Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive ...Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive part of the world jazz scene and made significant achievements during the communist era. They were able to master the European classical piano school, becoming virtuoso pianists themselves, as well as acquiring self-taught jazz skills. Semi-isolated from the contemporary music trends abroad, Central European artists nonetheless made remarkable musical accomplishments that deserve to be called the Central European Jazz School. Between 1948 and 1989, the communist ideology controlled every country of Central Europe including East Germany. The careers of jazz pianists in these countries would have developed differently if they had lived under democratic conditions. This is evident in the lives of those who emigrated to Western countries and subsequently found a place in the world jazz scene. Using analysis of the Central European jazz musicians＇ compositions and their professional careers, this paper aims to demonstrate the extent to which the Central European Jazz School has contributed to jazz music in Europe and the wider world.展开更多
XING Weikai, 44, is principal of the Middle School A liated to the Central Conservatory of Music. The school has been Xing＇s alma mater, workplace and home since he enrolled in 1973.
The 1991 Booker Prize--winning novelist Ben Okri, while traveling in the Deep South after Barack Obama＇s victory in the November 2008 presidential election, wrote that Elvis Presley was a lingering deity in the city ...The 1991 Booker Prize--winning novelist Ben Okri, while traveling in the Deep South after Barack Obama＇s victory in the November 2008 presidential election, wrote that Elvis Presley was a lingering deity in the city of Memphis. The images of Elvis Presley, who earned the sobriquet ＂King of Rock＂ early in his career, and that of B. B. King, the exemplar extraordinaire of the Blues, are ubiquitous in the city of Memphis, which may be regarded as a metonym for the Blues and Rock ＇n Roll. The byline for the city of Memphis is, ＂Home of the Blues, Birthplace of Rock ＇n Roll＂, and this fact announces itself to the visitor as soon as he/she enters the arrivals concourse of the Memphis International Airport. As one proceeds towards the baggage claims area, the images which saturate the walkway create an aura that is redolent of the city＇s vibrant Rock ＇n Roll era. Drawing on Foucault＇s notion of heterotopias, as well as Jakobson＇s work on metonymy, this paper explores the hybrid musical spatiality of the city of Memphis and its environs, as well as its iconic status in the evolution of Rock ＇n Roll which was engendered by the Blues.展开更多
文摘Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive part of the world jazz scene and made significant achievements during the communist era. They were able to master the European classical piano school, becoming virtuoso pianists themselves, as well as acquiring self-taught jazz skills. Semi-isolated from the contemporary music trends abroad, Central European artists nonetheless made remarkable musical accomplishments that deserve to be called the Central European Jazz School. Between 1948 and 1989, the communist ideology controlled every country of Central Europe including East Germany. The careers of jazz pianists in these countries would have developed differently if they had lived under democratic conditions. This is evident in the lives of those who emigrated to Western countries and subsequently found a place in the world jazz scene. Using analysis of the Central European jazz musicians＇ compositions and their professional careers, this paper aims to demonstrate the extent to which the Central European Jazz School has contributed to jazz music in Europe and the wider world.
文摘XING Weikai, 44, is principal of the Middle School A liated to the Central Conservatory of Music. The school has been Xing＇s alma mater, workplace and home since he enrolled in 1973.
文摘The 1991 Booker Prize--winning novelist Ben Okri, while traveling in the Deep South after Barack Obama＇s victory in the November 2008 presidential election, wrote that Elvis Presley was a lingering deity in the city of Memphis. The images of Elvis Presley, who earned the sobriquet ＂King of Rock＂ early in his career, and that of B. B. King, the exemplar extraordinaire of the Blues, are ubiquitous in the city of Memphis, which may be regarded as a metonym for the Blues and Rock ＇n Roll. The byline for the city of Memphis is, ＂Home of the Blues, Birthplace of Rock ＇n Roll＂, and this fact announces itself to the visitor as soon as he/she enters the arrivals concourse of the Memphis International Airport. As one proceeds towards the baggage claims area, the images which saturate the walkway create an aura that is redolent of the city＇s vibrant Rock ＇n Roll era. Drawing on Foucault＇s notion of heterotopias, as well as Jakobson＇s work on metonymy, this paper explores the hybrid musical spatiality of the city of Memphis and its environs, as well as its iconic status in the evolution of Rock ＇n Roll which was engendered by the Blues.
