期刊文献+
共找到4篇文章
< 1 >
每页显示 20 50 100
乐音的“运动”及其原理(之一)——对乐音组合关系中的“动感”现象研究
1
作者 李甜甜 《星海音乐学院学报》 CSSCI 2013年第3期128-135,共8页
乐音的"运动",这个在音乐理论界频繁使用的概念,其内涵指:人们在听音乐的过程中,体验、感知到一种"运动感",这种"运动感"可具体表述为人们将在时间中相继出现的独立的乐音,知觉为一个连贯的、连续的、具... 乐音的"运动",这个在音乐理论界频繁使用的概念,其内涵指:人们在听音乐的过程中,体验、感知到一种"运动感",这种"运动感"可具体表述为人们将在时间中相继出现的独立的乐音,知觉为一个连贯的、连续的、具有流动感的整体过程。这种感知和体验实际上是人们在听音乐的过程中产生的一种心理现象。在现实中,任何一种心理现象都有其赖以产生的客观条件,文章从实证研究的角度出发,对这种心理现象的发生条件和发生机制作了初步的分析和研究。经过初步研究表明:人们在音乐的进行中体验到的"运动感"是和乐音之间的时间间隔有密切关联的。 展开更多
关键词 乐音运动 乐音组合 似动现象 时间间隔 心理感知
下载PDF
探索音乐艺术的美学特征
2
作者 李立平 《阿坝师范高等专科学校学报》 2010年第1期108-109,共2页
关于音乐的美学特征,笔者从以下四个方面谈了自己的见解:一、"二次创作"是音乐艺术所独有的美学特征;二、直接的、强烈的抒情性是音乐艺术最重要的美学特征;三、音乐的描写性是间接的,也是非常弱的,这既是它的弱点,也是它的特... 关于音乐的美学特征,笔者从以下四个方面谈了自己的见解:一、"二次创作"是音乐艺术所独有的美学特征;二、直接的、强烈的抒情性是音乐艺术最重要的美学特征;三、音乐的描写性是间接的,也是非常弱的,这既是它的弱点,也是它的特点;四、乐音组合的规律性是音乐自身形式美的特征。 展开更多
关键词 音乐美学 二次创作 直接抒情 情感美学 间接描写性 乐音组合
下载PDF
The Uncanny Kingdom--Perspectives on Classical Music as a (Wholesomely) Disturbing Experience
3
作者 Emanuele Ferrari 《Journal of Literature and Art Studies》 2014年第7期567-577,共11页
The purpose of the present paper is to suggest an uncommon perspective on the artistic heritage usually called "classical music". The large prestige of this repertoire, in fact, often goes along with a distorted per... The purpose of the present paper is to suggest an uncommon perspective on the artistic heritage usually called "classical music". The large prestige of this repertoire, in fact, often goes along with a distorted perception of a number of very important features that tend to be underrated, discarded or not taken in the due consideration by the public. Only recently has musicology paid attention to the danger of this stereotyped vision of classical music, regarded as a sort of temple of seriousness, or as a kingdom where an alleged harmony reigns unchallenged. The topic of this article is precisely the other side of classical music, which also turns out to be a world torn by conflict and filled with artistic tension, where things do not always add up. To support this standpoint, a number of very well-known pieces are considered, paying attention to their less reassuring features. Thus, compositions that seemed to be familiar show a complex and disturbing expressive texture. As a result, a widespread listening attitude finds reasonable grounds for being changed: Instead of languidly leaning back into the armchair with closed eyes, the unbiased listener is requested by the music itself to keep its eyes wide open. 展开更多
关键词 MUSIC music appreciation musical interpretation musical emotions
下载PDF
Research on the Accurate Computer Music Composition Mode under the Background of Big Data
4
作者 Sui Wu 《International Journal of Technology Management》 2016年第1期59-61,共3页
In this paper, we conduct research on the accurate computer music composition mode under the basic background of big data. From the perspective of music theory, in terms of micro notes jump within a certain range, wil... In this paper, we conduct research on the accurate computer music composition mode under the basic background of big data. From the perspective of music theory, in terms of micro notes jump within a certain range, will not cause discomfort, notes there are upward at the same time, the downward makes the whole piece will not boring. From the macroscopic, the nature of the chord with internal connection between motivation and motivation as support, at the same time, the whole range can maintain in a certain range, making sound effects is can let a person feel cheerful. Computer science first occupied is music in the music sound production and the propagation of position as it is mainly used for digital audio clips and automated synthesis. But there is a certain distance away from the traditional concept of composition. Therefore, our research proposes the innovative perspective to deal with the issues for achieving the better performance. 展开更多
关键词 Big Data Composition Mode ACCURATE Computer Music Theoretical Research.
下载PDF
上一页 1 下一页 到第
使用帮助 返回顶部