期刊文献+
共找到3篇文章
< 1 >
每页显示 20 50 100
意象与抽象——略论中西写意雕塑
1
作者 吕焜 吴翘旋 《科技经济市场》 2006年第11期349-350,共2页
本文站在美术史学的高度,从东西方不同社会文化背景、不同内在审美的诉求及不同艺术表现风格等角度切入,对中西写意雕塑的历史、现状、作品内涵、文化意义等层面进行比较,旨在从中挖掘出东方意象雕塑与西方抽象雕塑各自独立并彼此呼应... 本文站在美术史学的高度,从东西方不同社会文化背景、不同内在审美的诉求及不同艺术表现风格等角度切入,对中西写意雕塑的历史、现状、作品内涵、文化意义等层面进行比较,旨在从中挖掘出东方意象雕塑与西方抽象雕塑各自独立并彼此呼应的文化存在根源与价值基础,使我们在西风东渐、以西方雕塑潮流为体为用的中国当代雕塑文化语境中,认清我们民族传统雕塑精髓的价值,在我国丰富的传统雕塑文化中找到当代文化基因,借此确立我们自身的雕塑话语坐标,并在加强雕塑基础理论建设的基础上,以别具一格的意象特色屹立于世界民族文化之林。 展开更多
关键词 中西写意 文化背景 审美追求 艺术表现 价值存在
下载PDF
Comparative Study on Freehand Brushwork Oil Painting and Expression Oil Painting in Chinese Painting Art and the Western Painting Art
2
作者 Guizhong MA 《International Journal of Technology Management》 2013年第10期55-56,共2页
Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two ... Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two sides are effectively known, the blend and complementation of the two sides are realized, and also the space for expressing both freehand brushwork oil painting and expression oil painting is expanded, which are not the simple blend and mix of "freehand brushwork" and "expression" . 展开更多
关键词 Freehand Brushwork IMAGE REPRESENTATION EXPRESSIONISM
下载PDF
Appreciation and Analysis of Traditional Chinese Painting's Freehand Brushwork Aesthetic Characteristics
3
作者 Jingnan CHEN 《International Journal of Technology Management》 2014年第2期119-121,共3页
Traditional Chinese painting possesses its own unique artistic style in the world' s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese ... Traditional Chinese painting possesses its own unique artistic style in the world' s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator's subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, "similarity in form or appearance" and "similarity in spirit" are always dialectically unified with consciousness and unconsciousness, so that the art form with the "freehand brushwork" aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the "express appearance with appearance" in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the "freehand brnshwork" aesthetics as the creation method. The "freehand brushwork" aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy. 展开更多
关键词 Traditional Chinese Painting Freehand Brushwork AESTHETICS
下载PDF
上一页 1 下一页 到第
使用帮助 返回顶部