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“国”字新证
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作者 贾子炯 《南都学坛(南阳师专学报)》 1994年第2期0045-0049,共5页
“国”字新证贾子炯国字初文作或,甲文作,金文作,国是或的今字。文字改革后,简化为国。关于国的古文或字的字形分析,文字学界历来众说纷纭。大体说来,一为形声说,一为会意说。高鸿缙认为:或为国之初字,从□,为地区之通象,合... “国”字新证贾子炯国字初文作或,甲文作,金文作,国是或的今字。文字改革后,简化为国。关于国的古文或字的字形分析,文字学界历来众说纷纭。大体说来,一为形声说,一为会意说。高鸿缙认为:或为国之初字,从□,为地区之通象,合之为有疆界之意,属指事符益之以戈声... 展开更多
关键词 "国" 字形分析 形声 会意说 造字原则 国家形态发展
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Evaluation of the Elements of Orality in O. K. Matsepe's Novel Lesitaphiri (Unsolved Problem)
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作者 Mokgale Makgopa 《Sino-US English Teaching》 2012年第7期1325-1338,共14页
Oral literature transcends from orality to scribality and then textuality due to technological innovation. This paper seeks to evaluate the value of the characteristics of orality as applied by Oliver Kgadime Matsepe ... Oral literature transcends from orality to scribality and then textuality due to technological innovation. This paper seeks to evaluate the value of the characteristics of orality as applied by Oliver Kgadime Matsepe in his novel Legitaphiri (Unsolved Problem) (2008). This will be done by taking into account the significance of self and community in a developing and changing society. It is important to note that all cultures are born from orality. However, the changes that the self and community undergo have a strong impact on the communications models within the community. This is influenced by the self and community, as the writer expresses his/her views by means of language that is based on a particular community. 展开更多
关键词 orality indigenous literature INTERTEXTUALITY scribality pimary orality secondary orality
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Out of Absurdity On the Ending of Catch-22
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作者 YE La-mei 《Journal of Literature and Art Studies》 2014年第6期423-435,共13页
As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ... As one of the first and most original creations of literary postmodernism, published in the year 1961, Catch-22's (1961) position in American literature remains secure. Yet its ending has been held as unconvincing ever since its publication. Taking the overall structure, tone, and the theme of the novel into consideration, this paper aims to prove the credibility of this controversial part. It consists of five sections apart from an introduction and a conclusion. Section One provides general information on the life and works of Joseph Heller. Section Two traces the impact of existentialism and the generation of black humor to clarify the literary position of Catch-22. Section Three brings out the disputative opinions on the ending part. Sections Four and Five, try to prove Yossarian's final desertion a natural and convincing ending from different perspectives: Section Four analyses how Yossarian gains an entropic vision of the cosmos; section Five studies his existential vision of physical life and searches for the immediate factors that propel Yossarian's desertion. Section five also explains the ending's change in tone and structure. The conclusion summarizes the paper and points out the social significance of the novel. 展开更多
关键词 ABSURDITY CATCH-22 the ending
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