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个人化诗歌写作与“非个人化”诗学理论
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作者 杨晓云 《达县师范高等专科学校学报》 2005年第6期61-64,共4页
20世纪90年代以来,诗歌写作出现了个人化的创作倾向。诗人从主题创作到把词语当作诗歌写作的尺度,很大程度上动摇了诗歌写作的根基,显示出根本性的变化,诗歌写作出现了困境,读者理解诗歌有了难度。由此,追溯了艾略特的“非个人化”的诗... 20世纪90年代以来,诗歌写作出现了个人化的创作倾向。诗人从主题创作到把词语当作诗歌写作的尺度,很大程度上动摇了诗歌写作的根基,显示出根本性的变化,诗歌写作出现了困境,读者理解诗歌有了难度。由此,追溯了艾略特的“非个人化”的诗学理论,指出了二者的不同,并认为没有诗人的审美体验,诗歌写作是难以想象的。 展开更多
关键词 个人诗歌写作 “非个人化”诗学理论 审美体验
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试论曹操形象的演变——以三个版本《三国演义》中的诗歌为例
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作者 李家人 《中小学课堂教学研究》 2019年第6期62-64,共3页
曹操的形象经历了一个演变的过程。通过考查嘉靖本、李卓吾本、毛宗岗本三个版本《三国演义》中有关曹操的个人诗歌,我们便能发现这种变化轨迹。这些诗歌对曹操的态度倾向,经历了由褒扬为主到有褒有贬,再到贬斥为主的变化。之所以有这... 曹操的形象经历了一个演变的过程。通过考查嘉靖本、李卓吾本、毛宗岗本三个版本《三国演义》中有关曹操的个人诗歌,我们便能发现这种变化轨迹。这些诗歌对曹操的态度倾向,经历了由褒扬为主到有褒有贬,再到贬斥为主的变化。之所以有这样的变化,与晚明清初复杂而特殊的社会背景有关。 展开更多
关键词 《三国演义》 个人诗歌 曹操形象演变
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Poetry and Cinema
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作者 Cedric VanEenoo 《Journal of Literature and Art Studies》 2012年第4期480-482,共3页
Poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much d... Poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much details, be it for stories, scenes, dialogues, storyboards, or technical descriptions. In that extend, words are the genesis of cinema. Poetry is a unique way to express one's point of view in a metaphoric way, far from common means of communicating a message. This purpose is the one of many a film director with daring, controversial, or highly personal ideas. The study will concentrate on the link of cinema with poetry based on the concept of rhymes and rhythms. 展开更多
关键词 POETRY CINEMA ART rhymes METAPHORS CINEMATOGRAPHY NARRATIVE
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Time and consciousness in T. S. Eliot's The love song of J. Alfred Prufrock
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作者 YANG Li 《Sino-US English Teaching》 2007年第12期57-60,共4页
The relationship between time and consciousness is what T. S. Eliot concerns much in his early modernist poem The love song of J. Alfred Prufrock. This paper is an analysis of the way Eliot employs the stream of consc... The relationship between time and consciousness is what T. S. Eliot concerns much in his early modernist poem The love song of J. Alfred Prufrock. This paper is an analysis of the way Eliot employs the stream of consciousness technique to create a typical Western modern man who suffers greatly from meaningless life and spiritual crisis. 展开更多
关键词 TIME CONSCIOUSNESS PRUFROCK
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