创新与变革对传统珐琅工艺的意义

横跨了元明清三代的珐琅有着长达数百年的发展史。历经无数变迁,这一民族工艺到了现代社会,却和无数传统工艺一样逐渐面临一种尴尬局面。拍卖行里行情节节高升,似乎很是红火,而实际上传承越发艰难,会做的工匠越来越少。创新与变革是传统珐琅焕发生命力的前提和必要条件。传统固然是要传承的,但是一成不变的传承无疑是固步自封,得不偿失的。事物总是在不断寻求发展,进行自我完善。中国工匠如果没有在"大石窑"的基础上加入中国元素,那么就没有中国珐琅器的诞生。明朝的工匠如果没有创新地采用蓝色为主基调,那么就不再有景泰蓝这一举世闻名的珐琅精品。传统,只有进步发展,才会有生命力,否则,就成为束缚住自己,扼杀自我的枷锁。传统珐琅是中国知名的艺术品,传承数百年,在今世今日,面对传统工艺逐渐没落的现实,我们所要做的是面对现实,努力突破,将新的思路注入其中,重现明清时期的辉煌。

浅析珐琅工艺在当代的发展和应用

珐琅作为一门古老的工艺,在中国历经传入、本土化、传承与融会贯通几个阶段,其制作工艺、釉料配比,烧制技法等都不断得到完善和提升。传统珐琅器色彩华丽,器形庄重,工艺复杂,装饰感强,一直贵为皇家御用之物,寻常百姓难得一见。而在当代,珐琅工艺更为广泛地走进大众的视野,以更丰富的形式展现其独特魅力。国内外珐琅爱好者和设计师也正在致力于如何让珐琅工艺贴近生活、走进生活。本文试分析当代珐琅工艺的发展状况并探讨如何从传承发展的角度对珐琅工艺创新应用。

Discussion on the Understanding and Inheritance of Jingdezhen Traditional Famille Rose Decoration and Color Enamel Craftsmanship

Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is restricted not only by historical change and geographical conditions and also by how to inherit the craftsmanship. In this paper, through the literature studies, sociology investigation, market research, and comparative analysis of the traditional pastel industry in Jingdezhen, the making flows of famille rose decoration and color enamel are introduced plus the author＇s understanding of famille rose decoration and color enamel, and also the understanding and inheritance of Jingdezhen traditional famille rose decoration and color enamel craftsmanship as ＂intangible cultural heritage＂ are discussed. Therefore, theoretical basis and practice guidance are provided for famille rose decoration and color enamel craftsmanship to develop toward the cultural industry, and also a reference in theory and practice is available for the inheritance and development of the handmade ceramic products as ＂intangible cultural heritage＂.