This article discusses the relationship between Mannheim’s thought and Weber’s one in three aspects: (1) diagnosis of their time; (2) the Mannheim’s epistemological predicament and its connection with Weber’s thou...This article discusses the relationship between Mannheim’s thought and Weber’s one in three aspects: (1) diagnosis of their time; (2) the Mannheim’s epistemological predicament and its connection with Weber’s thought; (3) the methodological problem. As Wolff argues that, most of Mannheim’s work (not only that explicitly devoted to the sociology of knowledge) could be characterized as a "diagnosis of our time". It was just on this topic where Mannheim followed Weber’s proposition——“gods complete in every fields of society”, and extended the tension of Weber’s judgment in many theoretical aspects such as ideology and utopia, the science of politics, the problem of intelligentsia, the types of knowledge and the styles of instruction, etc. In this sense, the attention to the connection of Mannheim and Weber gets its significance not only in the field of thoughts history or academic history, but also on the sociological masters’ inspiration to grasp the problems of our time.展开更多
With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and di...With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and disintegrating into the paradoxical ＂Heterotopia＂ or ＂Dystopia （anti-utopia）＂ with its revolutionary and negative power. It engages in politics, society and life with its reflexivity and anew assesses and activates aesthetical language and perceptive experience, The popularity of the engagement of aesthetics and art is the new modeling road of Utopia aiter its contemporary disintegration.展开更多
The thesis analyzed how the ＂happiness＂ narrative in Yan＇an literature and art effectively played the ideological function by combing the three interlocking narrative mode. It also pointed out that ＂happiness＂ na...The thesis analyzed how the ＂happiness＂ narrative in Yan＇an literature and art effectively played the ideological function by combing the three interlocking narrative mode. It also pointed out that ＂happiness＂ narrative included the complex tension of reality in the effectiveness. The thesis tried to present its historical reality and the coexistence of cultural Utopia.展开更多
文摘This article discusses the relationship between Mannheim’s thought and Weber’s one in three aspects: (1) diagnosis of their time; (2) the Mannheim’s epistemological predicament and its connection with Weber’s thought; (3) the methodological problem. As Wolff argues that, most of Mannheim’s work (not only that explicitly devoted to the sociology of knowledge) could be characterized as a "diagnosis of our time". It was just on this topic where Mannheim followed Weber’s proposition——“gods complete in every fields of society”, and extended the tension of Weber’s judgment in many theoretical aspects such as ideology and utopia, the science of politics, the problem of intelligentsia, the types of knowledge and the styles of instruction, etc. In this sense, the attention to the connection of Mannheim and Weber gets its significance not only in the field of thoughts history or academic history, but also on the sociological masters’ inspiration to grasp the problems of our time.
文摘With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and disintegrating into the paradoxical ＂Heterotopia＂ or ＂Dystopia （anti-utopia）＂ with its revolutionary and negative power. It engages in politics, society and life with its reflexivity and anew assesses and activates aesthetical language and perceptive experience, The popularity of the engagement of aesthetics and art is the new modeling road of Utopia aiter its contemporary disintegration.
文摘The thesis analyzed how the ＂happiness＂ narrative in Yan＇an literature and art effectively played the ideological function by combing the three interlocking narrative mode. It also pointed out that ＂happiness＂ narrative included the complex tension of reality in the effectiveness. The thesis tried to present its historical reality and the coexistence of cultural Utopia.
