As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ...As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ever since its publication. Taking the overall structure, tone, and the theme of the novel into consideration, this paper aims to prove the credibility of this controversial part. It consists of five sections apart from an introduction and a conclusion. Section One provides general information on the life and works of Joseph Heller. Section Two traces the impact of existentialism and the generation of black humor to clarify the literary position of Catch-22. Section Three brings out the disputative opinions on the ending part. Sections Four and Five, try to prove Yossarian's final desertion a natural and convincing ending from different perspectives: Section Four analyses how Yossarian gains an entropic vision of the cosmos; section Five studies his existential vision of physical life and searches for the immediate factors that propel Yossarian's desertion. Section five also explains the ending's change in tone and structure. The conclusion summarizes the paper and points out the social significance of the novel.展开更多
Fear of crime varies considerably depending on its attitude towards environmental conditions. Sense of community and CPTED (crime prevention through environmental design) are believed to have an influence on fear of...Fear of crime varies considerably depending on its attitude towards environmental conditions. Sense of community and CPTED (crime prevention through environmental design) are believed to have an influence on fear of crime. This paper investigates the hypotheses of influences of CPTED on FOC (fear of crime) and SOC (sense of community). A total of 171 respondents from the designated residential areas were involved in this study. The structural equation modeling technique was employed and the results indicate that CPTED has a direct influence on fear of crime and sense of community. However, no significant relationship was found between SOC and FOC.展开更多
The relationship between architecture and faith has always been of great wealth. Faith as a way of life and social memory exercises a decisive influence on the shape of the construction environment. Yet this relations...The relationship between architecture and faith has always been of great wealth. Faith as a way of life and social memory exercises a decisive influence on the shape of the construction environment. Yet this relationship is rarely analyzed. On a general level, one reason for this deficiency is probably due to the spread of the ideology of modernity. Given that modernity is implicitly secular, it does not prompt to understand faith in its relationship with other phenomena. It is the same for architecture. We believe on the contrary that the construction environment and the cultural aspect must interact and complement each other. When this is not true or only partially true, this results in user dissatisfaction, and refusal to engage and participate in the process of changing that environment. Many authors have tried to show explicitly the influence of Islamic thought on the social organization and the housing as well as the link between housing and identity, but its implications have not always been understood and transmitted concretely. One thing is certain: the ideological -symbolic-metaphoric sphere is the essence of architecture, as are the program requirements: functionality, distributivity, health of the environment and technology of construction. In this contribution we will address the thorny issue of cultural and religious influences on the choice of the morphology of the habitat and its components, and we will try to highlight the interaction between architecture, faith and culture through analysis of a Mediterranean type "House with Patio" as a particular architectural style, which has been enriched through the centuries by different cultures. Although the course of this typology in each of these cultures and at different times has not been the same, this has only strengthened the mission and spirit of the "Patio" until the appropriation of this model by the Arab-Muslim peoples who were able to incorporate the Islamic perception in this space.展开更多
文摘As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ever since its publication. Taking the overall structure, tone, and the theme of the novel into consideration, this paper aims to prove the credibility of this controversial part. It consists of five sections apart from an introduction and a conclusion. Section One provides general information on the life and works of Joseph Heller. Section Two traces the impact of existentialism and the generation of black humor to clarify the literary position of Catch-22. Section Three brings out the disputative opinions on the ending part. Sections Four and Five, try to prove Yossarian's final desertion a natural and convincing ending from different perspectives: Section Four analyses how Yossarian gains an entropic vision of the cosmos; section Five studies his existential vision of physical life and searches for the immediate factors that propel Yossarian's desertion. Section five also explains the ending's change in tone and structure. The conclusion summarizes the paper and points out the social significance of the novel.
文摘Fear of crime varies considerably depending on its attitude towards environmental conditions. Sense of community and CPTED (crime prevention through environmental design) are believed to have an influence on fear of crime. This paper investigates the hypotheses of influences of CPTED on FOC (fear of crime) and SOC (sense of community). A total of 171 respondents from the designated residential areas were involved in this study. The structural equation modeling technique was employed and the results indicate that CPTED has a direct influence on fear of crime and sense of community. However, no significant relationship was found between SOC and FOC.
文摘The relationship between architecture and faith has always been of great wealth. Faith as a way of life and social memory exercises a decisive influence on the shape of the construction environment. Yet this relationship is rarely analyzed. On a general level, one reason for this deficiency is probably due to the spread of the ideology of modernity. Given that modernity is implicitly secular, it does not prompt to understand faith in its relationship with other phenomena. It is the same for architecture. We believe on the contrary that the construction environment and the cultural aspect must interact and complement each other. When this is not true or only partially true, this results in user dissatisfaction, and refusal to engage and participate in the process of changing that environment. Many authors have tried to show explicitly the influence of Islamic thought on the social organization and the housing as well as the link between housing and identity, but its implications have not always been understood and transmitted concretely. One thing is certain: the ideological -symbolic-metaphoric sphere is the essence of architecture, as are the program requirements: functionality, distributivity, health of the environment and technology of construction. In this contribution we will address the thorny issue of cultural and religious influences on the choice of the morphology of the habitat and its components, and we will try to highlight the interaction between architecture, faith and culture through analysis of a Mediterranean type "House with Patio" as a particular architectural style, which has been enriched through the centuries by different cultures. Although the course of this typology in each of these cultures and at different times has not been the same, this has only strengthened the mission and spirit of the "Patio" until the appropriation of this model by the Arab-Muslim peoples who were able to incorporate the Islamic perception in this space.