The Song Dynasty painting ＂realm without me＂ （i.e. the beauty to nature, not to the individual bit emotional, aesthetic situation calmly silently illuminates）, it is a peak China painting history, and after the Yu...The Song Dynasty painting ＂realm without me＂ （i.e. the beauty to nature, not to the individual bit emotional, aesthetic situation calmly silently illuminates）, it is a peak China painting history, and after the Yuan Dynasty painting ＂realm＂ of the United States, constitutes the entire China the history of painting aesthetics of all. This ＂selflessness＂ beauty at the beginning did not possess, it is with the development of social economy, politics, literature and art thoughts and slowly spread. This paper will be of the Song Dynasty painting ＂selflessness＂ beauty, do a simple analysis, analysis of the seed to the development to the maturity of the aesthetic course.展开更多
Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese ...Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.展开更多
文摘The Song Dynasty painting ＂realm without me＂ （i.e. the beauty to nature, not to the individual bit emotional, aesthetic situation calmly silently illuminates）, it is a peak China painting history, and after the Yuan Dynasty painting ＂realm＂ of the United States, constitutes the entire China the history of painting aesthetics of all. This ＂selflessness＂ beauty at the beginning did not possess, it is with the development of social economy, politics, literature and art thoughts and slowly spread. This paper will be of the Song Dynasty painting ＂selflessness＂ beauty, do a simple analysis, analysis of the seed to the development to the maturity of the aesthetic course.
文摘Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.
