妇女群体分层与女性社会特征新走向——以江苏省南通市妇女发展与妇联工作为个案的研究(之一)

随着改革开放的深入和一系列社会政策创新 ,中国的阶层结构发生了深刻的变化。这一变化也出现在妇女群体中。由此 ,妇女群体的价值观与需求发生了多元性转变 ,同时 ,一系列结构性矛盾在妇女群体中反映出来 ,并因此也带来妇女解放的新问题。本文以江苏省南通市妇女发展为个案 ,对妇女群体分层和女性社会特征新走向 ,进行实证考察与理论研究 ,形成了一些基本的看法。

Research on Evaluation of Terrace Cultural Landscape Heritage Value from the Perspective of AVC——Take Three Famous Terraces in Southern China for Example

The objective evaluation to the terrace cultural landscape heritage value can provide targeted scientific basis for continuation of terrace culture landscape and establishment of protection measures. On the basis of field investigation, expert consultation and literature review, combined with the AVC （Attraction、Vitality and Ca-pacity）theory and Analytic Hierarchy Process based on Fuzzy Comprehensive Evalu-ation, the terrace cultural landscape heritage protection evaluation system and eval-uation model, which selects 22 indicators from three levels including terrace culture landscape resources attraction, resources vitality and resources bearing capacity were structured. Based on col ection of data, material from field survey of China＆#39;s most representative Yunnan Yuanyang Hani terrace, Hunan Ziquejie terrace and Longsheng Longji terrace and relevant mathematical calculation to determine evalua-tion index weights, organical y combined of qualitative with quantitative analysis, the diversity, reasonableness and accuracy of evaluation system is improved. Compre-hensive result of mathematical statistics showed that the rank of the cultural land-scape heritage value with the three most representative terraces in southern China is： γ（Hani）〉γ（Longji）〉γ（Ziquejie）.

Beyond the Ontology of“Dance” as an Art： An Anthropological Analysis of Female Stage Performers

The proposed paper focuses on art as a form of cultural expression and it presents data based on ethnographic information of famous Pakistani musical theatres in Lahore, Province of Punjab. Most description of the performing arts is written by men with an exclusive male perspective. Little or no attempt has been made to explore women lives in performing theatre apart from their assigned role as physical crowd-pullers. This study presents how symbols are used to communicate, as each member of theatre community uses entire repertoire to convey messages, manual gesticulations, body gestures, facial expressions, dance patterns, a particular dress etc. at the cultural level. The central idea of this study is how artists use the body in performance to imagine and enact culture, values, humor, selfhood, and the complex relations among them. It discusses their real backstage life experiences and problems faced as well how and what type of contact they maintain with their audience and admirers. What are their moral values and what kind of social dilemmas they face, how the sexuality of theatre women is being controlled, their fears emotions, distress of theatre women etc. are the major research questions. In short, this anthropological inquiry takes into account all relevant social, cultural, political, economic, and religious dimensions of performing art.

社会主义核心价值体系与大学生德育研究

社会主义核心价值体系回答了中国举什么旗帜、走什么道路、坚持什么制度、弘扬什么精神的问题。就大学生思想政治教育而言,就是要回答培养什么人、怎样培养人的问题。社会主义本质与中国本体立场,决定了建设社会主义核心价值体系,就是要培养学生坚定拥护中国共产党领导的社会主义国家制度和社会制度的政治意识,焕发学生忠诚和报效社会主义祖国的爱国之心,发展学生对中华优秀文化传统的认同意识,激励学生为中华民族伟大复兴而作贡献的奋斗之志和创新之力。据此,就大学生对社会主义价值观的认知与认同、道德的知行关系及价值观进行了调研。