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中国画美学思想下的杏花村文化旅游区空间规划研究
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作者 孙长玲 余维君 《池州学院学报》 2023年第3期97-100,共4页
中国画是中华民族审美观念和对自然事物理解的结果。作为中国传统艺术,经过数千年的发展演变,中国画有着独特的审美原则和美学思想,集中体现在中国画的画面布局、意境营造、虚实相生、计白当黑、借物言情等方面,其美学思想对于中国其他... 中国画是中华民族审美观念和对自然事物理解的结果。作为中国传统艺术,经过数千年的发展演变,中国画有着独特的审美原则和美学思想,集中体现在中国画的画面布局、意境营造、虚实相生、计白当黑、借物言情等方面,其美学思想对于中国其他艺术形式的形成和发展有着重要的影响。在池州杏花村文化旅游区的规划和复建过程中,其空间规划中整体布局、单个小景点经营、景区意境营造以及情感的表达方面,都能看到中国画美学思想的生动体现。 展开更多
关键词 中国画美学思想 杏花村文化旅游区 空间规划
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中国画传统美学思想对图形、图像设计的启示 被引量:1
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作者 袁浩 《艺术市场》 2021年第8期94-97,共4页
中国画传统美学思想对于新时代背景下图形、图像设计如何做到坚定文化自信、适应时代需要,具有一定的指导意义。用中国画传统美学思想来启迪当下的图形、图像设计,促进具有中国独特文化气质和精神意蕴的图形、图像设计创新。中国画传统... 中国画传统美学思想对于新时代背景下图形、图像设计如何做到坚定文化自信、适应时代需要,具有一定的指导意义。用中国画传统美学思想来启迪当下的图形、图像设计,促进具有中国独特文化气质和精神意蕴的图形、图像设计创新。中国画传统美学思想的代表著作《历代名画记》就是一个很好的理论来源,其中提到的“气韵生动”是绘画灵魂和精神的存在,“骨法用笔”是为了使绘画有神韵、有生命力,从而达到“气韵生动”;而“舍色运墨”是为了创作崇尚自然,作出符合“自然者为上品之上”的力作。结合时代潮流,从中国画传统美学思想的理论著作中充分汲取营养,增进具有中国特色的图形、图像的创作能力,助力设计出具有中国独特文化气质和精神意蕴的图形图像。 展开更多
关键词 中国画传统美学思想 文化自信 图形图像设计
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Ancient and modern, compatibility of Chinese and Western --Analysis of Huang Dufeng Painting Aesthetics Thought
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作者 Zongye Lu 《International Journal of Technology Management》 2014年第1期105-107,共3页
Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthet... Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of "four gentlemen" and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of "Ancient and modern, compatibility of Chinese and Western". 展开更多
关键词 Huang Dufeng eclectic stuff artistic characteristics aesthetics.
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Exploration of the Spiritual Pursuit of Traditional Chinese Painting Similarity and Dissimilarity
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作者 Yuanpeng Song 《International Journal of Technology Management》 2014年第3期95-97,共3页
Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic ... Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic conception as the soul, melting into poetry, books, paintings as a whole, poetic romance as the connotation, expressing feelings and thoughts. It exhibited virtual static beauty in thinking of Taoist philosophy of nature, becoming a unique Chinese aesthetic art. Artistic spirit is an important part and aesthetic standard of Chinese painting aesthetics, in the "paintings goods recorded," "Lively spirit" is defined as the highest state of painting, artistic spirit is not a very mysterious thing, it was born from the pen and ink. NO pen and ink, no artistic spirit. Pursuing vivid artistic spirit, emphasizing ink skills, giving vent to feelings of oneself for its purpose, Chinese painting has generated a large number of outstanding works of art in thousands of years, constructed a unique cultural spirit, shaped the nation ' s aesthetic temperament and character. 展开更多
关键词 Spiritual Pursuit Traditional Chinese Painting Similarity and Dissimilarity.
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