口述历史纪录片中代际记忆传承路径研究--以《土地我们的故事》为例

在人类文化的长河里,土地承载了人类热爱生命、尊崇道德、文化记忆的集体无意识。随着现代化进程不断推进,土地作为承载回忆和文化的地点正慢慢被取代,不可避免地会出现因不同代际传承记忆的断裂而导致代际记忆差异化的问题。《土地我们的故事》是中国第一部以农民为主人公的口述历史纪录片,以“大时代、小人物”的视角,通过口述史的方式书写了过去100年间中国人与脚下土地之间的复杂情感,通过视听表达与传播方式的大胆创新,让跨时代、跨地域的人能够共享文化记忆,获得深层次的归属感和认同感。

闪光灯记忆:一项跨学科的研究

闪光灯记忆是指当个体得知发生了引起较大情绪波动的公共事件——比如9·11事件——时对周围的情景记忆。认知心理学对闪光灯记忆的研究主要聚焦其认知的特性、公认的准确性以及对记忆内容的自信度。但是当从更广阔的集体记忆研究的跨学科视角来考察这一问题时,就会发现闪光灯记忆其实与社会的、文化的和叙事的动力学密不可分。因此,应将闪光灯记忆置于个体记忆叙事与集体记忆叙事的交汇处,通过将认知心理学的研究与文化记忆研究相结合,来探究闪光灯记忆叙事如何承载社会身份认同,又如何跨越国界和代际进行传递。

New era writers： aesthetic choices and the generation gap

Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and sense of responsibility and the strengthening of individual aspirations, they also show different aesthetic traits in terms of narrative form. Some advocate a realist style, while others pursue modernist techniques or are enamored of fragmentary details. At the same time, each generation projects its own aesthetic ideas. From the viewpoint of cultural anthropology, this kind Of generation gap essentially implies the effect of the latent protocols of different historical-cultural contexts and memories of growing up on the human spirit. Although the generation gap is an expression of a plural cultural scene, the question of how to strengthen intellectual interaction between different generations of writers and effectively overcome the limitations of each generation remains an important aspect of the promotion of the healthy development of modern Chinese literature.