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卡里尔·丘吉尔《我是哪一个》中的人类自识问题
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作者 黄晓露 《外国文学动态研究》 CSSCI 2024年第5期73-85,共13页
卡里尔·丘吉尔的剧作《我是哪一个》作为对英国克隆技术合法化政策的迅速应答,引发了广泛的社会关注。剧中,父亲萨尔特尝试用克隆技术制造新的后代以替换亲生儿子,然而因技术失误导致多个克隆体意外出现,从而引发了后代间的矛盾冲... 卡里尔·丘吉尔的剧作《我是哪一个》作为对英国克隆技术合法化政策的迅速应答,引发了广泛的社会关注。剧中,父亲萨尔特尝试用克隆技术制造新的后代以替换亲生儿子,然而因技术失误导致多个克隆体意外出现,从而引发了后代间的矛盾冲突以及他们各自的自识困境。本文认为,通过系统地放大和呈现克隆家庭内部不同角色对自我的探寻、建构与表征,剧作为观众提供了一个体验人类自识困境的多维平台,进而激发观众思考如何在愈加复杂的生存环境中认知自我,凸显了戏剧艺术在探讨和理解复杂人类议题时所具有的独特效能。 展开更多
关键词 人类自识 克隆技术 卡里尔·丘吉尔 《我是哪一个》
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Adorno on Art as Expressive Language
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作者 Feng Tao 《Sociology Study》 2014年第5期438-445,共8页
Adorno suggests that art is an essentially expressive language since it is the imitation of natural language. Adorno's language thought is derived from Benjamin's extensive language theory in which Benjamin claims t... Adorno suggests that art is an essentially expressive language since it is the imitation of natural language. Adorno's language thought is derived from Benjamin's extensive language theory in which Benjamin claims that all things including human being have languages. The telos of art's expression is expressing what the repressed things and human long for speaking. The authentic art preserves the trace of primordial human's instinct: mimesis. Through the subject miming the object in the expression of art, the real cognition is realized. According to this model, we can ascertain that artist is the real epistemological subject, the "collective subject" is factually the speaker of the expression and the epistemological objet which is primary in the production of art. Since art is a language, the standard of art is truth-false, and therefore, the truth content is the criterion of authentic art. Negativity is the core character of truth content. 展开更多
关键词 ART expressive language MIMESIS truth content
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