Farabi defines ＂Ilm al-Hiyal＂ （mechanic） in Ihsa al-Ulum as ＂knowing a way by which, human can adjust all of the concepts that have been proved in mathematics with verification to exotic objects, and helps their ...Farabi defines ＂Ilm al-Hiyal＂ （mechanic） in Ihsa al-Ulum as ＂knowing a way by which, human can adjust all of the concepts that have been proved in mathematics with verification to exotic objects, and helps their states in exotic objects to be carried＂. He believes this will be recognized and be attained by craft （sana＇at, art）. This was the common view in Islamic wisdom and philosophy in third and fourth Hijra centuries （9 ＆ 10 CE）. Researchers believe that the unique emphasis on parallelism between theoretical science and practical work is an important feature of Baghdad school and affected Islamic visual culture. Baghdad school had been affected by translation. In this way, Ikhwan-al-Safa, whom wrote the first encyclopedia of science in Islamic culture, had a very efficient role. They devised geometry into intellectual and sensual ones in the second part of their book, al-Rasa-el, and considered intellectual geometry as one of the middle philosophy and recognition and understanding factor for meaning of sensual geometry evidences. They insisted on basic situation of intellectual geometry in guidance of whom, want to learn intellectual things from sensual ones. They knew intellectual geometry as the factor for requiring skill in scientific crafts （sana＇at）, and sensual geometry as the factor of practical crafts, and made a vast relation between them. They also defined end of intellectual geometry understanding the base of all sciences and the main factor of wise, essence of self （nafs）. Important feature of Ikhwan-al-Safa＇s wisdom is omitting the gap between theory and practice, making a vast relation between them, which affected the meaning of crafts in Islamic culture, and rendered a spiritual feature to crafts and arts. It seems this relation has created the concept of traditional arts, and integrating wisdom and crafts in Iranian-Islamic culture constructed all of the Fotowat-Nam e （book of Chivalry）. This article reviews the concept, which affiliates theory and practice in third and fourth centuries and has a deep effect on recognition of art and craft in Islamic culture.展开更多
In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the studen...In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.展开更多
Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is ...Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is restricted not only by historical change and geographical conditions and also by how to inherit the craftsmanship. In this paper, through the literature studies, sociology investigation, market research, and comparative analysis of the traditional pastel industry in Jingdezhen, the making flows of famille rose decoration and color enamel are introduced plus the author＇s understanding of famille rose decoration and color enamel, and also the understanding and inheritance of Jingdezhen traditional famille rose decoration and color enamel craftsmanship as ＂intangible cultural heritage＂ are discussed. Therefore, theoretical basis and practice guidance are provided for famille rose decoration and color enamel craftsmanship to develop toward the cultural industry, and also a reference in theory and practice is available for the inheritance and development of the handmade ceramic products as ＂intangible cultural heritage＂.展开更多
文摘Farabi defines ＂Ilm al-Hiyal＂ （mechanic） in Ihsa al-Ulum as ＂knowing a way by which, human can adjust all of the concepts that have been proved in mathematics with verification to exotic objects, and helps their states in exotic objects to be carried＂. He believes this will be recognized and be attained by craft （sana＇at, art）. This was the common view in Islamic wisdom and philosophy in third and fourth Hijra centuries （9 ＆ 10 CE）. Researchers believe that the unique emphasis on parallelism between theoretical science and practical work is an important feature of Baghdad school and affected Islamic visual culture. Baghdad school had been affected by translation. In this way, Ikhwan-al-Safa, whom wrote the first encyclopedia of science in Islamic culture, had a very efficient role. They devised geometry into intellectual and sensual ones in the second part of their book, al-Rasa-el, and considered intellectual geometry as one of the middle philosophy and recognition and understanding factor for meaning of sensual geometry evidences. They insisted on basic situation of intellectual geometry in guidance of whom, want to learn intellectual things from sensual ones. They knew intellectual geometry as the factor for requiring skill in scientific crafts （sana＇at）, and sensual geometry as the factor of practical crafts, and made a vast relation between them. They also defined end of intellectual geometry understanding the base of all sciences and the main factor of wise, essence of self （nafs）. Important feature of Ikhwan-al-Safa＇s wisdom is omitting the gap between theory and practice, making a vast relation between them, which affected the meaning of crafts in Islamic culture, and rendered a spiritual feature to crafts and arts. It seems this relation has created the concept of traditional arts, and integrating wisdom and crafts in Iranian-Islamic culture constructed all of the Fotowat-Nam e （book of Chivalry）. This article reviews the concept, which affiliates theory and practice in third and fourth centuries and has a deep effect on recognition of art and craft in Islamic culture.
文摘In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.
文摘Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is restricted not only by historical change and geographical conditions and also by how to inherit the craftsmanship. In this paper, through the literature studies, sociology investigation, market research, and comparative analysis of the traditional pastel industry in Jingdezhen, the making flows of famille rose decoration and color enamel are introduced plus the author＇s understanding of famille rose decoration and color enamel, and also the understanding and inheritance of Jingdezhen traditional famille rose decoration and color enamel craftsmanship as ＂intangible cultural heritage＂ are discussed. Therefore, theoretical basis and practice guidance are provided for famille rose decoration and color enamel craftsmanship to develop toward the cultural industry, and also a reference in theory and practice is available for the inheritance and development of the handmade ceramic products as ＂intangible cultural heritage＂.
