新课标背景下高中英语课堂教学需“六化”

新课标强调,要培养学生的英语学科素养,在语言学习中实现育人目标。英语课堂教学理应成为完成此目标的主渠道,顺势而为,探寻课程目标与课堂教学的融合点,提出高中英语课堂教学需"六化",即教学态度乐观化、教学过程主题语境化、学生中心化、"语篇"教学整体化、教学手段多样化以及多信息、高密度、韵节奏、勤交际化化,以希望英语课堂教学真正能成为培养学生的英语学科素养的沃土。

多粒化模糊软粗糙集模型

为了扩大粗糙集理论的应用,特别是在模糊环境中的应用,基于模糊软集和模糊蕴涵算子,主要研究基于软模糊近似空间的乐观多粒化模糊软粗糙集模型。该模型将参数集根据客户的不同要求或目标进行重组,只选择若干相关参数集参与计算上、下近似,这样定义的上、下近似不再由整个属性集决定,而是根据重组后的多个属性集一并生成,从而使结果更加符合实际需求。另外,还定义了乐观多粒化模糊软粗糙集模型的截集并讨论了其相关性质。最后给出了算例。

Successful Entrepreneurs： Its Leadership Style and Actual Practices

Entrepreneurs are facing pressures related to sustainability, quality assurance, and the ability to meet client expectations. Such pressures require effective leadership to lead, change, and improve enterprise performance in order to meet the demand for current and future business. Many of the new changes that are occurring in business today are transformational. They are driven by the environment and client need. The entrepreneur may not know the exact outcome at first, because it emerges throughout the process. It requires a fundamental change in their mindset and organizational culture, and requires continual course corrections to the change process. This research was conducted to help the aspiring entrepreneurs to develop and improve their leadership style. One hundred and fifty successful Bicolano entrepreneurs were surveyed and interviewed about their actual leadership styles and practices and this was the basis for developing a leadership program for aspiring or future entrepreneurs. Transformational leadership was the leadership style fairly often use of the successful entrepreneurs and this is characterized as being optimist about future of their business, enthusiastic about what needs to be accomplished, articulate a compelling vision of the future and expresses confidence that goals will be achieved.

Musical Traditions of Tengrianism

This paper examines the musical tradition, widespread in the giant habitat of the northern hemisphere--from theUrals in the east to the Pacific and even capturing the regions of North America. The author considers music as areflection of worldview and religion. For this purpose the author uses a method of comparison of a mythological picture of the world and properties of musical language. An important element linking the two areas is vertical. In mythology, this is turning the world on several floors in which the world of people occupies the middle one. At the level of music--it is the vertical of overtone sound row. The initial timbre ideal of this tradition are th esounds of throat singing which are associated with the vertical of the universe and consciousness used as an important formative structure of the World Model. In the article the author considers a materialization of musical consciousness in musical instruments. For this purpose, eight instruments under different names are selected andpresented in musical cultures of people. This allows the author to create the card of geographical distribution of tengri consciousness.

文艺复兴时期人文主义是不是天主教异端思想

欧洲文艺复兴期间，人文主义是不是天主教异端？在这个问题的界定上，存在着几个较为复杂的问题。首先，人文主义（humanism）是一个文艺复兴之后才出现的一个名词，最早是由德国教育家尼特哈麦在1808年首创，后来沃伊格在1859年出版的《古代经典的复兴——人文主义的第一个世纪》一书中首先用于描述文艺复兴时期。因此，在有关文艺复兴的第一手史料中，是无法找到天主教对这一问题的直接界定。