Senior English For China(SEFC)教材的改编广泛地运用了亚语料策略。通过大量的开放性任务的设定与教学实施,加大了语料输出的力度,突显出亚语料在能力培养中的重要地位。本文探讨SEFC亚语料的若干因素以及如何开发利用亚语料培养学生...Senior English For China(SEFC)教材的改编广泛地运用了亚语料策略。通过大量的开放性任务的设定与教学实施,加大了语料输出的力度,突显出亚语料在能力培养中的重要地位。本文探讨SEFC亚语料的若干因素以及如何开发利用亚语料培养学生英语语言能力。展开更多
This paper deals with the problems encountered while translating the book of short novels M. L., a gyilkos （The Murderer L. M.）, written by the contemporary Hungarian author Lazlo Marton （b. 1959）. One of the most...This paper deals with the problems encountered while translating the book of short novels M. L., a gyilkos （The Murderer L. M.）, written by the contemporary Hungarian author Lazlo Marton （b. 1959）. One of the most important reasons why the translator of this book （who also happens to be the author of this paper） has chosen to translate into Serbian this particular book, and not some other, more famous work of Marton, lies in the thematic, geocultural, and historical parallels with the Serbian context, which form the main fabular line of these short stories. The other, from the perspective of this paper, even more relevant reason for this translational choice can be found in the non-everyday challenge that Marton＇s hardly translatable style and language pose to the translator. This kind of a situation almost requires that the translator sacrifices formal fidelity to the original text and tries to find more creative solutions; in other words, it suggests choosing the principle of the so-called dynamic equivalence over the formal equivalence principle. In this respect, a special problem is the need to translate the so-called ＂talking names＂, a narrative trick with a great tradition in Hungarian literature. The aim of this paper is to try to answer, with the use of a representative corpus of examples, the following question： Is it possible and where can we draw limits in this author-translation related field of play, and what should be the level of consistency allowed to the translator, i.e., to what extent can he/she become the ＂coauthor＂of the translated work？展开更多
The present paper, in spite of its quite scandalous title, is just a serious reflection, from the inside, on a certain part of the poetry of a contemporary Romanian poet （the author of the paper himself）, in the lin...The present paper, in spite of its quite scandalous title, is just a serious reflection, from the inside, on a certain part of the poetry of a contemporary Romanian poet （the author of the paper himself）, in the line of a tradition starting with Poe＇s Philosophy of Composition （1846）, passing through the avant-garde and ending, for the moment, in Andy Warhol＇s self-promotion. The analysis from the inside and the honest reflection of the interplay between poetry, music, and contemporary popular culture might lead to a better understanding of the poetry made at the end of the 20th century--beginning of the 21 st century. The corpus analyzed is a series of poems written between 1994 and the present day, under the generic title of ditty, published in several books （between which a bilingual pamphlet, Ditties/Cfntecelce）, 1998）, and the paper speaks about their genesis, their poetics, and hopes to help the process of their interpretation, as well as to bring a new interpretation of the poetry/music relationship展开更多
Based on the Asian Corpus of English （ACE） and the British National English （BNC）, I investigated the features of discourse marker （DM） so in English as lingua franca （ELF） by comparing it with its use in nati...Based on the Asian Corpus of English （ACE） and the British National English （BNC）, I investigated the features of discourse marker （DM） so in English as lingua franca （ELF） by comparing it with its use in native speech. I first calculated the frequency of so in ACE and BNC. Then, taking Buysse＇s （2012） meta-functional theory of DM so as framework, I comprehensively analyzed the functions of so in ELF and native speech. The results show that Asian ELF speakers utter more tokens of so than native speakers, especially in the scopes of ＂marking results,＂ ＂marking conclusion,＂ ＂holding the floor,＂ ＂marking summary,＂ ＂opening new section of discourse,＂ and ＂shift-back and elaboration.＂ The study implies that in English teaching and learning, ELF should not be treated as an undeveloped language and that the teaching of discourse markers should focus more on the pragmatic functions than on semantic meaning in the narrow sense.展开更多
文摘This paper deals with the problems encountered while translating the book of short novels M. L., a gyilkos （The Murderer L. M.）, written by the contemporary Hungarian author Lazlo Marton （b. 1959）. One of the most important reasons why the translator of this book （who also happens to be the author of this paper） has chosen to translate into Serbian this particular book, and not some other, more famous work of Marton, lies in the thematic, geocultural, and historical parallels with the Serbian context, which form the main fabular line of these short stories. The other, from the perspective of this paper, even more relevant reason for this translational choice can be found in the non-everyday challenge that Marton＇s hardly translatable style and language pose to the translator. This kind of a situation almost requires that the translator sacrifices formal fidelity to the original text and tries to find more creative solutions; in other words, it suggests choosing the principle of the so-called dynamic equivalence over the formal equivalence principle. In this respect, a special problem is the need to translate the so-called ＂talking names＂, a narrative trick with a great tradition in Hungarian literature. The aim of this paper is to try to answer, with the use of a representative corpus of examples, the following question： Is it possible and where can we draw limits in this author-translation related field of play, and what should be the level of consistency allowed to the translator, i.e., to what extent can he/she become the ＂coauthor＂of the translated work？
文摘The present paper, in spite of its quite scandalous title, is just a serious reflection, from the inside, on a certain part of the poetry of a contemporary Romanian poet （the author of the paper himself）, in the line of a tradition starting with Poe＇s Philosophy of Composition （1846）, passing through the avant-garde and ending, for the moment, in Andy Warhol＇s self-promotion. The analysis from the inside and the honest reflection of the interplay between poetry, music, and contemporary popular culture might lead to a better understanding of the poetry made at the end of the 20th century--beginning of the 21 st century. The corpus analyzed is a series of poems written between 1994 and the present day, under the generic title of ditty, published in several books （between which a bilingual pamphlet, Ditties/Cfntecelce）, 1998）, and the paper speaks about their genesis, their poetics, and hopes to help the process of their interpretation, as well as to bring a new interpretation of the poetry/music relationship
文摘Based on the Asian Corpus of English （ACE） and the British National English （BNC）, I investigated the features of discourse marker （DM） so in English as lingua franca （ELF） by comparing it with its use in native speech. I first calculated the frequency of so in ACE and BNC. Then, taking Buysse＇s （2012） meta-functional theory of DM so as framework, I comprehensively analyzed the functions of so in ELF and native speech. The results show that Asian ELF speakers utter more tokens of so than native speakers, especially in the scopes of ＂marking results,＂ ＂marking conclusion,＂ ＂holding the floor,＂ ＂marking summary,＂ ＂opening new section of discourse,＂ and ＂shift-back and elaboration.＂ The study implies that in English teaching and learning, ELF should not be treated as an undeveloped language and that the teaching of discourse markers should focus more on the pragmatic functions than on semantic meaning in the narrow sense.
