Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic...Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic of the imagination", and "the drama doctrine" and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to "use all the cultural and academic achievements to come close to the literature and understand the literature", to develop the Chinese noetics.展开更多
The Third-Generation Poetry of China (namely Post-misty Poetry too) initiated with the introduction of Western modernist poetry, especially sorts of American Post-modernist poetry schools into China. "The relation ...The Third-Generation Poetry of China (namely Post-misty Poetry too) initiated with the introduction of Western modernist poetry, especially sorts of American Post-modernist poetry schools into China. "The relation between American poetry and Chinese poetry has a long history, which lies in the influences on the creation of the Third-Generation poets. This influence is probably unprecedented in its depth and breadth." "Irrational association" and "leaping images" proposed by American Deep Image poets influenced by Freudian and Jungian unconscious perception gained an extraordinary appreciation among the Third-Generation poets who were in pursuit constantly of the experiments on poetic form and language. This paper mainly discusses the influences of American Deep Image on the Third-Generation poets of China through a case study of WANG Yin and CHEN Dongdong's poems.展开更多
文摘Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic of the imagination", and "the drama doctrine" and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to "use all the cultural and academic achievements to come close to the literature and understand the literature", to develop the Chinese noetics.
文摘The Third-Generation Poetry of China (namely Post-misty Poetry too) initiated with the introduction of Western modernist poetry, especially sorts of American Post-modernist poetry schools into China. "The relation between American poetry and Chinese poetry has a long history, which lies in the influences on the creation of the Third-Generation poets. This influence is probably unprecedented in its depth and breadth." "Irrational association" and "leaping images" proposed by American Deep Image poets influenced by Freudian and Jungian unconscious perception gained an extraordinary appreciation among the Third-Generation poets who were in pursuit constantly of the experiments on poetic form and language. This paper mainly discusses the influences of American Deep Image on the Third-Generation poets of China through a case study of WANG Yin and CHEN Dongdong's poems.