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论二元性现象在俄罗斯艺术领域中的辩证关系--以韦伯钢琴奏鸣曲为例
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作者 李韵 《当代音乐》 2022年第6期24-26,共3页
随着时代的发展,事物二元论、二元性现象已成为中西方音乐文化领域研究的重要课题。本文致力于论证二元性现象在俄罗斯艺术音乐、文学哲思视角下的相关含义及内容划分,并以韦伯钢琴奏鸣曲形式中存在的二元性现象为例,旨在通过对韦伯四... 随着时代的发展,事物二元论、二元性现象已成为中西方音乐文化领域研究的重要课题。本文致力于论证二元性现象在俄罗斯艺术音乐、文学哲思视角下的相关含义及内容划分,并以韦伯钢琴奏鸣曲形式中存在的二元性现象为例,旨在通过对韦伯四首钢琴奏鸣曲式二元性问题的分析,揭示二元性现象对艺术音乐领域,尤其是对浪漫主义时期音乐、文学作品艺术思维模式的启示与影响。 展开更多
关键词 二元性现象 变体结构 矛盾 钢琴奏鸣曲式 浪漫主义风格
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The Habitus Made Me Do It: Bourdieu's Key Concept as a Substruction of the Monad
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作者 Carlos Belvedere 《Journal of Philosophy Study》 2013年第12期1094-1108,共15页
My claim is that Bourdieu's concept of habitus is not consistent and its ambiguities conceal an imprecision concerning the subject of social action. Indeed, Bourdieu defines habitus in three different ways: as a cap... My claim is that Bourdieu's concept of habitus is not consistent and its ambiguities conceal an imprecision concerning the subject of social action. Indeed, Bourdieu defines habitus in three different ways: as a capacity, as a set of dispositions, and as a scheme for practice. That is why he cannot solve the problem of the duality of agent and habitus and produces a problem offundamentation, as we can see in his troubles to determine which is the substratum of social actions. Though Bourdieu claims he borrows the concept of habitus from Husserl and other phenomenologists, many divergences can be stated in the way they conceive it. Unlike Bourdieu, phenomenology can establish precise relations of fundamentation between agent, habitus, and the ego because it avoids the fallacy of the wrong level involved in the attribution of systemic properties to personal eogic structures. Accordingly, it provides a consistent and precise concept of the habitus, 展开更多
关键词 HABITUS life-world MONAD substruction
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