中文历史档案数据化整理论纲

提出中文历史档案数据化整理的学术概念,参照FEAF框架设计技术参考模型,针对面临的现实阻力提出若干实践策略。中文历史档案数据化整理是致力于采用数据科学的理论、方法和技术,通过人工标注与机器学习相结合的方式,将历史档案的背景信息、自然语言文本的语义信息和对应社会系统的语境信息转换为计算机可以高速精准处理的大规模结构化数据集的过程。现阶段应进行战略规划,制定相关标准,并按照超前布局的理念启动基础设施建设,分层级、有重点地予以推进。

国家图书馆中文图书主题标引的发展史

国家图书馆中文图书主题标引的发展大致可分为4个阶段:手工标引阶段、手工标引向计算机标引的过渡阶段、计算机标引初级阶段和计算机标引发展阶段,基本反映了计算机技术的应用与CNMARC对中文图书主题标引的影响。文中用6个典型例子演示中文图书主题标引模式的变化。

Implications for Cultural Landscape in a Chinese Context: Geo-analysis of Spatial Distribution of Historic Sites

The protection of historic sites, especially their relationship with urban development, has become a worldwide issue, both in developed and developing countries. In the context of rapid urbanization in China, the realistic compatibility between urban construction and the protection of historic sites is always a key research topic. In this study, first, to comprehend their spatial distribution patterns, 828 historic sites throughout the country are selected based on certain criteria. Then, we conduct quantitative research using GIS software, adopting indicators that include Nearest Neighbor Index, Gini Coefficient, and Geographic Concentration Index to analyze the spatial characteristics of historic sites on the three levels of city, province and nation. The results indicate that the spatial distribution of the different types of historic sites is an agglomeration on the nationwide scale, most of which is located in the regions of the Pearl(Zhujiang) River Delta, Yangtze(Changjiang) River Delta and Beijing-Tianjin Region. Because the majority of historic sites are located within approximately 10 km of the downtown area, a certain pattern has emerged, showing that the larger cities own more historic areas, which are in a more incomplete state of preservation, indicating the fragmentation of heritage spaces. The formation mechanism of the historic sites' distribution pattern is based on the conditions of the cities/towns as well as the bid-rent theory.

Historical Memory and Cultural Nostalgia of Longtang＇s Rebuilt in Shanghai

Most cities in China have experienced dramatic changes during the systematic progress of modernization and commercialization. Rebuilding residential space into heritage preservation is popular in Chinese urban planning. Yearning for modernity generates a policy of cultural protection which is transformed by the public spaces within which people carry out daily lives. However, heritage preservation in these cities is in a dilemma. On side, with the opening up, Chinese society toward modernization has been accompanied by large-scale urbanization, rapid commercialization and a booming consumerism. The Chinese capital has forced people to face the challenge of urban environment management and adaptation to a new city. The traditional streets in big cities are destroyed first and then rebuilt to turn the capital into an international metropolis. On the other side, heritage protection needs its historical roots as the authentic cultural features. To some extent, the process of urban landscaping stimulates people＇s nostalgia tie. Although it seems to be individual, it is also a link of one＇s historical memory of sentiment with the development of social construction. Hence, collective urban nostalgia that emerged through the rebuilding of heritage in urban China can promote nationalism from the governmental perspective. Further, it can also lead people face the life itself but neglect the social tensions around them. Meanwhile, rebuilding mode of Longtang also elaborates the power structure existing among state, capital, intellectuals.

Protection and Renewal of Historic Blocks Based on the Theory of SelfOrganization: A Case Study of Si Street and Xinanying in Nantong City

In recent years, due to the neglect of the sodal authenticity of historic blocks, a large number of residential historic blocks ate protected and reformed by means of commercial development, which is controversial. Other unreconstructed residential neighborhoods ate faced with the rngent need to improve their living conditions. Based on the current analysis of the status of protection of residential historic blocks in Qiina, a protection and renewal mode of self-organization was proposed in this paper for the Si Street and Xinanying in Nantong Qty in response to the problems facing them. Combined with the cases of protection and renewal of histone blocks on botii sides of Taiwan Strait, opinions and suggestions were put forward for Si Street and Xinanying in order to better guide die implementation of the protection of tiiese historic blocks, effectively improve tiie living conditions of the residents and make the neighborhoods protected in a true, complete and long-term manner.

基于影视资源的学习方法在高中文综历史鸦片战争中的应用

在信息化时代的影响下,高中文综历史教学也结合了现代化的科学技术,将影视资源作为高中文综历史教学中的重要资源,借助影视资源更好的还原历史,将历史的发展呈现在高中生面前。不仅能够加强高中生对历史课程的兴趣,还能够提升高中文综历史课堂的教学效率。本文以鸦片战争为例,了解高中历史教师是如何利用影视资源来阐述鸦片战争的。

The Construction of＂New Woman＂ in Chen Hengzhe＇s Autobiography

This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.

西漢《算數書》中分數的不同表達形式和語境的關係

張家山漢墓出土的西漢數學文獻《算數書》中表達分數的短語有300多例。因爲研究這些短語的不同形式有益於了解秦漢文獻表達分數的特征,所以本文全面描述《算數書》中的這些短語,分析不同表達形式和語境的關係,並與傳世數學著作《周髀算經》《九章算術》進行比較。

An Imaginary Taiwan From a Composer in China A Case Study of Taiwan Bangzi Opera

Taiwan Bangzi Opera is a branch of Henan Bangzi Opera in Henan, which was transmitted from China to Taiwan within the armies under a political and historical circumstance around 1947. As the trend of localisation in these ten years becomes obvious, several localised performances are created; however, the composers in China do not understand the music culture in Taiwan, so some interesting phenomenon can be found between an imaginary Taiwan from their viewpoints and the real culture in Taiwan. The Sorceress Bride is a performance which adapted so-called the aboriginal tune in 2012, and it arises several issues for further discussion.

＂Jerusalem＂ of China： The Neoteric Christian Churches in Shaanxi before 1949

Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the entry of foreign missionaries. Various types of Christian buildings rose up in the province, were constructed by local builder, but designed and funded by foreign missionaries. In comparison to other Christian buildings, churches have unique historical value, cultural value and also special meaning in architecture art. However, their cultural heritage value has not yet been sufficiently considered. They are facing the prospect of being damaged and demolished, even in nowadays. It is incumbent that their architecture to be historically evaluated and that ways to be found to preserve them. In this paper, the author will focus on the neoteric Christian churches and illustrate the architecture by taking examples from the churches in Shaanxi, along with the intention to clarify the relationship between social background and the history of evolution of these churches. In addition, the authors have taken the chance to understand more comprehensively about the fascinating history of these Christian churches by way of field surveys and taping into archival documents.

How Can China Introduce Itself to the World？

There are three principles guiding translation for international publicity in China. These priciples have widespread influence all over China, therefore, further study is necessary. This paper analyzes the complementary and interdependent relationships between the three principles in order to point out relevant problems and possible solutions. With the theoretical framework of＂translation and formation of cultural identities＂, ＂interactive relations between language and identities＂, the paper takes international translation theories and cases as reference and rethinks the principles from a historical and cultural perspective. The paper concludes that it is necessary and feasible to communicate with other cultures while introducing Chinese culture to the world

Israel's Image in US and Chinese Media:Discrepancies and Causes

Israel's image is positive in Chinese media, which focuses on China-Israel cooperation and Israel's economy, history culture, science and technology. The image is of a culture-rich nation with a tough ethnic nature and powerful science and technology facets. In US media, Israel's image is negative, with the focus on political polarization, social and racial fragmentation, conflict with Palestine, and deterioration in foreign relations. Chinese and US media have totally opposite directions in topic focus and value identification.

An Anthropology of Historic Foods in Japan, China and Korea

This paper is divided into three subjects： Japanese Genghis Khan, Chinese tofu and Korean bibimbap （mixed rice with vegetables）. It will be a cross-cultural and comparative research on historic foods among three countries （Japan, China, and Korea）, in relation to national culinary identity.

Analysis on Cultural and Aesthetic Characteristics of Chinese Traditional Patterns

China traditional patterns are of various kinds,and the performance of the content is also very rich.In the development of traditional pattern evolvement process,it experienced a plurality of historical period change,and it has a certain period of time the representative style, so the traditional patterns have more cultural meaning.We can say that development track Of traditional pattern have a close relationship with the Chinese history and culture ,which reflects the aesthetic characteristics of different cultural background of each period.In this paper, from the analysis of Chinese traditional patterns of aesthetic characteristics in different periods,it researches the cultural meaning of traditional patterns.

Analyses between Chinese and England Culture through＂Government Office Worker Craze＂

In recent years, more and more people choose to become civil servants for stability of the work and respect of the society. Civil servants not only have a better treatment, but also a higher social status. However, the condition is not true in England. This thesis will demonstrate the current condition of ＂Government Office Worker Craze＂, meanwhile, analyze the reasons of this phenomenon by comparing with England. The thesis will firstly display the advantages and disadvantages of this phenomenon; then demonstrate traditional understanding of the two countries separately to find out common characters; the reason of ＂Government Office Worker Craze ＂ in China by exploring the historical cultures; finally, the thesis shows intersections between the two countries and give proper suggestions.

Study on the Development and Protection of the Historical Figures Resources in China＇s Guangxi Border Areas -- Mrs. WA Cultural Resource Is Taken for Example

Guangxi is in the southwest border of China, and Guilin landscape and ethnic customs as the two ＂trump cards＂ have been widely utilized in the communication between Guaaagxi and the outside world. In fact, Guangxi owns many cultural resources such as humanity history, characteristic diet, and local operas to be further promoted, among which historical figures resources are especially abundant. However, the development and protection of the historical figures resources are inconsistent with the current economic and social development, and feature obviously certain hysteresis. In this paper, by taking Mrs. WA who was a heroine of the Zhuang nationality to resist foreign invasions in the Ming Dynasty, the necessary development road of the historical figures resources is explored based on analyzing the current development and protection of the historical figures resources in China＇ s Guangxi border areas, and then innovative concepts and new ideas are proposed with great efforts.

浅析宝鸡历史文化类旅游文本英译

本文侧重于人文历史类旅游文本的英译。笔者尝试从生态翻译学理论入手,以宝鸡历史文化类旅游文本为例,探讨提高历史文化类旅游文本英译效果的有效策略。

SPECIAL ISSUE： GLOBALIZATION AND CONTEMPORARY CHINESE CULTURAL CONSTRUCTION：Contemporary Chinese cultural construction and advanced culture

Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organic combination with the best elements of traditional Chinese culture; and c） it transcends the argument over ＂modernism＂ and ＂post-modernism.＂ From a world- historical perspective, all other necessary features of advanced culture in contemporary China represent the logical unfolding of these three requirements. A full and correct grasp of the three elements constituting the world-historicality of this advanced culture is of important methodological significance in clarifying the world-historical mode of the construction of contemporary Chinese culture and the path to cultural innovation.

The Animals of China in the Eighteenth-Century British Imagination

In eighteenth-century Britain, knowledge about animals from around the world was rapidly increasing. This paper focuses on what the British knew and imagined about the animals of China from reading the works of European travellers and natural historians. Whereas the animals of Africa and America served to foster a growing sense of European mastery of less civilized parts of the world through trade and possession, those of China were understood as embedded in a highly advanced civilization and therefore as sources of knowledge about that civilization. This paper examines the way in which British understandings of China were mediated through accounts of Chinese animals and of human-animal relations in China. Looking at works of popular natural history and at Oliver Goldsmith＇s fictional letters of a ＂Chinese philosopher＂ in The Citizen of the World （1762）, I argue that the animals of China bore several messages about their country. Focusing on the particular examples of the golden pheasant, the horse, the cormorant, and the cat, I suggest that British writing about Chinese animals served as a way of expressing mixed feelings about the value of advanced civilizations, whether Chinese or European.

Water and the History of China

Water is the source of all life, and is closely related to human civilization. It had a special significance in China, so the ancient Chinese created the dragon god as a symbol of China, the Chinese and Chinese civilization. It can be said that the unique hydrological conditions on the territory of China created three great historical miracles： China, the Chinese people, and Chinese civilization. The Chinese have dedicated more effort than people in any other countries to water control and water use in order to make effective use of water resources and prevent flooding. It is their unparalleled achievements that have laid the foundation for these three miracles. Today, the Chinese people are facing unprecedented challenges in water control and water use. Exploring the historical Chinese relationship with water offers a good opportunity to understand the important role that water plays in long-term social development.