The contradiction would produce the power only in the condition that this contradiction stays within a substance. The movement power for the cognition is not produced by the contradiction between people's thinking an...The contradiction would produce the power only in the condition that this contradiction stays within a substance. The movement power for the cognition is not produced by the contradiction between people's thinking and the objective things, for the thinking and the objective things are not in a same substance, which is Hegel's problem. Then, where is the power for people's cognition from? This paper has a conclusion as this: The "Ego" and the "Nonego" are a pair of contradiction within a person's body. The cognition is a kind of people's movement. So, the cognition is the process moved by the power from the "Ego" and the "Nonego" of a person's body.展开更多
In creation of dance, creation is the most basic factor, and also the most common factor. But the thinking of creative dance is rare. In order to activate everyone' s thinking and enhance creativity, I want to illust...In creation of dance, creation is the most basic factor, and also the most common factor. But the thinking of creative dance is rare. In order to activate everyone' s thinking and enhance creativity, I want to illustrate creative thinking of dance. About creative thinking of dance, we focus on the concept of creation, and concepts are based on thinking activities. So our thinking activity is the important reason affecting the creative thinking. So before creating thinking of dance, we must understand the concept of thinking. Thinking is a summary of objective things and indirect reflection, and it has certain independence. It reflects a common class of things which have essential characteristics.展开更多
Tujia dance is an advanced, special form of human aesthetic activities. The so-called aesthetic, simply put, is to feel, and understand the objective things or phenomena presented by the United States itself: specifi...Tujia dance is an advanced, special form of human aesthetic activities. The so-called aesthetic, simply put, is to feel, and understand the objective things or phenomena presented by the United States itself: specifically, it refers to the people in their social practice and objective process of historical things or phenomena occur and construct a special performance relationship. There are basically three kinds of relationships of man and objective things or phenomena: firstly, cognitive relation of science; Secondly, ethical norms relations; thirdly, aesthetic performance relationship. Focus on the relationship between the performances of the aesthetic object vivid sense of the expressive form of regularity is the unity and purpose, with freedom. The essence of aesthetic is liberty. Art aesthetic and general aesthetic are different, mainly because of its aesthetic objects, which is based on works of art as an aesthetic object. General aesthetic contemplation of beauty of reality, the reality of objective things or phenomena, not as people practice the original object mad the object of knowledge exists. In social practice, they first form a rational understanding of relationships and will practice relationship. On this basis, when the society develops to the degree of no direct utilitarian attitude, practical attitude towards the object of an object only when there has been more mature, purely aesthetic relationship. The beauty of art is different from the reality beauty, which is produced and existed as an aesthetic object.展开更多
文摘The contradiction would produce the power only in the condition that this contradiction stays within a substance. The movement power for the cognition is not produced by the contradiction between people's thinking and the objective things, for the thinking and the objective things are not in a same substance, which is Hegel's problem. Then, where is the power for people's cognition from? This paper has a conclusion as this: The "Ego" and the "Nonego" are a pair of contradiction within a person's body. The cognition is a kind of people's movement. So, the cognition is the process moved by the power from the "Ego" and the "Nonego" of a person's body.
文摘In creation of dance, creation is the most basic factor, and also the most common factor. But the thinking of creative dance is rare. In order to activate everyone' s thinking and enhance creativity, I want to illustrate creative thinking of dance. About creative thinking of dance, we focus on the concept of creation, and concepts are based on thinking activities. So our thinking activity is the important reason affecting the creative thinking. So before creating thinking of dance, we must understand the concept of thinking. Thinking is a summary of objective things and indirect reflection, and it has certain independence. It reflects a common class of things which have essential characteristics.
文摘Tujia dance is an advanced, special form of human aesthetic activities. The so-called aesthetic, simply put, is to feel, and understand the objective things or phenomena presented by the United States itself: specifically, it refers to the people in their social practice and objective process of historical things or phenomena occur and construct a special performance relationship. There are basically three kinds of relationships of man and objective things or phenomena: firstly, cognitive relation of science; Secondly, ethical norms relations; thirdly, aesthetic performance relationship. Focus on the relationship between the performances of the aesthetic object vivid sense of the expressive form of regularity is the unity and purpose, with freedom. The essence of aesthetic is liberty. Art aesthetic and general aesthetic are different, mainly because of its aesthetic objects, which is based on works of art as an aesthetic object. General aesthetic contemplation of beauty of reality, the reality of objective things or phenomena, not as people practice the original object mad the object of knowledge exists. In social practice, they first form a rational understanding of relationships and will practice relationship. On this basis, when the society develops to the degree of no direct utilitarian attitude, practical attitude towards the object of an object only when there has been more mature, purely aesthetic relationship. The beauty of art is different from the reality beauty, which is produced and existed as an aesthetic object.