This paper examines the directing, acting and rehearsal process in transforming the ancient Babylonian epic Gilgamesh for the stage using performers＇ journals as a means of determining the effect of corporeal non-wes...This paper examines the directing, acting and rehearsal process in transforming the ancient Babylonian epic Gilgamesh for the stage using performers＇ journals as a means of determining the effect of corporeal non-western styles on actors whose prior experience was almost exclusively in naturalistic and text-based theatre. The introduction of theatrical elements from multiple cultures including puppetry and the masks and techniques of Noh drama created a multi-tiered field for intercultural exchange. While Patrice Pavis＇s hourglass model for the transfer of theatrical material from a source to a target culture may hold true for productions that use linear modes of transmission, translation and incorporation of text, music, costumes and styles, its limitations make it necessary to posit alternative theories that take into account intercultural rehearsal practices, the collaboration of source and target culture and the dynamic interactions that take place through the agency of actor training in the fleshly physical theatre.展开更多
The famous F5 algorithm for computing Grobner basis was presented by Faugere in 2002. The original version of F5 is given in programming codes, so it is a bit difficult to understand. In this paper, the F5 algorithm i...The famous F5 algorithm for computing Grobner basis was presented by Faugere in 2002. The original version of F5 is given in programming codes, so it is a bit difficult to understand. In this paper, the F5 algorithm is simplified as F5B in a Buchberger＇s style such that it is easy to understand and implement. In order to describe F5B, we introduce F5-reduction, which keeps the signature of labeled polynomials unchanged after reduction. The equivalence between F5 and F5B is also shown. At last, some versions of the F5 algorithm are illustrated.展开更多
文摘This paper examines the directing, acting and rehearsal process in transforming the ancient Babylonian epic Gilgamesh for the stage using performers＇ journals as a means of determining the effect of corporeal non-western styles on actors whose prior experience was almost exclusively in naturalistic and text-based theatre. The introduction of theatrical elements from multiple cultures including puppetry and the masks and techniques of Noh drama created a multi-tiered field for intercultural exchange. While Patrice Pavis＇s hourglass model for the transfer of theatrical material from a source to a target culture may hold true for productions that use linear modes of transmission, translation and incorporation of text, music, costumes and styles, its limitations make it necessary to posit alternative theories that take into account intercultural rehearsal practices, the collaboration of source and target culture and the dynamic interactions that take place through the agency of actor training in the fleshly physical theatre.
文摘The famous F5 algorithm for computing Grobner basis was presented by Faugere in 2002. The original version of F5 is given in programming codes, so it is a bit difficult to understand. In this paper, the F5 algorithm is simplified as F5B in a Buchberger＇s style such that it is easy to understand and implement. In order to describe F5B, we introduce F5-reduction, which keeps the signature of labeled polynomials unchanged after reduction. The equivalence between F5 and F5B is also shown. At last, some versions of the F5 algorithm are illustrated.
