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大空王佛——书法史逻辑语境之中的僧安道壹 被引量:2
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作者 张强 Lia Wei 《中国艺术》 2011年第2期16-23,共8页
就目前看来,僧安道壹的作品遗迹,主要在公元553年至580年间,是中国历史上的北齐到北周朝。1995年在山东东平洪顶山,僧安道壹作品被集中发现,其中包括丰富的题记与确切的纪年,由此展开了对于僧安道壹作品研究的热潮。在如此背景之下,本... 就目前看来,僧安道壹的作品遗迹,主要在公元553年至580年间,是中国历史上的北齐到北周朝。1995年在山东东平洪顶山,僧安道壹作品被集中发现,其中包括丰富的题记与确切的纪年,由此展开了对于僧安道壹作品研究的热潮。在如此背景之下,本文将僧安道壹放置到历史上曾经的金石学以及当代日本的现代书法、中国的后现代书法背景之中,建立起一个书法史逻辑的语境,来看待僧安道壹超越历史的贡献与意义。 展开更多
关键词 大空王佛 僧安道壹 书法逻辑 语境 超现实书刻 金石学 反拓印 现代书法 后现代空间
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Informal Logic: Between Logic and Epistemology
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作者 Iryna Khomenko 《Journal of Philosophy Study》 2013年第11期1051-1060,共10页
Nowadays researchers working in various fields study the issues of argument. They represent different approaches which distinguish with theoretical and practical comprehension of argument problems. Informal study of a... Nowadays researchers working in various fields study the issues of argument. They represent different approaches which distinguish with theoretical and practical comprehension of argument problems. Informal study of argument is one of the approaches. The key reason of its appearance was the criticism of formal logic in the late 20th century. Researchers consider the argument from the different point of view. Formal dialectics and pragma-dialectics were based on dialectics. Contemporary rhetorical theories of argument were created on the rhetorical grounds; theory of speech acts on the basis of practical philosophy etc.. This paper is devoted to some theoretical problems of informal logic which was formed on the logic background in the late 70's. In spite of numerous papers, books, and text-books on informal logic published over the last thirty years, logicians has not achieved consensus so far on many issues. Among the numerous problems are: what is the subject matter of informal logic? Does informal logic belong to the realm of logic? Is it applied epistemology? What is a real argument? And what are the criteria for evaluating of such arguments? 展开更多
关键词 LOGIC informal logic formal logic EPISTEMOLOGY ARGUMENT evaluation criteria of argument
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对汉代错金银鸟篆铜壶铭文的再思考
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作者 童定家 付文瑞 《西泠艺丛》 2024年第6期69-78,共10页
汉代错金银鸟篆铜壶铭文独特的双线镂空形式填补了鸟虫书创作的一块空白。铜壶铭文的历史沿革,构型盘曲和书刻动因也为当代鸟虫书刻提供了重要依据,在书法学系统理论学科视角下对铜壶铭文进行归纳整理有助于进一步分析其背后的书刻动因... 汉代错金银鸟篆铜壶铭文独特的双线镂空形式填补了鸟虫书创作的一块空白。铜壶铭文的历史沿革,构型盘曲和书刻动因也为当代鸟虫书刻提供了重要依据,在书法学系统理论学科视角下对铜壶铭文进行归纳整理有助于进一步分析其背后的书刻动因所蕴含的古人智慧。通过将铜壶铭文与书法史典型案例进行勾连,从而深化对汉代错金银鸟篆铜壶的认识,以期打破当代鸟虫书刻创作桎梏,深化新时代鸟虫书刻实践与审美。 展开更多
关键词 鸟篆铜壶 铭文 装饰性 书法逻辑
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