In this paper, we conduct research on the man-machine engineering theory and the applications on furniture design and interior decoration design. Furniture is one of the important media, contacts and relationships bet...In this paper, we conduct research on the man-machine engineering theory and the applications on furniture design and interior decoration design. Furniture is one of the important media, contacts and relationships between building it by their own different shape and size provide comfortable environment for people. Ergonomics is the study of human activity and the claim size on the surrounding environment, how to make furniture to better serve people' s life and work. Our research proposed novel paradigm of the man-machine engineering theory which is meaningful.展开更多
This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli's Imprese of 1586. Camillo Camilli (ca. 1560-1615--his exact birth date is unknown) was an Italian poet of the sixteent...This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli's Imprese of 1586. Camillo Camilli (ca. 1560-1615--his exact birth date is unknown) was an Italian poet of the sixteenth-century. His family came from Monte San Savino, Siena, and records mention that he died on July 13, 1615, in Ragusa. While personal documentation on Camilli's life is scarce there are substantial sources about his literary career as a translator, compiler and poet. Camilli wrote extensively. There are the five canti on Erminia e Tancredi which were collated with Tarquo Tasso's (1544-1595) unfinished poems, and his commentaries for Ludovico Ariosto's Orlando Furioso in 1584 and for Tasso's Gerusalemme Liberata in 1585. Under the influence of Tasso's writings and his involvement in the commentary of Gerusalemme Liberata (1585), Camilli started formulating his concetto (conceit) of what an impresa is (badge, device or insignia). The focus of this essay is on Camilli's Imprese for the Academies. The whole collection of the lmprese consists of three volumes. The frontispiece to each volume depicts three different stage settings filled with classical ornamentation and bearing in the center of the lintel the impresa or insignia of Francesco Ziletti's printing company--a starfish surrounded by stars and bound by a ribbon. Camilli selected this image to announce through the imprese the significance of these famous men (uominifamosi) of the academy, granting them immortality and honor for their cultural and intellectual accomplishments.展开更多
Chu mirror is one of the important components of Chu culture,and its decoration is an exotic flower of decorative arts garden in China. The Chu bronze mirror carries a rich Jingchu culture connotation. Its superb craf...Chu mirror is one of the important components of Chu culture,and its decoration is an exotic flower of decorative arts garden in China. The Chu bronze mirror carries a rich Jingchu culture connotation. Its superb craftsmanship,fine carved decorative patterns and inaage- rounded shapes reflect the mysterious religion belief, rigorous life attitude, romantic humanism and deep moral universe structure view of Chu people.It is the valuable cultural heritage that the ancestors left for the Jingchu land and the Chinese people. Digging the beauty of Chu mirror and its inheritance and transcendence, in the "global" and "globalization" context, conform to the issue of the 18th CPC National Congress " improving the national cultural soft power, playing the role of the cultttral leading customs, educating people, serving the society and promoting the development" .展开更多
Despite growing interest in female ornament evolution, we still have a rudimentary understanding of female display traits relative to similar traits in males. Under one popular adaptive scenario, female ornaments are ...Despite growing interest in female ornament evolution, we still have a rudimentary understanding of female display traits relative to similar traits in males. Under one popular adaptive scenario, female ornaments are hypothesized to function in female-female competition and serve as badges of status, such that their expression is linked with elevated aggression in some cases. In this study, we investigated the relationship between 2 female ornaments--male-like red throat color and red spine coloration--and female aggression in 2 independently derived stream-resident populations of three-spined stickleback Gasterosteus aculeatus. Using simulated intrusions, we tested whether females with redder ornaments were generally more aggressive, and for variation in aggressive and social behaviors between the 2 populations. We found that the red intensity of the throat and spine did not predict aggression levels in either population, suggesting a limited role for both female ornaments during female-female interaction. The 2 populations exhibited different levels of aggressive behaviors, unrelated to the color patches. Our results suggest that variation in selective pressures between populations may promote interpopulation variance in aggressive behavior but not the correlation between female ornamentation and aggression, and raise the possibility that red coloration may have evolved through different mechanisms or processes in the 2 populations.展开更多
文摘In this paper, we conduct research on the man-machine engineering theory and the applications on furniture design and interior decoration design. Furniture is one of the important media, contacts and relationships between building it by their own different shape and size provide comfortable environment for people. Ergonomics is the study of human activity and the claim size on the surrounding environment, how to make furniture to better serve people' s life and work. Our research proposed novel paradigm of the man-machine engineering theory which is meaningful.
文摘This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli's Imprese of 1586. Camillo Camilli (ca. 1560-1615--his exact birth date is unknown) was an Italian poet of the sixteenth-century. His family came from Monte San Savino, Siena, and records mention that he died on July 13, 1615, in Ragusa. While personal documentation on Camilli's life is scarce there are substantial sources about his literary career as a translator, compiler and poet. Camilli wrote extensively. There are the five canti on Erminia e Tancredi which were collated with Tarquo Tasso's (1544-1595) unfinished poems, and his commentaries for Ludovico Ariosto's Orlando Furioso in 1584 and for Tasso's Gerusalemme Liberata in 1585. Under the influence of Tasso's writings and his involvement in the commentary of Gerusalemme Liberata (1585), Camilli started formulating his concetto (conceit) of what an impresa is (badge, device or insignia). The focus of this essay is on Camilli's Imprese for the Academies. The whole collection of the lmprese consists of three volumes. The frontispiece to each volume depicts three different stage settings filled with classical ornamentation and bearing in the center of the lintel the impresa or insignia of Francesco Ziletti's printing company--a starfish surrounded by stars and bound by a ribbon. Camilli selected this image to announce through the imprese the significance of these famous men (uominifamosi) of the academy, granting them immortality and honor for their cultural and intellectual accomplishments.
文摘Chu mirror is one of the important components of Chu culture,and its decoration is an exotic flower of decorative arts garden in China. The Chu bronze mirror carries a rich Jingchu culture connotation. Its superb craftsmanship,fine carved decorative patterns and inaage- rounded shapes reflect the mysterious religion belief, rigorous life attitude, romantic humanism and deep moral universe structure view of Chu people.It is the valuable cultural heritage that the ancestors left for the Jingchu land and the Chinese people. Digging the beauty of Chu mirror and its inheritance and transcendence, in the "global" and "globalization" context, conform to the issue of the 18th CPC National Congress " improving the national cultural soft power, playing the role of the cultttral leading customs, educating people, serving the society and promoting the development" .
文摘Despite growing interest in female ornament evolution, we still have a rudimentary understanding of female display traits relative to similar traits in males. Under one popular adaptive scenario, female ornaments are hypothesized to function in female-female competition and serve as badges of status, such that their expression is linked with elevated aggression in some cases. In this study, we investigated the relationship between 2 female ornaments--male-like red throat color and red spine coloration--and female aggression in 2 independently derived stream-resident populations of three-spined stickleback Gasterosteus aculeatus. Using simulated intrusions, we tested whether females with redder ornaments were generally more aggressive, and for variation in aggressive and social behaviors between the 2 populations. We found that the red intensity of the throat and spine did not predict aggression levels in either population, suggesting a limited role for both female ornaments during female-female interaction. The 2 populations exhibited different levels of aggressive behaviors, unrelated to the color patches. Our results suggest that variation in selective pressures between populations may promote interpopulation variance in aggressive behavior but not the correlation between female ornamentation and aggression, and raise the possibility that red coloration may have evolved through different mechanisms or processes in the 2 populations.