了日本国语学,在汉语语音史上亦具有重要的地位和研究价值。《东音谱》上承日本江户时期《韵镜》,下启《磨光韵镜》,不仅继承和发展了日本早期"韵镜学"文献中所萌芽的汉字音史观,又突破了传统汉字音研究的樊篱,加入汉语方言要素,体现出初步的汉语方音历史比较意识。 展开更多
关键词 东音谱》 “韵镜学” 汉字音史观 历史比较
原文传递
从知系跟精组的层次看胶东方言与《中原音韵》 被引量:3
4
作者 宫钦第 《语言研究》 CSSCI 北大核心 2007年第3期33-36,共4页
胶东方言古知庄章组与精组声母在各方言及《中原音韵》里的不同分合关系,显示了它们代表的不同历史层次。胶东方言是在以《中原音韵》为主流的古官话浸染、覆盖下而定型的一种官话方言。
关键词 胶东方言 中原音韵 知庄章组 精组 层次
下载PDF
Evaluation of Reanalysis Products with in situ GPS Sounding Observations in the Eastern Himalayas 被引量:2
5
作者 ZHU Jin-Huan MA Shu-Po +2 位作者 ZOU Han ZHOU Li-Bo LI Peng 《Atmospheric and Oceanic Science Letters》 CSCD 2014年第1期17-22,共6页
Previous studies have shown that reanalysis products contain large uncertainties in the Tibetan Plateau(TP),and the biases are location dependent.Therefore,these products must be evaluated with in situ observations pr... Previous studies have shown that reanalysis products contain large uncertainties in the Tibetan Plateau(TP),and the biases are location dependent.Therefore,these products must be evaluated with in situ observations prior to their applications.In this study,the authors compare the results of several reanalysis projects with independent sounding observations recorded in the Yarlung Tsangpo River valley in the Eastern Himalayas in June 2010.These reanalysis projects include Climate Forecast System Reanalysis(CFSR),Interim European Centre for Medium Range Weather Forecasts Reanalysis(ERA- Interim),Japanese 25-year Reanalysis(JRA-25),Modern Era Retrospective Analysis for Research and Applications(MERRA),National Center for Environmental Prediction and the Department of Energy Reanalysis 2(NCEP-R2),and NCEP Final Analysis(FNL).Statistical quantities such as average,mean bias(MB),root-mean-square difference(RMSD),and correlation coefficient(R) of temperature,specific humidity,u-wind,and v-wind between 100 hPa and 650 hPa were calculated.The authors determined that the performance of each product differed with variables at different levels.The average profiles of the variables were captured by the reanalysis products,with large biases appearing at lower levels.ERA-Interim and NCEP-R2 showed the best and worst performances,respectively,for all variables.This study suggests that users should select appropriate reanalysis products according to their specific purposes for TP research. 展开更多
关键词 reanalysis products GPS sounding Eastern Himalayas
下载PDF
The Tradition of the Joint Voice Singing in the Context of the Orient Culture (As an example of Margilan Singing School)
6
作者 Azizjon Zokirov 《Journal of Literature and Art Studies》 2017年第8期1020-1023,共4页
The article deals with musical heritage of some Orient cultures, joint singing as one of the main part of music art from ancient time to nowadays. The measure reflecting live process of national musical art is a perfo... The article deals with musical heritage of some Orient cultures, joint singing as one of the main part of music art from ancient time to nowadays. The measure reflecting live process of national musical art is a performing practice. Makom is the most example of Uzbek classical musical heritage. The art of singing plays considerable role in culture of Uzbek national music. On the basis of classical singing the following singing directions as "Folk singing" (yallachilik), "Classical singing" (mumtoz yallachilik), "Grand Song" (katta ashulachilik) and "Art of Makom" singing forms were formulated and developed. Greatest representatives of Margilan School of singing. 展开更多
关键词 Orient music Makom grand song joint voice singing Qavalli
下载PDF
Bioavailability of heavy metals in soil of the Tieguanyin tea garden, southeastern China 被引量:2
7
作者 Jingwei Sun Ruilian Yu +3 位作者 Gongren Hu Songhe Jiang Yunfeng Zhang Xiaoming Wang 《Acta Geochimica》 EI CAS CSCD 2017年第3期519-524,共6页
The bioavailability of 22 heavy metals was investigated at 19 sampling sites in Tieguanyin tea garden in Anxi County,Fujian Province,southeastern China.Heavy metal concentrations were determined by inductively coupled... The bioavailability of 22 heavy metals was investigated at 19 sampling sites in Tieguanyin tea garden in Anxi County,Fujian Province,southeastern China.Heavy metal concentrations were determined by inductively coupled plasma-mass spectrometry(ICP-MS)and evaluated by geo-accumulation index(I_(geo)).Dilute nitric acid extraction was used to evaluate biological activity.Cu,Pb,and Cd were highly bioavailable and most easily absorbed by tea trees.Heavy metal bioavailability in the surface soil was as the ratio of the effective state to the total amount.Cd had the highest I_(geo)values,and the respective samples and sites were classified as moderately/strongly contaminated.Cd element is considered the main factor of heavy metal pollution in the tea garden in Anxi.The other heavy metals studied were present in lower concentrations;thus,the samples were classified as uncontaminated or slightly contaminated. 展开更多
关键词 Geo-accumulation index Tieguanyin tea garden Heavy metals BIOAVAILABILITY Dilute nitric acid extraction Southeastern China
下载PDF
Geochemical characteristics and petrogenesis of volcanic rocks from Baiyingaolao Formation in northeastern Hailar Basin
8
作者 LI Xu SUN Deyou GOU Jun 《Global Geology》 2016年第3期164-176,共13页
The volcanic rocks from Baiyingaolao Formation in the northeastern Hailar Basin are mainly composed of rhyolite and trachydacite. U-Pb dating of zircon shows these volcanic rocks formed in Early Cretaceous( 128--124 M... The volcanic rocks from Baiyingaolao Formation in the northeastern Hailar Basin are mainly composed of rhyolite and trachydacite. U-Pb dating of zircon shows these volcanic rocks formed in Early Cretaceous( 128--124 Ma). Geochemical data indicate that they are sub-alkaline series in composition and rich in alkali and potassium. All samples have similar rare earth element patterns characterized by high total rare earth elements contents( ∑REE = 113. 96 × 10- 6-204. 33 × 10- 6),significant fractionation of heavy and light rare earth elements( ∑LREE / ∑HREE = 3. 10-4. 52) with middle negative Eu anomalies( δEu = 0. 46-0. 76).The trace elements are characterized by enrichment in large-ion lithophile elements such as K,Rb,LREE and depletion in high field strength elements e. g. Nb,Ta,HREE,P and Ti,while enriched in Th and U. Rhyolite and trachydacite contain low initial87 Sr /86 Sr ratios( 0. 704 9--0. 7 053) and positive εNd( t) values( ca. 4.15). These data suggest that the magma of rhyolite and trachydacite were derived from mafic lower crust newly accreted from mantle,with the evolutional trend of comagmatic fractional crystallization. 展开更多
关键词 volcanic magma zircon mantle northeastern alkaline dating enriched crust depletion
下载PDF
Artistic Characteristics of Folk Music in Northern Shandong
9
作者 ChaoYing XIE 《International Journal of Technology Management》 2014年第10期51-52,共2页
Folk songs as an important part of traditional culture in Shandong, is very important spiritual wealth. In this paper, from terms of development history, classification, local language, melody type, etc. we analyze th... Folk songs as an important part of traditional culture in Shandong, is very important spiritual wealth. In this paper, from terms of development history, classification, local language, melody type, etc. we analyze the artistic characteristics of folk music in northern Shandong. 展开更多
关键词 Artistic Characteristics Folk Music Northern Shandong Melody Type
下载PDF
JOKA AND HIS FLYING SYMPHONY CRUISING OVER THE QINGHAI-TIBET PLATEAU
10
作者 Cheng Yunjie Tang Zhaoming 《China's Tibet》 2017年第5期21-26,共6页
Forty-five years ago,Joka was just a herder grazing animals on Damxung Grassland in the Tibet Autonomous Region.At that time,the concept of music class did not exist in the curriculum of local elementary schools,so th... Forty-five years ago,Joka was just a herder grazing animals on Damxung Grassland in the Tibet Autonomous Region.At that time,the concept of music class did not exist in the curriculum of local elementary schools,so the boy's musical talent originated from the traditional pastoral songs and dances characteristic of his hometown.Nowadays,53-year-old Joka has become the first post-doctoral candidate for professional music composition in China as well as the first Tibetan musicology master and doctor. 展开更多
关键词 musical Tibetan curriculum professional grazing doctor schools originated elementary creative
下载PDF
Integration Approach to Studying of Regional Music Cultures --On an Example of the Eastern Europe
11
作者 Irina Galushenko 《Journal of Literature and Art Studies》 2012年第4期476-479,共4页
The paper based on the proposed integrative approach to studying music cultures of the Eastern Europe. Come to light the factors of integration promoting interference and enrichment of national musical cultures. The r... The paper based on the proposed integrative approach to studying music cultures of the Eastern Europe. Come to light the factors of integration promoting interference and enrichment of national musical cultures. The region of national composer schools actively joined in world art process in the second half of the 19th century (Czechia, Poland, and Hungary) and in the 20th century (Bulgaria, Slovakia, Romania, Serbia, Slovenia, and Macedonia) Theme of this paper is to identify the basic principles of this region. The purpose of the work, defining features of the musical cultures of the Eastern European region as a whole, also here highlights the commonality of the creative ideas of representatives of the region--Bartok, Janachek, Martinu, etc.. Method of developing is defined by their orientation to the disclosure of topic. The paper used the comparative-typological and integrated approaches and methods of analysis 展开更多
关键词 Eastern Europe region integration CREATIVITY DISTINCTION CONTEMPORARY
下载PDF
《龙飞御天歌》的用韵与朝鲜汉字音 被引量:1
12
作者 吴聖雄 《语言研究集刊》 CSSCI 2014年第2期237-259,332,共25页
《龙飞御天歌》是朝鲜最早的一部朝汉对照歌集。文章根据书中125章的汉文歌词,归纳体例,编制韵谱,分析用韵特点。进一步对照《东国正韵》的东音,以及《洪武正韵译训》的正音与俗音,由音韵演变格局的比较,发现《龙飞御天歌》的用韵与东... 《龙飞御天歌》是朝鲜最早的一部朝汉对照歌集。文章根据书中125章的汉文歌词,归纳体例,编制韵谱,分析用韵特点。进一步对照《东国正韵》的东音,以及《洪武正韵译训》的正音与俗音,由音韵演变格局的比较,发现《龙飞御天歌》的用韵与东音距离最远,而与俗音较为接近。由于三种标音的任何一种,都无法完全解释用韵的所有特点;综合考虑各种特殊的押韵方式,文章认为:《龙飞御天歌》用韵反映的读音,是朝鲜文人以母语学习明朝官话,经朝鲜语调整,以及汉学知识的影响,所产生的一种新兴朝鲜汉字音。 展开更多
关键词 龙飞御天歌 朝鲜汉字音 东国正韵 洪武正韵译训 东音 正音 俗音
原文传递
《苗瑶语古音构拟》中黔东苗语部分例缺字补正
13
作者 胡晓东 《语言研究》 CSSCI 北大核心 2009年第2期122-124,共3页
《苗瑶语古音构拟》是近年来苗瑶语古音研究的重要著作。但由于调查资料所限等方面的原因,致使书中的许多例字呈现空白状态。从贵州省白午苗话出发,对《苗瑶语古音构拟》中的部分例缺字进行了补正。
关键词 《苗瑶语古音构拟》 黔东苗语 例缺字 补正
原文传递
《中原音韵》庚青、东钟两韵并收字与宋元以来南方官话 被引量:2
14
作者 杜俊平 郑伟 《语言研究》 CSSCI 北大核心 2018年第3期62-70,共9页
《中原音韵》的部分字在庚青、东钟两韵并收,反映的是中古曾梗摄喉牙音合口字和唇音字所发生的音变:??>u?/P__,(i)u??>(i)u?/K__,其音变性质是词汇扩散式的竞争性音变,音变条件是钝音性的声母或介音对后接主元音的圆唇化影响。根... 《中原音韵》的部分字在庚青、东钟两韵并收,反映的是中古曾梗摄喉牙音合口字和唇音字所发生的音变:??>u?/P__,(i)u??>(i)u?/K__,其音变性质是词汇扩散式的竞争性音变,音变条件是钝音性的声母或介音对后接主元音的圆唇化影响。根据音韵史文献和现代方言两方面的资料,曾梗摄字的??>u?音变可以追溯至宋元以后的南方官话,而现代南方官话(如江淮官话、西南官话)、吴语及南方非官话方言的文读层都在不同程度上保留了早期南方官话的音韵特点。 展开更多
关键词 《中原音韵》 庚青韵 东钟韵 南方系韵书 南方官话
原文传递
Phantom Haunts Beijing
15
作者 Tang Yuankai 《Beijing Review》 2016年第4期42-43,共2页
A 30-year-old Western musical captivates theaudience in the Chinese capitalThe Phantom of the Opera—a musical on stage in the Chinese capital city for the first time since it debuted in 1986—wrapped up the last show... A 30-year-old Western musical captivates theaudience in the Chinese capitalThe Phantom of the Opera—a musical on stage in the Chinese capital city for the first time since it debuted in 1986—wrapped up the last show of its Beijing tour on January 10.The musical,also staged in Guangzhou in south China's Guangdong Province, 展开更多
关键词 musical Guangdong Guangzhou audience revenue ceremony director subsidiary imported bread
原文传递
上一页 1 下一页 到第
使用帮助 返回顶部