美术教育主导的中国油画“全盘苏化”

中国的美术院校，是20世纪初期学习欧洲和日本美术教育的产物。中华人民共和国成立以后，将原来体制混杂的美术院校，归并为隶属于中央或各个省区的专业学校。

课外美术教育应关注儿童创造力的培养

表面浮华近年来,随着新课程的全面推开,各中小学校大都开齐了美术、音乐课程,各级教育行政部门也加大了对艺术教育的督导力度,大大提升了艺术课程的地位。在这样一种形势下,一直被视为"小三门"的美术、音乐课程相继走上了课表,很多学校也竞相提出了素质教育的口号,提出提高学生素质的办学理念。开齐开足、花样繁多的艺术课程成为各校的亮点,能画、会唱成了孩子素质的体现,接受课外艺术教育成了一种时尚,也成了为数不少的孩子的课外生活。

Discussion of the impact of folk arts on the art education in our country and the enlightenment of the creative thinking

In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.

欧阳玉冰的山水油画风景

写下这个标题,是读了欧阳玉冰的写生油画风景画后的印象。从一般意义上说,玉冰的油画风景就是对景写生式的风景画,初看与通常我们所看到的其他画家的同类型的油画风景画似乎没有什么区别,细看之下会发现,他的画面蕴含着一种融中国文人山水画的意境与西方写实主义于一体的意象,因此我愿意用山水油画风景来指称玉冰的这些画,