Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic...Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic of the imagination＂, and ＂the drama doctrine＂ and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to ＂use all the cultural and academic achievements to come close to the literature and understand the literature＂, to develop the Chinese noetics.展开更多
Research on modern Chinese literature has achieved results that have attracted wide attention. However, its state of near ＂saturation＂ has placed it in a dilemma with no clear way forward. Finding new academic growt...Research on modern Chinese literature has achieved results that have attracted wide attention. However, its state of near ＂saturation＂ has placed it in a dilemma with no clear way forward. Finding new academic growth points has become exceptionally important and urgent. The relationship between the ＂culture of calligraphy＂ and ＂modem Chinese writers＂ is virtually a research blank and has so Ihr attracted regrettably little attention. In fact, many modem Chinese writers have had close ties with calligraphy, making important contributions to its collection, creation and scholarly exploration. Conversely, the culture of calligraphy has exerted a profound influence on such things as the mode of existence, textual forms, emotional expression, ways of thought and aesthetic tastes of modem literature. Moreover, an examination of this relationship may stimulate us to reflect more deeply on literature, calligraphy, culture, education and related issues, which may help us gain a larger space for the development of Chinese culture and literature in the new century.展开更多
文摘Yuan Kejia＇s poetics is the theory about the modernization of the new poetry. Some of his specific views on ＂the poetry and non poems＂, ＂the reality and the poetry＂, ＂the experience and the poetry＂, ＂the logic of the imagination＂, and ＂the drama doctrine＂ and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to ＂use all the cultural and academic achievements to come close to the literature and understand the literature＂, to develop the Chinese noetics.
文摘Research on modern Chinese literature has achieved results that have attracted wide attention. However, its state of near ＂saturation＂ has placed it in a dilemma with no clear way forward. Finding new academic growth points has become exceptionally important and urgent. The relationship between the ＂culture of calligraphy＂ and ＂modem Chinese writers＂ is virtually a research blank and has so Ihr attracted regrettably little attention. In fact, many modem Chinese writers have had close ties with calligraphy, making important contributions to its collection, creation and scholarly exploration. Conversely, the culture of calligraphy has exerted a profound influence on such things as the mode of existence, textual forms, emotional expression, ways of thought and aesthetic tastes of modem literature. Moreover, an examination of this relationship may stimulate us to reflect more deeply on literature, calligraphy, culture, education and related issues, which may help us gain a larger space for the development of Chinese culture and literature in the new century.
