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中国画在当今非物质包装设计中的应用 被引量:3
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作者 徐敏 黄婉春 《包装工程》 CAS CSCD 北大核心 2006年第2期277-279,共3页
随着电脑的普及、网络的建立以及网络的迅速发展,电脑作为设计工具,虚拟的、数字化的设计使包装设计进入了非物质设计。中国画可以通过电脑这一设计工具,应用于非物质包装设计领域中。本文主要研究在非物质包装设计过程中应充分应用和... 随着电脑的普及、网络的建立以及网络的迅速发展,电脑作为设计工具,虚拟的、数字化的设计使包装设计进入了非物质设计。中国画可以通过电脑这一设计工具,应用于非物质包装设计领域中。本文主要研究在非物质包装设计过程中应充分应用和吸取中国画的精华,以构建一个既有民族性,又有时代性的国画包装设计,使中国绘画在非物质包装设计中得以更好的应用与发展。 展开更多
关键词 中国画文化 非物质包装设计 应用
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中华优秀传统文化寓于幼儿园创意手工活动的策略探究
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作者 王冰心 《中国科技经济新闻数据库 教育》 2024年第1期0068-0071,共4页
本文以中华优秀传统文化为理论基础,以幼儿园创意手工活动为实践载体,分析了中华优秀传统文化的内涵和特征,以及幼儿园创意手工活动的意义和价值。同时,本文提出了寓中华优秀传统文化于幼儿园创意手工活动的策略,包括选择适合幼儿认知... 本文以中华优秀传统文化为理论基础,以幼儿园创意手工活动为实践载体,分析了中华优秀传统文化的内涵和特征,以及幼儿园创意手工活动的意义和价值。同时,本文提出了寓中华优秀传统文化于幼儿园创意手工活动的策略,包括选择适合幼儿认知水平和兴趣的传统文化主题,设计富有创意和趣味的手工活动,引导幼儿体验和感悟传统文化的精神和美德等等,共同推动传统文化的传承和发展。对此,本文认为,寓中华优秀传统文化于幼儿园创意手工活动,不仅可以丰富幼儿的手工经验,培养幼儿的创造力和审美能力,还可以增强幼儿的民族自豪感和文化自信,促进幼儿的全面发展。 展开更多
关键词 幼儿园 中国画优秀传统文化 创意手工活动
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中国画的转型应以民族文化为主线
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《美术》 北大核心 2004年第6期130-130,共1页
关键词 刘玉社 中国画的转型应以民族文化为主线》 艺术形式 民族精神 艺术创新
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中法文化年中国风情中国画展作品——《塔吉克牧羊女》
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作者 刘大为 《美术》 北大核心 2004年第14期1-1,共1页
关键词 “中法文化年·中国风情中国画展” 展览作品 《塔吉克牧羊女》 刘大为
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有关中国画人物教学的讨论 鲁迅美院文化艺术中心中国画人物工作室师生座谈纪要
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《美苑》 2003年第1期43-49,共7页
赵奇(艺术中心主任,中国画人物工作室研究生导师):今天主要讨论一下工作室中国画的教学情况,这个题目也是很宽的。那天同几个同学商量,我说用不用再准备一段时间?大家都说学画以来一直都在考虑和中国画有关的一些问题。那就现在开始吧。
关键词 鲁迅美院文化艺术中心中国画人物工作室 师生座谈会 中国画教学 绘画技法 艺术修养 绘画观念 艺术精神
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高校中国画教学中存在的问题与对策研究 被引量:3
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作者 侯建芳 《才智》 2013年第4期82-82,共1页
中国画是美术专业的重要课程,但是,由于教学观念和教学方法的制约,现阶段高校中国画教学中存在着一些问题与不足,主要表现为古代文史哲知识欠缺、中心绘画艺术的差异、中心绘画思路转换的困难。为了应对这些问题,提高教学效果,今后在教... 中国画是美术专业的重要课程,但是,由于教学观念和教学方法的制约,现阶段高校中国画教学中存在着一些问题与不足,主要表现为古代文史哲知识欠缺、中心绘画艺术的差异、中心绘画思路转换的困难。为了应对这些问题,提高教学效果,今后在教学中需要采取相应的策略,增加古代文史哲教学内容、重视中国传统文化知识的学习,并增加书法课课时。 展开更多
关键词 中国画教学问题对策传统文化知识书法课
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On the national culture used in the art of animation
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作者 Qinggang Sun 《International Journal of Technology Management》 2013年第9期48-50,共3页
Animation and comics are collectively known as "Anime ", it set video, audio, printing, advertising, clothing, toys, stationery, network, electronic, and many other arts and entertainment industry together in one, a... Animation and comics are collectively known as "Anime ", it set video, audio, printing, advertising, clothing, toys, stationery, network, electronic, and many other arts and entertainment industry together in one, and plays a more important role in today' s increasingly rapid economic and social development. Ours is a country of many ethnic minorities, ethnic culture has a long history, and is erudite and colorful. If our animation art want to be niche in the world art of the forest, it is necessary to strengthen the national culture used in the creation. Animation art is inexhaustible creative theme of national culture. Once the elements of Chinese culture organically integrate into the anime, animation art will be able to make shine, so creating animation master piece with a unique and distinctive artistic style, and exuding boundless artistic charm. Obviously, Chinese national culture is inseparable elements of the creation of animation art. However, in recent years, it is rarely seen the use of traditional Chinese culture in China' s animation work. How Chinese elements go into anime and raising the standard of Chinese animation will work, and making our cotmtry the powerhouse into the world of animation as soon as possible, has very important significance. In this paper, we will explore the current status of Chinese animation, problems and how to apply Chinese elements and other relevant issues and propose a solution. 展开更多
关键词 Chinese elements national culture development status
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Research of the contemporary national theme Paintings development
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作者 Guizhong Ma 《International Journal of Technology Management》 2013年第4期101-103,共3页
National theme plays an important position in modern and contemporary Chinese painting, to achieve style deepen and breakthrough, which requires the painter first have a deep understanding of minority cultures, and ha... National theme plays an important position in modern and contemporary Chinese painting, to achieve style deepen and breakthrough, which requires the painter first have a deep understanding of minority cultures, and have a perceptual experience of their lives. Relying on subjective feelings can easily made a minority careless conceptual evaluation, to say it is brave and pretty strong and can sing and dance that is not a bad idea; deep into their village, listening to folk songs, see the costumes, look for custom these are little difficult, in order to search the resulting to see a few works will make the looking luster, but so far it is still shallow grasp. 展开更多
关键词 National cultural structure artistic features ethnic minorities.
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Drawing Essence from Ancient to Nourishing the New A Study of REN Ping's Calligraphic Art
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作者 YING Yi-wen 《Journal of Literature and Art Studies》 2015年第1期22-29,共8页
This paper expresses REN Ping's views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relati... This paper expresses REN Ping's views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy (草书), Regular Script (楷书), Seal Script (篆书), running style (行书) and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping's accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings. 展开更多
关键词 zalligraphic art REN Ping lines stroke techniques classical Chinese literature artistic creation
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A Visual Cultural Study of Pictorial Weekly in the Republican Period
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作者 CHEN Hua 《Sino-US English Teaching》 2015年第12期945-948,共4页
Peter Burke once said, using images as historical evidence could not only stand as proof of political events, economic trend, and social structure, but also as an illustration of the history of daily life, material cu... Peter Burke once said, using images as historical evidence could not only stand as proof of political events, economic trend, and social structure, but also as an illustration of the history of daily life, material culture, mental state, and physical body. Photography is the extension of human vision, the appearance of which has changed the way in which people see the world, molded the subject identity of modernity, and participated in the social construction of visual modernity. To witness the history is not the only purpose of studying on photograph-based pictorials in the republican period, for which it is more important to provide visual reference for the construction of China's modernization, and to witness the multiplicity, mobility, and inner-diversity of modernity. 展开更多
关键词 Pictorial Weekly visual modernity scopic regime subject identity of modernity
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Shandong:Cradle of Confucian Culture
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作者 GAO XIN 《China Today》 2015年第7期60-62,共3页
SEVERAL years ago,an animation film featuring ancient Chinese sage Confucius and his home province of Shandong was shown in New York's Times Square.The image of Confucius in an ink-and-wash animation screened forthe ... SEVERAL years ago,an animation film featuring ancient Chinese sage Confucius and his home province of Shandong was shown in New York's Times Square.The image of Confucius in an ink-and-wash animation screened forthe people of this main metropolis was an example of ancient China's integration into today's world.At the opening ceremony of the international seminar commemorating the 2,565th anniversary of 展开更多
关键词 Shandong ceremony today animation featuring ancient seminar completed revenue anniversary
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