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当代中国书法创作体系中的日本因素
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作者 孙列 刘仲林 崔之进 《贵州大学学报(艺术版)》 2019年第2期40-46,107,共8页
以当代中国书法中的日本因素所经历的两个阶段为主线,第一阶段是自1980年代初起的前十余年对日本当代书法的模仿,这一时期的当代中国书法创作注重具体创作手法仿效带来的视觉形式美感。第二阶段是至此之后还将继续探索下去的创作生态上... 以当代中国书法中的日本因素所经历的两个阶段为主线,第一阶段是自1980年代初起的前十余年对日本当代书法的模仿,这一时期的当代中国书法创作注重具体创作手法仿效带来的视觉形式美感。第二阶段是至此之后还将继续探索下去的创作生态上的超越,这一时期的当代中国书法创作强调多元的书法探索机制。文章从三个方面论述当代中国书法创作体系中所蕴含的日本因素。第一部分探讨当代中国书法创作能够与日本书风在现当代的社会环境中并生互惠的原因,第二部分探讨当代中国书法创作第一阶段时期对于日本书法的借鉴继而表现出的创作特征的变化,第三部分是当下中国书法正经历的第二阶段,即如何融合日本因素进而选择属于当下中国书法发展道路的创作取向。 展开更多
关键词 当代中国书法创作 日本因素 创作动力 创作特征 创作取向
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中国书法创作中的“风格”与“习气”关系探析
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作者 兰浩 《嘉应学院学报》 2022年第2期109-112,98,共5页
中国书法创作中的风格与习气呈现为极为复杂的辩证关系,风格一般表示书法创作的成熟状态,习气一般用以形容创作中的负面惯习,二者之间存在美和非美的根本区分。但实际上风格与习气之间呈现非常复杂的关系,历代书法名作也有被后世指称为... 中国书法创作中的风格与习气呈现为极为复杂的辩证关系,风格一般表示书法创作的成熟状态,习气一般用以形容创作中的负面惯习,二者之间存在美和非美的根本区分。但实际上风格与习气之间呈现非常复杂的关系,历代书法名作也有被后世指称为习气,习气也有个体诠释偏见产生的认知。真正的书法家站在书法审美的高度,客观理性辨析风格和习气,促使创作中的习气朝向成熟风格的转化和超越。客观审视风格和习气的辩证关系,触及到书法美学、书法本体论、书法社会学等极为广阔的层面,有助于立体全面深刻认识中国书法发展的本质规律。 展开更多
关键词 中国书法创作 风格 习气 辩证运动
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首届“中国书法兰亭奖·创作奖”评选第一阶段结束
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作者 舒讯 《中国书法》 CSSCI 北大核心 2002年第6期4-5,共2页
关键词 首届“中国书法兰亭奖·创作奖”评选活动 评审细则 艺术精神 评审工作
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Beauty of Western Abstract Painting and Chinese Cursive Calligraphy A Comparison
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作者 YING Yi-wen 《Journal of Literature and Art Studies》 2012年第10期951-959,共9页
The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy ... The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy (草书), on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist's creative thoughts and feelings, making them stand out impressively. 展开更多
关键词 abstract form intuitive beauty inner world spiritual pursuits
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Calligraphy and Modern Chinese Writers
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作者 Li Jikai 《Social Sciences in China》 2011年第1期110-126,共17页
Research on modern Chinese literature has achieved results that have attracted wide attention. However, its state of near "saturation" has placed it in a dilemma with no clear way forward. Finding new academic growt... Research on modern Chinese literature has achieved results that have attracted wide attention. However, its state of near "saturation" has placed it in a dilemma with no clear way forward. Finding new academic growth points has become exceptionally important and urgent. The relationship between the "culture of calligraphy" and "modem Chinese writers" is virtually a research blank and has so Ihr attracted regrettably little attention. In fact, many modem Chinese writers have had close ties with calligraphy, making important contributions to its collection, creation and scholarly exploration. Conversely, the culture of calligraphy has exerted a profound influence on such things as the mode of existence, textual forms, emotional expression, ways of thought and aesthetic tastes of modem literature. Moreover, an examination of this relationship may stimulate us to reflect more deeply on literature, calligraphy, culture, education and related issues, which may help us gain a larger space for the development of Chinese culture and literature in the new century. 展开更多
关键词 culture of calligraphy modem Chinese writers academic innovation third text study of calligraphy
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