我国传统文化与当代大学生思想政治教育的结合

党的十九大以来,以习近平同志为核心的党中央越来越重视中国传统文化的巨大作用。在教育界,教育工作者也日趋感受到中国传统文化对于教育所带来的重要意义。在当代大学生思想教育中引入中国优秀传统文化能够促进大学生身心全方面的发展。文章分析了目前我国大学生思想政治教育中存在的一些问题,以及中华传统文化对于我国大学生思想政治教育的重要影响,并且针对大学生思想政治教育存在的问题,从传统文化的视角提出了对策建议,希望能够促进大学生思想政治教育工作的深入推进,也能够促进大学生身心健康发展。

弘扬人文精神 塑造智慧人生

近期，云南大学社科处主办了由校长吴松教授、党委副书记武建国教授主持的“人文论坛系列互动报告会”，先后邀请了学校著名史学家李埏先生、著名古代文艺美学家张文勋先生、著名哲学家赵仲牧先生。

从修改成语现象看今天国人的实用主义价值观

The practice of four-character Chinese idioms alteration used in the signboards by substituting character （s） with their homophonous words has grown into a general trend. Fifty-one altered idioms are collected. The majority of the modifiers are medium-small store owners. Idiom alteration for specific purpose differs from the idiom misinterpretation. Speedy economic growth and material wealth pursuit social context stimulate the idiom alteration behavior which enforces the pragmatism value orientation. By modifying idioms into four-character structures of strong practical effect, the obvious pragamtic value of the businessmen and of Chinese are manifested. A causal analysis method is used.

The Major Western Cultural Influences on the Incubating Process of Ezra Pound＇s Early Poetics

This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on Pound＇s transition from subjectivity to objectivity.

Four Dimensions to Construct China＇s Modem Discourse of Aesthetics Based on China＇s Aesthetic Development in 20th Century

Contemporary Chinese scholars proposed that China should construct modem Chinese aesthetic discourse system, therefore, we should attach great importance to China＇s own aesthetic development in 20th century and learn experience from it. There are four dimensions of learning. First, we should seek the origin of methods from Marxism. Second, the study should deeply rooted in Chinese traditional culture. Third, we should refer to ancient and modem Western aesthetic theories. Last but not the least, all the scholars should be encouraged to express their views freely and equally. The four dimensions, which plays an important role in constructing China＇s modem discourse of aesthetics, derived from the conclusion and experience of China＇s modem aesthetic development in 20th century.

Technology Embedded Imagination for Arab Women

With advancing channels of communication easing the availability of technological tools, the young minds of women in the Arabian Peninsula are ready to adopt forthcoming challenges. The embrace of storytelling in the digital realm by these young minds reflects the interplay of traditional culture, western modernism, and changes brought about by media industries. These women have adopted and used new media as a vehicle to maneuver their interesting and fresh ideas and have seen the rectilinear screen of a computer as an exit through which to come out and say something to the masses. The thinking methodology has culminated in pragmatic and dynamic visuals in order to celebrate, inform, and create awareness about the issues that they see in the region and among the people. With this freedom of expression, they are creating a new visual culture and transforming themselves into a meaningful workforce. With emerging technological tools, they blend intuitive, pragmatic, emotional, and contextual imagination with a highly-sophisticated production pipeline in order to incorporate the challenges of synthesizing ＂dialect＂ and ＂codes＂ that have traditionally been segregated in the culture. Their work is an amalgamation of arts/design, animation, life footage, and meaningful communication. With cyclical evaluation, they entwine the two elements, creativity, and technicality with massive exposure of Digital Assists Management （DAM）. This paper explains how current technological tools and contextualized teaching instructions foster meaningful content with the elicitation and mergence of Arab anthropological characteristics.

On Chinese New School in portrait sculpture

＂The new academic portrait sculpture＂ is the mainstream style of Chinese contemporary portrait sculpture, it attempts to rethink traditional and contemporary cultural on the basis of the traditional realism College. Perhaps this attempt was coordinated with Chinese traditional ＂ eclectic, absorbing ＂ idea, and soon was unanimously affirmed. Parts of the second generation of sculptors have begun to ＂ adapt to the times,＂ the vast majority of third-generation sculptors completed the transition very quickly, and therefore produced various works, such as Li Xiangqun＇ s ＂Guo Moruo ＂, Jiang Jie ＇ s ＂ classmates series ＂etc.

Effect of Oral Traditions, Folklores and History on the Development of Education in Nigeria, 1977 Till Date

Nigerian literatures contain history in the oral tradition and folklore like satire, proverbs, chants, symbolism etc. in the pre-literate period, Nigeria enjoyed high level of verbal art civilization which traditional rulers and the generality of the populace patronized. The oral tradition served as medium of preservation of culture and history of the ancient past and experiences. Though, most Nigerians can still remember their family history, folklore, tradition and genealogy, only few oral artists and youths of nowadays possess the skill and ability needed to chant the lengthy oral literature. It is in the light of the above that this study examined the effect of oral tradition, folklore, and history on the development of education in Nigeria, 1977 till date. The study adopted historical research method using primary and secondary sources of information to analyze data. Primary sources include, like archive materials, oral interviews and secondary sources include, like textbooks, speeches, journals, and internet materials and images. The outlines of the paper are： the definition of concepts, historical background of Nigerian oral tradition, and folklore in the educational system, the place of oral tradition, folklore and history in the education policy in Nigeria since 1977, the effect of oral tradition, folklore and history on the development of education in Nigeria since 1977, the prospects of oral traditions, folklore and history on the development of education in Nigeria, conclusion and a few recommendations for future improvement. The findings of the study revealed that oral traditions, folklore and history were the bed-rock for the development of education and society in the pre-colonial period, but these were dropped gradually with the advent of the colonial masters and gradually deteriorate both in the educational curriculum and general conduct of the society and these have adverse effect on the nation＇s economy. It is recommended that the beauty of Nigerian history, oral and written traditions, culture, folklore like proverbs, chants, satire and symbolism, be brought back into the school system, politics and every sector of the Nigerian economy for proper advancement to take place in the education sector and for overall national development.

＂They Are Married to kunqu＂ ——Cultural Studies Inspired by a Chinese Traditional Theatre

In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.

Apocalypse and Body Transgression： On Picasso’s Crucifixion （1930）

The article deals with the question of the possibility of a new interpretation of Picasso’s picture entitled Crucifixion, which was created in the context of the art paradigm shift in the 1930s when the master focused his attention to the return to painting as a reference framework of myth and religion. But this return was only a turning point towards a modern understanding of the world and art from other sources. It should be noted that the problem of pictorial turn nowadays has a strong impact on the postmodern theology, which encompasses various cultural traditions, and also quite opposite philosophical attitudes. The article shows, thus, the inner relationship and connection between painting art and the search for transgression in the language that was the idea of Bataille. In the first part of this article, author tries to show the consequences of Bataille’s thinking of transgression; the second part has attempted to articulate the problems of interpretation of Picasso’s canvas Crucifixion; and concluding remarks is an attempt to review the emphasis on relationship with pictorial turn and transformations in the notion of contemporary art concerning the body as a sovereign event of the freedom and sacrifice.

Musical Urbanism between Radicalism and Tradition： A Reflection on the Architectural Discourse of the 1920s

In the aftermath of the First World War, various compositions emerged that explored the phenomenon of the modem city by translating the clamorous sounds of urban environments and reflecting them artistically in the medium of music. With the rendering of poetic and esoteric moods unrelated to practical life considered outdated, musical preoccupation with modem architecture mostly concemed social aspects, such as people＇s circumstances, their emotional rootedness to bygone conditions and the search for orientation in an environment characterized by technology. There is a parallel here with contemporary architectural debates in which tension between modernism and traditionalism also played a key role.

舞蹈艺术的中国式浪漫——以杭州亚运会开幕式为例

杭州第十九届亚运会(The 19th Asian Games),简称“杭州亚运会”,于2023年9月23日至10月8日在中国浙江省杭州市成功举办。在开幕式上,舞美基调大道至简,舞者通过自身肢体语言完成了丰富且深邃的情感表达。在舞姿与舞美的完美结合中,释放出了生生不息的力量,融亚运精神和中国情感于一体,给全球观众带来了一场视觉盛宴。

The Eternal ＂May Fourth Movement＂： Between Enlightenment and Tradition

This paper mainly discusses two key issues： how to evaluate the New Culture Movement and how to understand the relationship between enlightenment and the New Culture Movement. With regard to the former, the author puts forward the basic principles to be established for the evaluation of the New Culture Movement： not only to respect the historical facts, but also take a broad view to make a comprehensive survey of history and the world. Through an analysis of the current situation at home and abroad, this paper argues that it is precisely because the New Cul~＇e Movement rejected the darkness in the fields of politics, morality, academics and ideology which had ruled China for thousands of years, promoted insemination of political democracy, freedom of thought, and spiritual independence, which helped to prepare the mass basis for Marxism to spread in China, that it became possible to achieve the victory of socialism in China. Regarding the latter, the author believes the New Culture Movement could not complete the task of enlightenment once and for all in China. The reasons are as follows： China has thousands of years of old culture and old traditions, the Chinese culture and the European traditions are quite different, and the situation confronting China during the New Culture Movement period was far more complicated than the situation during the European Enlightenment in the 16th-18th centuries. So, when it was divorced from the future fate of the Chinese nation, the empty talk of personality liberation and personal freedom was not only unrealistic, but also poled apart from the rationalist analysis and application advocated by the Enlightenment.

Repositioning Ethnicity in the Process of State Building： The Power of Culture and the Poverty of Interpretation

In this article, the author tries to analyze the incongruity between ethnicity and its theorization in China and explore the tension between the mainstream discourse of homogenization-cure-nationalism and the minority linguisticcultural ＂heteroglossia, ＂ as is typified by the conceptual and practical difficulty in translating Minzu[ I ] as well as the political revival and pragmatic use of traditional culture. Drawing on Walker Connor＇s study of the national question in Marxist-Leninist theory and strategy, the author argues that the old formula of ＂national in form, socialist in content,＂ as has been applied in China, lacks a Thirdness-based ＂indexical embodiment＂ dimension, a defect that creates a situation ＂national in form, ethnic in content,＂ and leads to political ambiguities and identity conflicts.

The Cultural Discovery and Practical Implications of “Chinese Values”

The social reforms in China since the late 1970 s represent an arduous process in which the Chinese nation,in its own way,has reflected upon the many disadvantages of the ＂civilization of modernity,＂ and has explored,created and practiced ＂Chinese values,＂ pursuing and shaping new spiritual convictions and new（rational） value beliefs for its national culture.In a deeper sense,＂Chinese values＂ are endowed with a marked orientation toward practice and follow the logic of genuinely implementing society＇s ＂public values＂ on the basis of the intrinsic and organic integration of the personal and public and the national and cosmopolitan.This manifests the pursuit of a noble belief in justice and a commitment to a universal and genuine good life for the Chinese populace today.What ＂Chinese values＂ seek to forge is an image of ＂the Chinese＂ that manifests not only the disposition and breadth of vision of a contemporary ＂citizen of the world,＂ but also the fine traits of tolerance,benevolence,responsibility,and courage,as well as self-esteem,self-improvement,confidence,and self-reliance.

The Return of Confucianism in China： Legitimacy and the Rule of the Communist Party of China

In countries with long histories, traditional culture plays an essential role in shaping social norms and influencing contemporary development. Confucianism, one of the world＇s oldest philosophies, justified the legitimacy of imperial China for about two thousand years but was attacked from the late Qing to the end of the Cultural Revolution. Ever since Deng Xiao-ping＇s economic reform, the Communist Party of China＇s legitimacy has been undermined, so the CPC has been facing a legitimacy crisis. The New Confucianism Movement has encouraged many scholars and officials to integrate a Sinolized Marxism and Confucianism dynamic for the CPC to employ as a legitimacy tool. This paper argues that Confucianism can help the CPC relegitimize its rule in China by using nationalism to strengthen traditional legitimacy and political, economic, and diplomatic development to increase its performance legitimacy.

SPECIAL ISSUE： IMPORTANT ISSUES IN MARXIST PHILOSOPHICAL STUDIES IN CONTEMPORARY CHINA：Develop research in Marxist philosophy in China on the basis of the country＇s specific realities

To develop research on Marxist philosophy in China by basing it on the specific realties of China spells out the methodological principle that research on Marxist philosophy in China should have; the essence of its demand for the upholding of specific Chinese realities as both the starting point and destination for research on Marxist philosophy in China is the Sinicization of Marxist philosophy. This is the essential demand of Marxist philosophy as well as the objective need of Chinese society for development, and also the fundamental route for ceaseless theoretical innovation in research on Marxist philosophy in China and the foundation for the integration of diversified approaches in such research. To strictly adhere to and practice this principle, we must resolutely oppose dogmatism under any form, maintain a certain tension between the academic nature and the actualities of research on Marxist philosophy, and hold fast to our basic principles in interacting with our traditional philosophy and the philosophy from the West.