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中国摇滚乐文化的精神内涵探索 被引量:2
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作者 郭旭 《音乐创作》 北大核心 2018年第6期119-120,共2页
摇滚文化是一个文化精神价值体系的外化形态,优秀的摇滚乐文化代表了某种人群的精神世界观和精神人文价值的精髓。作为独特的音乐文化形态,摇滚乐历来是社会关注的问题。我国摇滚乐经历了将近三十年的发展,经历了一批又一批的音乐人涌现... 摇滚文化是一个文化精神价值体系的外化形态,优秀的摇滚乐文化代表了某种人群的精神世界观和精神人文价值的精髓。作为独特的音乐文化形态,摇滚乐历来是社会关注的问题。我国摇滚乐经历了将近三十年的发展,经历了一批又一批的音乐人涌现,呈现出不同阶段时期下的不同形态的文化精神表象,但是总的来看,都具有一些根本相同的精神属性,特此展开分析。 展开更多
关键词 中国摇滚乐文化 精神内涵:探索
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Rock Music in Contemporary China: An Ideological Arena
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作者 ZHOU Xiao-yan 《Journal of Literature and Art Studies》 2015年第12期1146-1151,共6页
The rock music in contemporary China is a filed for the folk, official, elite and other multi-element ideology competition. Wang Feng is a winner walking on the ideological balance beam. After deconstructing Cui Jian... The rock music in contemporary China is a filed for the folk, official, elite and other multi-element ideology competition. Wang Feng is a winner walking on the ideological balance beam. After deconstructing Cui Jian's grand narrative mode and strong critical feature, his works have been endowed with heavy critical color and reflection value by a grassroots band named "Xuriyanggang". Besides, Wang Feng's works have eliminated the distinction between the official and folk feature, elegance and worldly feature, as well as elite and mass. To a large extent, they have defined the rock music in contemporary China, and pushed the Chinese rock to the mainstream market. Consequently, the Chinese rock has been gradually developed into multiple and compound culture modes. 展开更多
关键词 Chinese rock IDEOLOGY ARENA
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