In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovatio...In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovation in the late Ming Dynasty, and his painting style pioneered the precedent of the Chinese freehand bmshwork. In his creation of the paintings and the painting theories, he gave the innovative development to the theories of the traditional Chinese paintings and the freehand brushwork in this period in our country, and also promoted the further formation of the freehand flower and bird painting styles. Xu Wei＇s t^eehand flowers and birds combined the strengths of each school, and in the painting style, he was bold and unconstrained, and the pen and ink was coherent, and the form and the spirit were assistant and bleeding. The pen and ink all embodied the wonderful skill of the Chinese traditional paintings, and boldly integrated the wild cursive of the calligraphy in the paintings. This approach was the innovation of the techniques of the Chinese traditional paintings and the promotion of the thinking. The author of this article will begin the research on the relevant contents of the artistic achievements and the influences of the freehand flower and bird paintings by Xu Wei.展开更多
In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with plural...In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works ＂ The brush stroke in Chinese painting and calligraphy ＂ Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material.展开更多
The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy ...The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.展开更多
The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In t...The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the ＂morality＂, ＂elegant banter＂, ＂super shape＂, and ＂fun＂ of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.展开更多
文摘In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovation in the late Ming Dynasty, and his painting style pioneered the precedent of the Chinese freehand bmshwork. In his creation of the paintings and the painting theories, he gave the innovative development to the theories of the traditional Chinese paintings and the freehand brushwork in this period in our country, and also promoted the further formation of the freehand flower and bird painting styles. Xu Wei＇s t^eehand flowers and birds combined the strengths of each school, and in the painting style, he was bold and unconstrained, and the pen and ink was coherent, and the form and the spirit were assistant and bleeding. The pen and ink all embodied the wonderful skill of the Chinese traditional paintings, and boldly integrated the wild cursive of the calligraphy in the paintings. This approach was the innovation of the techniques of the Chinese traditional paintings and the promotion of the thinking. The author of this article will begin the research on the relevant contents of the artistic achievements and the influences of the freehand flower and bird paintings by Xu Wei.
文摘In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works ＂ The brush stroke in Chinese painting and calligraphy ＂ Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material.
文摘The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.
文摘The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the ＂morality＂, ＂elegant banter＂, ＂super shape＂, and ＂fun＂ of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.
